Paper Abstract Prints

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Artist: Kate Delos – Mexican/American (1945- ) Title: Untitled – Abstract Flower Year: 1983 Medium: Monotype Image size: 15.5 x 11.75 inches. Paper si...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white with red. Title of this artwork is 'Equivalent shapes'. ...

"Flavio Garciandia (Cuba, 1954) 'El camino de Santiago (de Cuba)', 2004 silkscreen on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 106 ID: GAR157...

Limited, Edition 10. Signed by the author. Fine Art Print, could be delivered also in different sizes.

Limited edition 10 in this size. Fine Art Print. Other sizes on request.

Myril Adler "Knight" c.1960s Collagraph ink on paper 2"x5" site unframed edition 2/50 Signed and titled in pencil Myril Adler, was born on September 22, 1...

Beautiful Lithograph unframed si2gned and numbered 3/18 circa 1980' s in the style of Victor Vasarely very nice condition. Signed by Chester Solomon , title Cubist Extensions #2.

Artist: Felix Ruvolo – American (1912 - 1992) Title: “Samson and Delila” aka “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 30 x 22.5 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Embossed printer’s chop lower left of Ernest De Soto Numbered: 39/75 lower right in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. The print has no margins – it is full bleed. The print is in excellent condition. Felix Ruvolo was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute. By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.” His many one-man shows included those at the Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia. His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time, he met many Bay Area artists who were to become life-long friends of the Ruvolos. His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus. His earlier works were referential, often on fantasy themes. These new paintings were non-objective in idiom, rich in color, line and texture. They were marvelous, they were beautiful, they bespoke his creative genius. Critics came, collectors came, colleagues came, students came, friends from the East came. Artists were invited to serve as visiting faculty. George McNeil, then Director of the Pratt Institute, said that he accepted an invitation to come to Berkeley because Felix was there. Among his students who have achieved distinction in the profession are: Wayne Anderson, Walter de Maria, Mark di Suvero, William Brown, Mary Snowden...

Valentine's Gift

Luis Feito (Spain, 1929-2021) 'Untitled I (Dypthic)', 2017 lithograph on paper 39.4 x 55.2 in. (100 x 140 cm.) Edition of 35. Original 50, 35 of the regular edition and P/E: 4, B.A.T...

A superb impression of this color lithograph with hand coloring in watercolor and gouache on Velin Arches mould-made paper. Signed, dated and numbered 88/90 in pencil by Hodgkin. Pri...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyano...

Maud Morgan "SSI" c.1970s Silkscreen on silver paper edition A/P 11.75"x15" framed silver frame 19.25"x1"x22.25" Signed in pencil lower left

This 1966 American Modernist abstract color lithograph by renowned artist Lewis Lee Tilley (1921-2005) is a striking example of mid-20th-century abstract art, showcasing Tilley's distinctive approach to composition and color. The piece is pencil-signed by the artist and numbered 4 of a very limited edition of only 5 prints, adding to its rarity and collectible value. With bold, dynamic colors and a unique abstraction of form, this lithograph captures the essence of Tilley's modernist style. The print is elegantly presented in a custom frame, with outer dimensions of 29 x 23 inches and an image size of 12 ½ x 10 ½ inches, making it a standout piece for any collection. This lithograph is in very good vintage condition and is clean and well-preserved. For more information, please contact us for a detailed condition report. Provenance: Fremont Center for the Arts, Canon City...

Colorful and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-201...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Dramatic and compelling abstract lithograph of an abstracted lava-like form or glowing skyline under a full moon on a pitch black background by Patricia A. Pearce (American, b. 1948)...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black, blue and white. Title of this artwork is 'A road'. Artwork is sig...

Myril Adler "Moonscape" c.1960s Intaglio etching collage, ink on paper 3"x6" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (n...

In the artist's Art and Design original print series and Inspired by Matisse, Flower Vase, 2020 by a.muse blooms with color and energy. A 14" x 10" one-of-a-kind abstract art on wate...

Abstract Multi Layer Woodblock Print on Heavy Paper, 1/1 Brightly colored one-of-a-kind multi-layer abstract composition by Michael William Eggleston (American, 20th Century). Patche...

Funny Business Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, includin...

Flavio Garciandia (Cuba, 1954) 'Sin título III', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 99 Unframed ID: GAR1570-003-106

Luis Feito (Spain, 1929-2021) '10 Feitos Portfolio', 2017 lithograph on paper Conqueror Connoisseur 300 g/m2 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition 40. Original 54, 40 of the regula...

Through the use of bright color a.muse creates harmony and balance for a one-of-a-kind monotype, Roses, 2020 is in the artist's Art and Design original print series, An abstract wor...

Luis Feito (Spain, 1929-2021) 'Untitled IX', 2017 lithograph on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 35. Original 50, 35 of the regular edition and P/E: 4, B.A.T.: 1, P/A:...

"Justo Barboza (Argentina, 1938) 'Sin título (azul turquesa)', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-018-015 Hand-sig...

Valentin-Gift

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

This engaging artwork is a print on paper create by the Italian artist Gualtiero Nativi. It is a multiple of 250 specimens and it is numbered n. 2. Gualtiero Nativi is a well known ...

Luis Feito (Spain, 1929-2021) 'Untitled II (Dypthic)', 2017 lithograph on paper 39.4 x 55.2 in. (100 x 140 cm.) Edition of 35. Original 50, 35 of the regular edition and P/E: 4, B.A....

A piece on freedom, movement, and rhythm, Twirling, 2018 by a.muse is In the artist's Art and Design original print series. The Abstract art on paper...

Author: Baruj Salinas (Cuba, 1938) Title: 'Nebula incandescente', 1977, Artist Proof Medium: Limited Edition Print. Technique: Mixed media on paper Size: 22.1 x 30 in. (56 x 76 cm.) ...

JERZY DMITRUK (born in 1960) He studied at the Academy of Fine Arts at the Faculty of Paintings and Graphics. Dmitruk graduated in 1986 from the atelier of professor Juliusz Joniak a...

The simple geometries and bright colors that recur throughout FEMM’s, have an inherently contemporary and urban feel. It’s no wonder, then, that the metropolitan city is one of FEMM’s greatest sources of inspiration. Whether it’s the zestful energy, the colorful clothes...

In the artist's Art and Design original print series, Intuition, 2019 by a.muse is on listening to your heart. A chine-colle monotype, hand-pulled on the etching press by the artis...

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a light blue and pale grayish lilac background. The monotype brings to mind the tradition of J...

Sunrise. 1965, paper, etching, 53x52 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the ...

Luis Feito (Spain, 1929-2021) 'Untitled IV', 2017 lithograph on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 35. Original 46, 35 of the regular edition and B.A.T.: 1, P/A: 5, H.C....

The simple geometries and bright colors that recur throughout FEMM’s, have an inherently contemporary and urban feel. It’s no wonder, then, that the metropolitan city is one of FEMM’s greatest sources of inspiration. Whether it’s the zestful energy, the colorful clothes...

Original one off collagraph mono prints. 30 x 30cm (printed area) on Fabriano paper.

Digital art print on Lex Jet, 170 gram Satin Stock paper Blue abstract geometric kaleidoscope pattern made as abstractions of the artist's hand painted GLYPHS series Hand-signed by...

David Morris Minuamo Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

Alan Shields TV Re-Run B, 1978 Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board Signed, num...

Luis Feito (Spain, 1929-2021) 'Untitled VII', 2017 lithograph on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 35. Original 50, 35 of the regular edition and P/E: 4, B.A.T.: 1, P/A...

Covers 4 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 7 of 20. This pi...

Artist: Serge Helenon (French, 1934-) Title: "Mon Jardin Zoologique" *Signed by Helenon in pencil lower right Year: 1989 Medium: Original Carborundum Engrav...

Striking Litho Signed Numbered and Dated "Splits And Stripes", 1979 unframed I cant read the artist the colors are beautiful. limited edition 13/15.

Justo Barboza (Argentina, 1938) 'Triangular', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-001-030 Hand-signed by author

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Mary Knowland. Poppy 10- this is a poppy print in acrylic paint made in 2014 as part of a series of works It is a unique mono print Signed bottom right Mary Knowland 2014 This work i...

This limited edition print is based on the GA1222 painting from the "Geometric Abstraction" series. Details: - Giclée print on Fine Art Paper Hahnemühle Photo Rag Archival 100% cott...

Screenprint on Fabriano paper , edited in 1985 Limited edition of 125 copies signed in pencil by artist and numbered as: 46/125 paper size: 68 x 68 cm ( 26 5/8 x 26 5/8 inch ) very good conditions Published by Fausta Squatriti, Milan A regular certificate of authenticity will be included Fast and Tracked shipping with express currier DHL Bibliography: The prints on Anni Albers Ref 95 Anni Albers ( 1899 – 1994 ) – Double Weave...

LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Art...

The simple geometries and bright colors that recur throughout FEMM’s, have an inherently contemporary and urban feel. It’s no wonder, then, that the metropolitan city is one of FEMM’s greatest sources of inspiration. Whether it’s the zestful energy, the colorful clothes...

The simple geometries and bright colors that recur throughout FEMM’s, have an inherently contemporary and urban feel. It’s no wonder, then, that the metropolitan city is one of FEMM’s greatest sources of inspiration. Whether it’s the zestful energy, the colorful clothes...

Rafael Canogar (Spain, 1935) 'Planos', 2007, set of 5 silkscreen on paper Guarro Biblos 250g. 10.9 x 8.3 in. (27.5 x 21 cm.) Edition of 75 ID: CAN-301 Hand-signed by author