Plastic Abstract Prints

Halcyon / cerulean glaze is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. The edition may al...

Fabian Marcaccio 560 Conjectures for a New Paint Management 1989-99 Ink jet print mounted on polystyrene with laminate Dimensions composition 30 1/4 x 23 3/16" (76.9 x 58.9 cm) sheet 30 1/4 x 23 3/16" (76 x 58.9 cm) Publisher Muse X Editions, Los Angeles Ink jet print mounted on polystyrene with laminate Fabian Marcaccio (Born 1963 Rosario, Argentina) is an Argentine-Italian born artist living and working in the United States whose trans-genre works including "Paintants" and '"Draftants" have been exhibited worldwide. Marcaccio was born to a native Argentine mother and Italian father in Rosario de Santa Fe where he later attended the University of Philosophy. In 1985, at age 22, he moved to New York City, where he continues to live and work. He has exhibited widely throughout theUnited States, Europe and South America. In 2004, Kunstmuseum Liechtenstein organized a retrospective of his work, the same year that a solo exhibition was mounted at the Miami Art Museum. He regularly exhibits with galleries in New York, Los Angeles, Berlin, Paris, Cologne and Barcelona. He has participated in numerous group exhibitions, including; the 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC in 1995, Summer Projects at PS1 Contemporary Art Center, New York in 2002, and Documenta 11, Kassel, Germany in 2002. His multidisciplinary collaborations include projects with the architect Greg Lynn that resulted in an exhibition at the Wexner Center for the Arts, Columbus, Ohio in 2001 and projects with composer Claudio Baroni creating animated operas and a 2005 scored, paintball performance at Weston Hall in Toronto, Canada. Marcaccio’s work investigates whether the traditional medium of painting can survive in the digital age. He has used printmaking transfer techniques to make paintings and became well known in the 1990s for his manipulations of the conventions of painting. More recently, he has relied upon digital and industrial techniques to infuse his painting process with spatial and temporal concerns. The results are environmental paintings, animations, and “Paintants” that combine digitally manipulated imagery, sculptural form, and three dimensionally painted surfaces. On September 10, 2011 Marcaccio received the "Bernhard Heiliger Award for Sculpture 2011" from the Mayor of Berlin, Klaus Wowereit. Bernhard Heiliger Award for Sculpture. Radical Shift: Political and Social Upheaval in Argentinean Art since the 1960s “Fabian Marcaccio” Interview by Shirley Kaneda BOMB 41/Fall 1992 2011 Pinta London, Featured Artist, Galerie Thomas Schulte, London, England “Corpse: Variant Paintants” Galerie Schmidt MacZollek, Cologne, Germany Bernhard Heiliger Award for Sculpture Exhibition, George Kolbe Museum, Berlin, Germany 2010 “Megan: Variant Paintants” Galeria Joan Prats, Barcelona, Spain SAPS, Sala Arte Publico Sigueiros, Mexico 2009 “Analytical Rage-Paintants” Galerie Thomas Schulte, Germany 2008 “Draftants,” Galerie Schmidt Maczollek, Koln, Germany 2007 BravinLee programs, New York City, NY, USA Ruth Benzacar, Galeria de Arte, Buenos Aires, Argentina Fabian Marcaccio, Galeria Joan Prats, Barcelona, Spain 2006 “Especial,” Galerie Maczollek, Cologne, Germany “Private Contractor and New Paintants,” Kevin Bruk Gallery, Miami, FL, USA SELECTED COLLECTIONS Whitney Museum of American Art, New York, NY MOMA, Museum of Modern Art New York, NY Margulies Collection, New York, NY Collezione Maramotti, Reggio Emilia, Italy Proje4L/Elgiz Museum of Contemporary Art, Istanbul, Turkey MIT List Visual Arts Center, Cambridge, MA MAM – Miami Art Museum, Miami, FL Philadelphia Museum of Art, Philadelphia, PA Museum für Moderne Kunst (MMK), Frankfurt/Main, Germany Museo de Arte Moderno, Buenos Aires, Argentina Fondacion La Caixa, Barcelona, Spain His three-dimensional paintings are included in the permanent collections of The Museum of Modern Art and the Whitney Museum of Art, both in New York, and in the Philadelphia Museum of Art. His work has been featured in exhibitions at the MoMA P.S.1 in Queens, the Daros Foundation in Rio de Janeiro, and the Havana Biennial, among others. Marcaccio lives and works in New York, NY. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer, and conceptual photographs by Kevin Hanley. Doug Aitken, Polly Apfelbaum, David Levinthal, Richard Long, Christian Marclay...

This digitally rendered latex print on canvas depicts drips of paint in a flowing pattern, creating an abstract landscape that, from a distance, appears to be a colorful sheet blowin...

This digitally rendered latex print on canvas depicts drips of paint in a flowing pattern, creating an abstract landscape that, from a distance, appears to be a colorful sheet blowin...

Lino / venetian is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be suppl...

Text by Sevan Injejikian Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative. Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 in

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 inch

This multiple is hand signed by the artist “J. Arp” in blue ballpoint pen on a label, verso. It is also hand numbered in blue ballpoint pen, from the edition of 100 on a label, verso...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

This is a series of five original photo based drawing and painting created on layered mylar as a negative to create the glowing images. The final piece is printed onto archival pigment paper. - Series of 5 original images - Edition of 3 - Signed and numbered by artist - Image dimensions 24" (h) x 19.8" (l); paper size: 30" (h) x 20"(l) - Unframed print - framing available upon request This technique was used to create an art exhibit installed at Los Angeles' Hammer Museum. Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology. The layering of works, creating depth, process and nature are important elements of her work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time. Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing and object making alike, each body of work permeated with a sense of profound discovery. –Julie Dickover, Associate Registrar at the Hammer Museum in Los Angeles from 2003 to 2010 Her work has been exhibited locally, nationally and internationally such as at the Hammer Museum, Los Angeles; Kunsthalle zu Kiel, Kiel, Germany; Laguna Beach Art Museum, Laguna Beach;Pasadena Museum of California Art, Pasadena and are in many private collections. --- Images show: - Mountain Water...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

Josef Albers' works “Structural Constellations” were created from 1949 onwards. They demonstrate spatial perception on flat surfaces ‘as a function of phenomenal vision anchored in p...

Josef Albers' works “Structural Constellations” were created from 1949 onwards. They demonstrate spatial perception on flat surfaces ‘as a function of phenomenal vision anchored in p...

Josef Albers' works “Structural Constellations” were created from 1949 onwards. They demonstrate spatial perception on the surface ‘as a function of phenomenal vision anchored in phy...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accentuate depth. Haziness and cla...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accentuate depth. Haziness and cla...

I digitally design 3-D objects and compositions, and cut them in slices from different types of plastic sheet materials. These slices are then fixed to a rigid canvas, a pedestal or ...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accent...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accent...