Pencil Abstract Prints

David Hockney, Bridget Riley, Joe Tilson, Howard Hodgkin, Peter Blake + 99 artists Visual Aid for Band Aid - designed, and HAND SIGNED and annotated by 104 renowned artists, with official signed COA, 1985 Large olor silkscreen on velin Arches 300 gsm paper with publishers' blind stamp and COA Signed and annotated in various inks and pencil by all 104 artists listed in the official publishers' COA affixed to the back of the frame; numbered 215/500 Publisher Coriander Studio, United Kingdom Frame included: Floated and framed in a wood frame under UV acrylic glazing Measurements: Framed: 59.5 inches (vertical) by 39 inches (horizontal) by .75 inches (depth) Artwork: 48 inches (vertical) by 36 inches (horizontal) Some of the 104 renowned visual artists who signed and annotated this print in pencil are: Bridget Riley, David Hockney, Peter Blake, Allen Jones, Eduardo Paolozzi, Elisabeth Frink, R.B. Kitaj, Richard Hamilton, Howard Hodgkin, Joe Tilson, Patrick Heron, Paula Rego, Terry Frost, Patrick Caulfield, Craigie Aitchison. Gillian Ayres, Maggi Hambling, Michael Craig-Martin, Frank Bowling, Humphrey Ocean...

Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Uniqu...

Medium: Print Condition Print in good condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand Signed and Numbered by the Artist in Pencil, CB HOYO. ...

Delicate and layered Collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background is a lithograph, and the ribbons have been painted by hand over the top. ...

This square woodcut print on paper evokes the peacefulness of looking upwards through a forest canopy in a symmetrical pattern composed of the silhouettes of trees in dark navy blue ...

ROY DE FOREST Untitled, 1981 Lithograph on Arches paper with four deckled edges. 22 1/2 × 30 inches Hand signed and annotated Trial Proof, aside from the regular edition of 60 Unfra...

April Gornik Remember the Sabbath Day (The Fourth Commandment), 1987 2 Color Lithograph on Dieu Donne handmade paper with deckled edges 24 × 18 inches Signed and numbered AP 12/15, a...

This square woodcut print on paper evokes the peacefulness of looking upwards through a forest canopy in a symmetrical pattern composed of the silhouettes of trees in dark violet blu...

Andy Goldsworthy Presentation print for Royal Mail Christmas Stamp Series, 2003 Color photogravure on handmade rag paper with deckled edges 15 × 20 1/4 inches hand signed lower right...

James Bettison Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges. Hand signed. Numbered 38/50. Dated. Printer's and Publisher's Blind Stamp. 20...

"Floating Panel" - Realistic Hand Painted Lithograph Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). In this composition, the pane with four bars is a l...

Tracey Emin Beirut, 2006 Offset Lithograph printed in black 16 × 23 inches Edition 99/100 Pencil signed, dated and numbered on the front. Accompanied by a special card from Tracey Em...

Malinda Beeman Steven's Carnage, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges. Hand signed. Numbered. Titled. Printer's and Publisher's Blind Stam...

NOTE: Shown framed for inspiration only; this edition is unframed and in mint condition (never framed): Thelma Appel The Magician, 2018 18 Color Silkscreen on 320 gram Coventry Rag ...

Norman Akers Tears, 2018 Monotype on paper by renowned native American artist (Osage Indian) Signed and numbered 1/1 Frame included Monotype (unique) Pencil signed, numbered 1/1 and titled in graphite pencil on the front Published by Tamarind Institute, Albuquerque New Mexico with label from Chiaroscuro Contemorary Art, Santa Fe, NM Provenance Tamarind Institute Frame included Measurements: Frame: 18.5" vertical x 15.5" horizontal x .75 inches deth Artwork: 11.5" vertical x 8.5" horizontal Norman Akers (Native American, Osage), b. 1958 Biography Norman Akers was born and raised in Fairfax, Oklahoma. He is a member of the Osage Nation. He received a BFA in Painting from the Kansas City Art Institute in 1982, and a Certificate in Museum Studies from the Institute of American Indian Arts in 1983. In 1991, he received a MFA in Fine Arts from the University of Illinois, Urbana-Champaign. Akers had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas, Jan Cicero Gallery in Chicago, Illinois, and the Gardner Art Gallery, Oklahoma State University, Stillwater, Oklahoma. He has participated in numerous group exhibitions including, Unlimited Boundaries, The Dichotomy of Place in Contemporary Native American Art, Albuquerque Museum, Albuquerque, New Mexico, Who Stole the Tee Pee...

KEITH SONNIER Untitled, 1995 Letterpress on Sumerset Paper Edition 91/100 Signed and numbered in graphite from the edition of 100, recto Frame included Measurements: Sheet: 6 inches ...

Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Another version of this ...

Jennifer Nehrbass paintings speak to forbidden thoughts and desires and suggest that somethings that is denied to the viewer. What the paintings yield is an intimacy of time and plac...

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Mixed media composite (acrylics, sumi ink and pencil on mylar, fused with Monotype mounted with white thread stitching) on white BFK Rives Printmaking Paper Paper: 15" x 19" At the...

Monoprint with water based ink and graphite

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Mixed media monoprint with pastel, pencil, and oil based ink. 26.5 x 26.5 inches framed.

Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authenticity (COA) - hand signed by BOTH the artist and gallery director 23.5" (vertical) x 29.25" (horizontal) Hand signed, titled, annotated & dated on the lower right front - a rare Artists Proof, aside from the limited edition of 75 Unframed This magnificent silkscreen, Meeting Plaza is signed, dated and numbered in graphite pencil on the front from the limited edition of 75. Other examples of this work were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and it was also featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. "Meeting Plaza" is a place where people from all over the world are always welcome to meet in peace and enjoyment; an exquisite 25-color limited edition silkscreen done in collaboration with master printer Gary Lichtenstein. The work is evocative of New York's Rockefeller Center and the United Nations, but the flags are abstracted, to emphasize international unity, rather than single out any individual country. The artist explained: "I wanted to convey a city that welcomed all nationalities and all people… The flags for me are a counterpoint to the city’s geometric architecture, and their suggested movement and irregular shapes echo the organic morphology of the people below. I painted an evening sky. It is dusk. Nobody is rushing. People are conversing with each other, walking slowly or gathering in small groups enjoying a calm evening in the New York City…I, too, am one of the people converging at the 'Meeting Plaza' ...” Other examples of "Meeting Plaza" were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and the print was featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. Thelma Appel biography A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. Most recently, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams, and she exhibited at the Mattatuck Museum in Connecticut which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design and Art New York art fairs and has been exhibited at Alpha 137...

Abstract geometrical Scene is an original artwork realized by Rodolfo Aricò (Milan, 3 June 1930 – 22 June 2002) in the 1970s. Colored lilac film on ca...

Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Unger at the University of Applied Arts in Vienna from 1974 to 1980. From 1986 ...