Photogravure Abstract Prints
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Style: Contemporary
Medium: Photogravure
Joseph Kosuth, L’Essence de la rhétorique est dans l’allégorie IV - Signed Print
Located in Hamburg, DE
Joseph Kosuth ( American, b. 1945)
L’Essence de la rhétorique est dans l’allégorie IV, 1998
Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper
Dimensions: each 4...
Category
21st Century and Contemporary Contemporary Photogravure Abstract Prints
Materials
Aquatint, Photogravure
David Salle Photogravure Heliogravure "Lucky" Pictures Generation Signed Print
By David Salle
Located in Surfside, FL
DAVID SALLE (American, 1952- )
Lucky
1992
Photoengraving heliogravure on Lana paper
Edition Julie Sylvester, New York
Hand signed and dated in pencil lower right, numbered lower left...
Category
1990s Contemporary Photogravure Abstract Prints
Materials
Photogravure
David Salle Photogravure Heliogravure "Lucky" Pictures Generation Signed Print
By David Salle
Located in Surfside, FL
DAVID SALLE (American, 1952- )
Lucky
1992
Photoengraving heliogravure on Lana paper
Edition Julie Sylvester, New York
Hand signed and dated in pencil lower right, numbered lower left...
Category
1990s Contemporary Photogravure Abstract Prints
Materials
Photogravure
John Baldessari, Hand and Chin (with Entwined Hands) - Signed Print
Located in Hamburg, DE
John Baldessari (American, 1931-2020)
Hand and Chin (With Entwined Hands), 1991
Medium: Photogravure with color spit bite aquatint on Somerset
Dimensions: 83,5 x 56,5cm (33 x 22 in)
...
Category
19th Century Contemporary Photogravure Abstract Prints
Materials
Paper, Aquatint, Photogravure
David Salle Photogravure Heliogravure "Lucky" Pictures Generation Signed Print
By David Salle
Located in Surfside, FL
DAVID SALLE (American, 1952- )
Lucky
1992
Photoengraving heliogravure on Lana paper
Edition Julie Sylvester, New York
Hand signed and dated in pencil lower right, numbered lower lef...
Category
1990s Contemporary Photogravure Abstract Prints
Materials
Photogravure
Saying Goodbye, Polymer gravure on Somerset 300gsm Signed 71/100, Framed UK Art
By Tracey Emin
Located in New York, NY
Tracey Emin
Saying Goodbye, 2018
Polymer gravure on Somerset 300gsm
Pencil signed, titled, dated, and numbered 71/100 by Tracey Emin on the front
Frame Included:
Elegantly floated an...
Category
2010s Contemporary Photogravure Abstract Prints
Materials
Engraving, Photogravure
Presentation print for Royal Mail Christmas Stamp Series (Signed) British artist
By Andy Goldsworthy
Located in New York, NY
Andy Goldsworthy
Presentation print for Royal Mail Christmas Stamp Series, 2003
Color photogravure on handmade rag paper with deckled edges
15 × 20 1/4 inches
hand signed lower right...
Category
Early 2000s Contemporary Photogravure Abstract Prints
Materials
Handmade Paper, Photogravure, Mixed Media, Pencil
First Project of Silence - Photolithograph with Hand Notes by Gina Pane - 1970
Located in Roma, IT
First project of silence is an original artwork realized by the contemporary artist Gina Pane in 1970.
Black and white photolithograph mounted on cardboard....
Category
1970s Contemporary Photogravure Abstract Prints
Materials
Photogravure
Reclining Woman - Figurative Abstract Series (Set of 4)
Located in Soquel, CA
Set of four prints depicting each layer of the printing process (Collotype), as well as a final print by Patricia Pearce (American, b. 1948). Each piece is individually matted. Two o...
Category
1980s Contemporary Photogravure Abstract Prints
Materials
Paper, Ink, Photogravure
$626 Sale Price
30% Off
Arkopoly by Martin Wilner
Located in New York, NY
Martin Wilner
Arkopoly (2017 - 2018)
Polymer photogravure, 2 plates printed with 35 colors plus black
23.5 x 23.5 inches
Edition of 18
Co-published by Eminence Grise Editions and Hal...
Category
2010s Contemporary Photogravure Abstract Prints
Materials
Photogravure
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Howard Hodgkin hand-colored Early Evening in the Museum of Modern Art
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Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique.
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Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
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Room with a red arch - XXI Century, Contemporary Linocut Woodcut Print, Colorful
Located in Warsaw, PL
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All Alone in the Museum of Modern Art Howard Hodgkin abstract black painting
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm.
Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique.
Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
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Late 20th Century Abstract Photogravure Abstract Prints
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Etching
$2,250
H 29.5 in W 38.75 in
Artist and Model Howard Hodgkin - green and yellow etching watercolour gouache
Located in New York, NY
This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100.
Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
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Late 20th Century Abstract Photogravure Abstract Prints
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ALL THE PEOPLE Signed Lithograph, For My People-Margaret Walker, Rainbow Faces
Located in Union City, NJ
ALL THE PEOPLE is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. ALL THE PEOPLE is graphic composition comprised of a brilliant multi color rainbow across the bottom of the image with a centered, rose beige textured circle filled with simple black line drawings of men, women, and children's faces, a blue sky like area on top consists of textural effects obtained from Japanese rice paper. This impressive composition by the master print maker and sculptor, Elizabeth Catlett is from the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker.
"For my people standing staring trying to fashion a better way
from confusion, from hypocrisy and misunderstanding,
trying to fashion a world that will hold all the people,
all the faces, all the adams and eves and their countless generations;"
- Stanza from the poem FOR MY PEOPLE by Margaret Walker
Print size 23” x 19”, Edition size 99, unframed color lithograph on archival Arches paper, 100% acid free,
Edition printed using traditional hand lithography methods by J.K. Fine Art Editions Co, NJ.
Published in 1992 by the Limited Editions Club, NY.
Excellent condition, never been framed or mounted, hand signed in pencil, dated and inscribed P.P.(Printers Proof) aside from edition of 99, print documentation/COA will be provided. From the master printer's private collection.
About the artist -
Elizabeth Catlett (born April 15, 1915, Washington, D.C., U.S.—died April 2, 2012, Cuernavaca, Mexico), American-born Mexican sculptor and printmaker renowned for her intensely political art.
Catlett, a granddaughter of enslaved people, was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. After being disallowed entrance into the Carnegie Institute of Technology because she was Black, Catlett enrolled at Howard University (B.S., 1935), where she studied design, printmaking, and drawing and was influenced by the art theories of Alain Locke and James A...
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1990s Contemporary Photogravure Abstract Prints
Materials
Lithograph
$2,200 Sale Price
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H 23 in W 19 in
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Jonah Historically Regarded, from the Moby Dick Domes series (signed)
By Frank Stella
Located in Aventura, FL
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Ignore the Ghosts
Located in London, GB
David Shrigley
Ignore the Ghosts, 2022
Screenprint in eleven colours with varnish overlay on Somerset Satin Tub Sized 410gsm paper
Signed by the artist and numbered, on verso
76 x 56...
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Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
Located in New York, NY
Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper.
This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Photogravure Abstract Prints
Materials
Watercolor, Gouache, Etching
BRONX COMMUNITY COLLEGE Vintage Art Poster 1992, Science Technology Education
Located in Union City, NJ
Elizabeth Catlett (1915-2012)
BRONX COMMUNITY COLLEGE
THE CITY UNIVERSITY OF NEW YORK
Specially commissioned fine art poster designed in 1992 by Elizabeth Catlett, printed in 4-col...
Category
1990s Contemporary Photogravure Abstract Prints
Materials
Offset
Previously Available Items
David Salle Photogravure Heliogravure "Lucky" Pictures Generation Signed Print
By David Salle
Located in Surfside, FL
DAVID SALLE (American, 1952- )
Lucky
1992
Photoengraving heliogravure on Lana paper
Edition Julie Sylvester, New York
Hand signed and dated in pencil lower right, numbered lower lef...
Category
1990s Contemporary Photogravure Abstract Prints
Materials
Photogravure
Hawthorne Place
By Dan Rizzie
Located in Fairlawn, OH
Hawthorne Place
Digital and polymer gravure on chine collé (Kitakata Japanese paper mounted to Somerset paper), 2014
Signed and dated in pencil lower right (see photo)
Chop stamp of the publisher, The Print Club of Cleveland, lower left corner recto
Published by the Print Club of Cleveland, Publication No. 93, 2015
Edition 270
Printed in 2014 by Cordelia Blanchard assisted by Britney Madalone and Jolene Salcido at Flatbed Press, Austin, Texas.
Condition: Excellent, soft handle issues in the bottom margin, not effecting the image or matted presentation.
Dan Rizzie was born in Poughkeepsie, New York in 1951. His father, an airman in World War II, became a cultural officer in the State Department. Rizzie spent his youth traveling the world from a French kindergarten in Cairo, Egypt to Jordan, to the West Indies, culminating with three years of high school in New Delhi, India. This international childhood explains Rizzie’s imagery. When he returned to India recently, he was surprised to see the sawtooth edges of tile borders and the curves of Islamic arches. He recognized them from his own art where flowers have curved stems and tulips have sawtooth edges.
Rizzie went to Hendrix College, a private liberal arts school in Conway, Arkansas where he studied art. He attended graduate school at the Meadows School of Art at Southern Methodist University in Dallas. The pressure towards abstraction was strong in art schools at the time, but Rizzie wanted to make figurative art that would locate his work firmly in the world of realistic images.
In his drawings, Rizzie combines delicate contours and silhouettes with collage and areas of strong color. His fondness for collage may stem from his interest in the paintings of twentieth-century synthetic cubists like Georges Braque. He adores Matisse, particularly the late paper cutouts. In 1980 Rizzie was invited to have an exhibition at the Modern Art Museum of Fort Worth. It consisted of 30 small collages and one large paper work. Rizzie explains, “I titled the show Jazz in homage to Matisse.”
Rizzie’s imagery is connected to the natural world. His symbols display a range of associations from microscopic views of single cells to floral portraits influenced by the tradition of English botanical illustration.
Although he was trained as a painter and continues to produce oils and mixed media collages, Rizzie truly enjoys printmaking. He began printmaking in the late 1970s at Tamarind Institute in Albuquerque. He found that it freed him creatively, allowing him to explore new ideas and expand his creative process through collaborations with professional printers.
Dan moved from New York City to Sag Harbor about 20 years ago. After the hard edges and repeated squares and rectangles of the urban streetscape, Dan was suddenly waking up to deer in his yard. The title of the publication print Hawthorne Place is a reference to the street where Dan lives, but more specifically to nature. Sag Harbor is an area with much to offer visually.
According to Katherine Brimberry of Flatbed Press, where Hawthorne Place was printed,
HawthornePlaceThe 1994 print Aqua Fria became the inspiration for the Cleveland print. One of the print club members saw it and fell in love with it. Dan was asked not to recreate it but to create a work inspired by it. To compose a color background, Rizzie made a watercolor which was scanned into a computer and printed digitally onto Japanese Kitakata paper. He also made an ink drawing on mylar which was laid over a polymer plate coated with a light sensitive substance. When exposed to light, the plate was etched with the design. The polymer plate was then inked in black and printed over the color background. The black image reflects Flatbed since, if you look closely, you will see the nearby train tracks. Tulips are one of Dan’s favorite motifs.
It was important to Dan that Hawthorne Place not look like a print with hard edges. He wanted each of his prints to be a gem, to show the hand of the artist. According to Brimberry,
When the color printed Kitakata paper was dampened for the chine collé process (mounting it onto the heavier sheet of Somerset paper), the printing ink bled just a bit. Dan loved this effect because it is similar to the blurriness of a watercolor.
Education
1975
M.F.A., Southern Methodist University, Dallas, Texas
1973
B.F.A., Hendrix College, Conway, Arkansas
Awards
2005
Distinguished Alumnus Award, Hendrix College, Conway, Arkansas
Solo Exhibitions
2014
Dan Rizzie: Works, Harmon Meek Gallery, Naples, Florida
2013
A Taste of Rizzie, Sylvester & Co., Sag Harbor, NY
Dan Rizzie: NEW WORKS, Dallas Art Fair, Dallas, Texas
Dan Rizzie, Peter Marcelle Gallery, Bridgehampton, NY
2012
Dan Rizzie: WORKS, Peter Marcelle Gallery, Bridgehampton, New York
Speed & Rizzie: In One Room, Gerald Peters Gallery, Santa Fe, New Mexico
2011
Dan Rizzie: Monotypes, Gallery at Amagansett Square, Amagansett, NY
Dan Rizzie Works, Christies Art Center, Sag Harbor, NY
2010
Dan Rizzie, Gerald Peters Gallery, New York, New York
Dan Rizzie, Peter Marcelle Contemporary, Southampton, New York
Dan Rizzie, Anne Reed Gallery, Ketchum, Idaho
Dan Rizzie: The Flatbed Years, Galveston Art Center, Galveston, Texas
2009
Dan Rizzie: Selected Works, Hampton Road Gallery, Southampton, New York
2008
Dan Rizzie: Selected Works, Peter Marcelle Contemporary, Southampton, New York
Dan Rizzie – Islandia, Anne Reed Gallery, Ketchum, Idaho
Dan Rizzie, Spanierman Modern, New York, New York
2007
Dan Rizzie: Selected Works on Paper 1995-2007, Anne Reed Gallery, Ketchum, Idaho
Dan Rizzie: Paintings, Drawings and Collages, Gerald Peters Gallery Dallas, Texas
Dan Rizzie: Small Works, Christies Gallery, Sag Harbor, New York
2006
Dan Rizzie: New Work, Hampton Road Gallery, Southampton, New York
Allene Lapides Gallery, Santa Fe, New Mexico
2005
Monotipos, Gallery Aurora, San Miguel, Mexico
Dan Rizzie: Postcards from Italy, Armory Art Center, Palm Beach, Florida
Dan Rizzie: New Work, Hampton Road Gallery, Southampton, New York
2004
Dan Rizzie: Ten for Hendrix, Hendrix College, Conway, Arkansas
Dan Rizzie: New Paintings, Gerald Peters Gallery, Dallas, Texas
Seductive Surfaces, The Ross Institute, East Hampton, New York
By Margaret Dobbins
Selected Collections
Acorns Children's Hospice, Birmingham, England
American Airlines, Dallas, Texas
American Embassy, Riyadh, Saudi Arabia
ARCO, Dallas, Texas
Arrowhead Stadium, Kansas City, Missouri
AT&T Corporate Center, Chicago, Illinois
Blanton Museum of Art, Austin, Texas
Cadillac Fairview, Dallas, Texas
Cigna Investment, Inc., Dallas, Texas
City of Phoenix, Arizona
Cleveland Browns Football Club, Cleveland, Ohio
The Cleveland Clinic, Cleveland, Ohio
Cleveland Museum of Art, Cleveland, Ohio
Crescent Hotel...
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2010s Contemporary Photogravure Abstract Prints
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Photogravure
In A Gadda Da Vida
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Located in London, GB
Gravure on paper
20.47 x 20.47 in (52.0 x 52.0 cm)
Produced by Other Criteria (Hirst's publishers) in a limited quantity (exact edition size unknown). Originally sold as part of a ...
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Early 2000s Contemporary Photogravure Abstract Prints
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Photogravure
The Rape of Persephone by Damien Hirst
By Damien Hirst
Located in London, GB
Five colour gravure print
27.00 x 27.00 in (68.6 x 68.6 cm)
Produced by Other Criteria (Hirst's publishers) in a limited quantity (exact edition size unknown). Originally sold as p...
Category
2010s Contemporary Photogravure Abstract Prints
Materials
Photogravure
In A Gadda Da Vida
By Damien Hirst
Located in London, GB
Gravure on paper
20.47 x 20.47 in (52.0 x 52.0 cm)
Produced by Other Criteria (Hirst's publishers) in a limited quantity (exact edition size unknown). Originally sold as part of a ...
Category
Early 2000s Contemporary Photogravure Abstract Prints
Materials
Photogravure
Reclining Woman Figurative Abstract
Located in Soquel, CA
Four layer lithograph of a reclining woman by Patricia Pearce (American, b. 1948). This piece is unsigned, but were acquired with a collection of other pieces by Pearce. Presented in...
Category
1980s Contemporary Photogravure Abstract Prints
Materials
Paper, Ink, Photogravure
Photogravure abstract prints for sale on 1stDibs.
Find a wide variety of authentic Photogravure abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, pink, yellow, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kate Petley, Les Levine, Damien Hirst, and Chiharu Shiota. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photogravure abstract prints, so small editions measuring 0.02 inches across are also available