Plastic Abstract Prints

Intersect # 201503 (Abstract photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Jennifer Losch Bartlett Air: 24 Hours, 1994 Hardback monograph (book) bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Hand signed and inscribed by the artist on the half title page to Nadine (Witkin) 11 × 9 1/4 × 1 inches Unframed Hand signed and inscribed to Nadine on the title page Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Publisher's Blurb: In Air: 24 Hours, Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Artist: Francois Morellet, French (1926 - 2016) Title: untitled from 9x5 Konkret Portfolio Year: 1973 Medium: Silkscreen on PVC foil, signed and numbered in pencil Edition: 25/200 Si...

Victor Vasarely Majus II, 1974 is a screenprint on polyester on metal that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) in pen and ink the lower right margin and...

Focus Gold is a series of limited edition sculptures created by Jose Soto. There are two sizes available in two separate editions. Focus Gold, series of 10 - 6"x 3.25"x 3.25" are $2...

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Flux # 202307 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments. Edition: 1/3. Snel...

This original screenprint diptych in colours are each hand signed in pencil by the artist with his monogram "A. C." at the lower left margins. Each are dated “1973” next to the sign...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 2/3. ...

The Three Graces Acrylic+Digital+Diasec Plexi Plexi Ed. 1/3 120 x 90 cm / 47 x 35 in

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments. Edition: 1/3. Snel...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 2/3. ...

Space Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” L...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments. Edition: 1/3. Snel...

Chromogenic Print Face-mounted 4.5mm Plexiglas- Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 2/3. Paul Snell combines traditional and digit...

Intersect # 201503 (Abstract photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Mixed media composite (acrylics, sumi ink and pencil on mylar, fused with Monotype mounted with white thread stitching) on white BFK Rives Printmaking Paper Paper: 15" x 19" At the...

Joseph Beuys (German, 1921-1986) So kann die Parteiendiktatur überwunden werden (How the dictatorship of the parties can be overcome), 1971 Medium: Printed polyethylene shopping bag ...

NY # 201802 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5...

Drift # 201501 (Abstract Photography) This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

This digitally rendered latex print on canvas depicts drips of paint in a flowing pattern, creating an abstract landscape that, from a distance, appears to be a colorful sheet blowin...

Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934): Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.” Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...

A very good impression of this color lithograph with collage of screenprinted reflective Mylar on Arches. One of 9 numbered artist's proofs, aside from the edition of 84. Signed, tit...

Vox Linea is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. The edition may also be fitted wi...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

Mute # 201706 (Abstract Photography) This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system ...

Friedrich Geiler Untitled from Constructive Landscapes II (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on PVC Year: 1987 Signed, dated, numbered or inscri...

Intersect # 201605 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Syd # 33.85S_151.16E (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

Syd # 33.85S_151.16E (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...

Intersect # 201801 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Mute # 201705 (Abstract Photography) This work is framed 8mm face and 65mm depth. Available on request 5-6 week turnaround. Chromogenic print face-mounted 8 mm plexiglass. Backed ...

The Explorers #5, Pigment Print by Christopher Russell, 2017 Additional information: Medium: Pigment print scratched with a razor, plexiglass scratched with a razor Dimensions: 24 x...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. ...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 1/3. ...

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 in

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

Luc Tuymans (Belgian, b. 1958) Altar (documenta 11 edition), 2002 Medium: Frame box with 3D-collaged digital print behind sand blasted opaque plexiglass Dimensions: 60 x 80 x 5 cm (2...

Stellify / TWO / cerise glaze is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Wor...

Flow / silvered is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 12 Image size ⋅ 88cm H x 124cm W . Drawing Flow was a breakthrough moment for me. It was the first piece that spoke directly to the idea of drawing glass, using translucent glazes, and layers of transparencies, that in some way capture the excitement of seeing a great piece of studio glass, or contemporary stained glass...

Print on plexiglass - artwork can be shipped in a crate

Lino / venetian is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be suppl...

Text by Sevan Injejikian Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, ...

This is a series of five original photo based drawing and painting created on layered mylar as a negative to create the glowing images. The final piece is printed onto archival pigment paper. - Series of 5 original images - Edition of 3 - Signed and numbered by artist - Image dimensions 24" (h) x 19.8" (l); paper size: 30" (h) x 20"(l) - Unframed print - framing available upon request This technique was used to create an art exhibit installed at Los Angeles' Hammer Museum. Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology. The layering of works, creating depth, process and nature are important elements of her work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time. Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing and object making alike, each body of work permeated with a sense of profound discovery. –Julie Dickover, Associate Registrar at the Hammer Museum in Los Angeles from 2003 to 2010 Her work has been exhibited locally, nationally and internationally such as at the Hammer Museum, Los Angeles; Kunsthalle zu Kiel, Kiel, Germany; Laguna Beach Art Museum, Laguna Beach;Pasadena Museum of California Art, Pasadena and are in many private collections. --- Images show: - Mountain Water...

Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lama...

Evol / deep base is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmo...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

Breather / turquoise aegis is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 8 Image size ⋅ 84cm H x 200cm W . Back in the shoegazing years, when I was studying at the old Hornsey School of Art, there was a beautiful surge of guitar fuelled wall of noise bands on the scene, one of whom, Chapterhouse, released a track entitled Breather. It’s a piece that’s stuck with me ever since. Breather was drawn a little while after Eight...

Fabian Marcaccio 560 Conjectures for a New Paint Management 1989-99 Ink jet print mounted on polystyrene with laminate Dimensions composition 30 1/4 x 23 3/16" (76.9 x 58.9 cm) sheet 30 1/4 x 23 3/16" (76 x 58.9 cm) Publisher Muse X Editions, Los Angeles Ink jet print mounted on polystyrene with laminate Fabian Marcaccio (Born 1963 Rosario, Argentina) is an Argentine-Italian born artist living and working in the United States whose trans-genre works including "Paintants" and '"Draftants" have been exhibited worldwide. Marcaccio was born to a native Argentine mother and Italian father in Rosario de Santa Fe where he later attended the University of Philosophy. In 1985, at age 22, he moved to New York City, where he continues to live and work. He has exhibited widely throughout theUnited States, Europe and South America. In 2004, Kunstmuseum Liechtenstein organized a retrospective of his work, the same year that a solo exhibition was mounted at the Miami Art Museum. He regularly exhibits with galleries in New York, Los Angeles, Berlin, Paris, Cologne and Barcelona. He has participated in numerous group exhibitions, including; the 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC in 1995, Summer Projects at PS1 Contemporary Art Center, New York in 2002, and Documenta 11, Kassel, Germany in 2002. His multidisciplinary collaborations include projects with the architect Greg Lynn that resulted in an exhibition at the Wexner Center for the Arts, Columbus, Ohio in 2001 and projects with composer Claudio Baroni creating animated operas and a 2005 scored, paintball performance at Weston Hall in Toronto, Canada. Marcaccio’s work investigates whether the traditional medium of painting can survive in the digital age. He has used printmaking transfer techniques to make paintings and became well known in the 1990s for his manipulations of the conventions of painting. More recently, he has relied upon digital and industrial techniques to infuse his painting process with spatial and temporal concerns. The results are environmental paintings, animations, and “Paintants” that combine digitally manipulated imagery, sculptural form, and three dimensionally painted surfaces. On September 10, 2011 Marcaccio received the "Bernhard Heiliger Award for Sculpture 2011" from the Mayor of Berlin, Klaus Wowereit. Bernhard Heiliger Award for Sculpture. Radical Shift: Political and Social Upheaval in Argentinean Art since the 1960s “Fabian Marcaccio” Interview by Shirley Kaneda BOMB 41/Fall 1992 2011 Pinta London, Featured Artist, Galerie Thomas Schulte, London, England “Corpse: Variant Paintants” Galerie Schmidt MacZollek, Cologne, Germany Bernhard Heiliger Award for Sculpture Exhibition, George Kolbe Museum, Berlin, Germany 2010 “Megan: Variant Paintants” Galeria Joan Prats, Barcelona, Spain SAPS, Sala Arte Publico Sigueiros, Mexico 2009 “Analytical Rage-Paintants” Galerie Thomas Schulte, Germany 2008 “Draftants,” Galerie Schmidt Maczollek, Koln, Germany 2007 BravinLee programs, New York City, NY, USA Ruth Benzacar, Galeria de Arte, Buenos Aires, Argentina Fabian Marcaccio, Galeria Joan Prats, Barcelona, Spain 2006 “Especial,” Galerie Maczollek, Cologne, Germany “Private Contractor and New Paintants,” Kevin Bruk Gallery, Miami, FL, USA SELECTED COLLECTIONS Whitney Museum of American Art, New York, NY MOMA, Museum of Modern Art New York, NY Margulies Collection, New York, NY Collezione Maramotti, Reggio Emilia, Italy Proje4L/Elgiz Museum of Contemporary Art, Istanbul, Turkey MIT List Visual Arts Center, Cambridge, MA MAM – Miami Art Museum, Miami, FL Philadelphia Museum of Art, Philadelphia, PA Museum für Moderne Kunst (MMK), Frankfurt/Main, Germany Museo de Arte Moderno, Buenos Aires, Argentina Fondacion La Caixa, Barcelona, Spain His three-dimensional paintings are included in the permanent collections of The Museum of Modern Art and the Whitney Museum of Art, both in New York, and in the Philadelphia Museum of Art. His work has been featured in exhibitions at the MoMA P.S.1 in Queens, the Daros Foundation in Rio de Janeiro, and the Havana Biennial, among others. Marcaccio lives and works in New York, NY. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer, and conceptual photographs by Kevin Hanley. Doug Aitken, Polly Apfelbaum, David Levinthal, Richard Long, Christian Marclay...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

This digitally rendered latex print on canvas depicts drips of paint in a flowing pattern, creating an abstract landscape that, from a distance, appears to be a colorful sheet blowin...

Elemental / white crest is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be suppli...

Klint / reDux / jdrbnk is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 8 Image size ⋅ 94cm H x 120cm W ⋅ 3 panels . Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life. The first piece I drew, ACDH (acid house...

Text by Sevan Injejikian Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative. Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...

Intersect # 201502 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 2/3...

Intersect # 201702 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...