Screen Abstract Prints

Abstract Composition is a screen print on paper realized by Antonio Sanfilippo in 1971. Hand-signed and dated in pencil on the lower right. Numbered on the lower, Edition 59/100 pr...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Colour Silkscreen on PVC Year: 1991 Signed, numbered and ...

Leonardo Gotleyb (Argentina, 1958) 'Nocturno', 2000 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GOT-304 Unframed

Die Noten is a screen print realized by Paolo Minoli in 1992. Hand-signed and dated in pencil on the lower right. Numbered "Artist's proof" on the lower left, Edition 7/20 prints. ...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Abstract Violet Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Grey Compostion is an original contemporary artwork realized by Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left...

Dragonfly [2021] Please note that insitu images are purely an indication of how a piece may look This handmade screenprint depicts a Dragonfly inset with a set of geometric shapes in Six colours including Metallic Gold ink. The artwork was created using procedurally generated patterns that overlap creating complex layered geometric shapes. The Metallic ink layer gives the print an extra brilliance and shines showing off the multi-layered liquid patterns on the surface. Limited edition of 50. Its 40 x 40 cm. Artwork printed...

Artist: Victor Vasarely, Hungarian, 1906-1997 Title: Tokyo Year: 1982 Medium: Color serigraph Edition: Numbered 180/250 in pencil Paper: Wove Image size: 25.5 x 25.5 inches Framed s...

The Fragrance of Park City by the Dutch Pop artist Clemens Briels is an original limited edition no. 195/200 3D serigraph with embossing and bears the ...

Leonardo Gotleyb (Argentina, 1958) 'En vuelo', 2000 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GOT-303 Unframed

Colourful Illusion is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition of 15/100 pri...

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 29.75 x 19.5 inches. Rare silver version. From the roman numeral edition of 15...

Abstract composition is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered. edition 87/100. Good conditions. A...

Die Noten is a screen print realized by Paolo Minoli in 1992. Hand-signed and dated in pencil on the lower right. Numbered "Artist's proof" on the lower left, Edition 7/20 prints. ...

Nancy Spero Airborne, 1998 Mixed Media: Silkscreen with collage additions on Somerset velvet paper 30 × 22 inches Edition of 50 Signed, dated and numbered from the limited edition of only 50 on the front Unframed Very poignant imagery: an airborne angel grabs the hand of a nude female; underneath are figures that recall the four horsemen of the apocalypse...

A very good impression of this color screenprint on heavy black wove paper. Signed, dated and numbered 6/120 in pencil. Published by Bergen Kunsthall, Bergen, Norway.

Pedro Trueba (Mexico, 1967) 'Cúpula transformación I', 2015 silkscreen on paper Guarro Biblos 250g. 25.6 x 25.6 in. (65 x 65 cm.) Edition of 500 ID: TRE-101 Unframed

Die Noten is a screen print realized by Paolo Minoli in 1992. Hand-signed and dated in pencil on the lower right. Numbered "Artist's proof" on the lower left, Edition 7/20 prints. ...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled (B/N horizontal)', 2021 collagraph on paper Guarro Biblos 250g. 21.1 x 27.2 in. (53.5 x 69 cm.) Edition of 20 ID: NAA-111 Unframed

Abstract Composition is an original mixed-colored serigraph realized by Amintore Fanfani in 1972. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of...

Abstract Violet Composition is a colored screen print realized by the contemporary artist Giulio Turcato in 1973. Hand-signed in pencil on the lower right. Numbered on the lower le...

Abstract Composition in Circles is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition ...

Victor Guadalajara (Mexico, 1965) 'Capullo', 2005 engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-102 Unframed

Artist: Robert Indiana Title: Mississippi Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 16 1/8" x 14" Signature: Unsigned

Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman and Israeli architect Yasha Jacob Grobman. Biography 1939 – Born in Moscow. 1960s – Active member of The Second Russian Avant-Garde movement in the Soviet Union. 1967 – Member of Moscow Artists Union. 1971 – Emigrates to Israel and settles in Jerusalem. 1975 – Founded the Leviathan group and art periodical (in Russian). Since 1983, he lives and works mainly in Tel Aviv. Awards In 2001, Grobman was a co-recipient of the Dizengoff Prize for Painting. Solo exhibitions 2007 – Last Skies, Loushy & Peter Art & Projects, Tel Aviv (cat. text: Marc Scheps) 2006 – Creation From Chaos to Cosmos, Bar-David Museum of Fine Art and Judaica, Kibbutz Baram (cat. text: Sorin Heller) 2002 – The Last Sky, installation, Tsveta Zuzoritch pavilion, Belgrad (cat. text: Irina Subotitch) 1999 – Mikhail Grobman: Works 1960–1998, The State Russian Museum, St. Petersburg (cat. texts: Evgenija Petrova, Marc Scheps, Lola Kantor-Kazovsky, Michail German) Michail Grobman was born in Moscow. He grew up writing poetry, essays and literary prose. In the 1960s, he was active in the Second Russian Avant-garde movement in the Soviet Union. In 1971, he immigrated to Israel. In 1975, he established the Leviathan school together with Avraham Ofek and Shmuel Ackerman, seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.” Grobman’s lithograph work employs images and symbols from Jewish mysticism and Kabbalah. His paintings incorporate texts in Russian and Hebrew. In addition to his artistic endeavors, he writes about art and aesthetics. The group combined conceptual art and "land art" with Jewish symbolism. Of the three of them Avraham Ofek had the deepest interest in sculpture and its relationship to religious symbolism and images. In one series of his works Ofek used mirrors to project Hebrew letters, words with religious or cabbalistic significance, and other images onto soil or man-made structures. In his work "Letters of Light" (1979), for example, the letters were projected onto people and fabrics and the soil of the Judean Desert. In another work Ofek screened the words "America", "Africa", and "Green card" on the walls of the Tel Hai courtyard during a symposium on sculpture Part of the generation of emigre Russian artists, many Jewish, that included Yuri Kuper, Komar and Melamid, Eduard Steinberg, Erik Bulatov, Viktor Pivovarov, Vladimir Yankilevsky, Ilya Kabakov and Grisha Bruskin. Date of Birth: 1939, Moscow 1960s Active member of The Second Russian Avant Garde 1967 Member of the Moscow Painters Association 1971 Immigrated to Israel and settled in Jerusalem 1975 Founded the Leviathan group and art periodical (in Russian) Since 1983 Lives and works in Tel Aviv . Selected Solo Exhibitions: 2002 Pavilion Zveta Zuzovich, "The Last Sky", Belgrad (cat: Irena Subotitch) 1999 The State Russian Museum, ST. Petersburg 1998 "Picture = Symbol + Concept", Herzliya Museum of Art, Herzliya 1995 "Password and Image", University Gallery, Haifa University 1990 Tova Osman Gallery, Tel Aviv 1989 "The Beautiful Sixties in Moscow", The Genia Schreiber University Art Gallery, Tel Aviv University (with llya Kabakov; cat. text: Mordechai Omer] Spertus Museum, Chicago Beit Rami and Uri Nechushtan, Ashdot Yaacov (leaflet) 1972 Nora Gallery, Jerusalem 1973 - Negev Museum, Beer Sheva 1971 Tel Aviv Museum of Art (cat. text: Haim Gamzu) 1966 Mos-lng-Projekt, Moscow 1965 Artist's House, Moscow Energy Institute, Moscow History Institute, Moscow Usti-nad-Orlicy Theatre,Czechoslovakia (leaflet text: Dushan Konetchni) 1959 Mukhina Art Institute, Leningrad . Selected Group Exhibitions: 2003 "Yes do yourself...", Regeneration of Judaism in Israeli art, Zman Omanut Tel Aviv (cat: Gideon Ofrat) 1999 "Russian post-war avantgarde", The Trajsman Collection in the State Russian Museum, St. Petersburg Tretjakov National Gallery, Moscow (cat. text: Yevgenij Barabanov, John...

Peano Curves is an original Serigraph realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Excellent condition. Bruno Munari (...

Reisinger was born in Kanjiža, Serbia, into a family of painters and decorators active in Austria-Hungary and the Balkans. Most family members died in the Holocaust, including his f...

Burton Wasserman Geometric Abstraction, 1977-1978 Silkscreen on wove paper Hand signed, dated and annotated on the front 9 3/4 × 7 3/4 inches Unique ...

Abstract Composition is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition of 5/100 pr...

Signed J. Crash Matos, numbered in pencil 38/100 . Serigraph on paper CRASH (American, b.1961) John Matos is a Graffiti artist best known for his three-dimensional representation of lettering. Born John Matos in the Bronx, NY, he began spray painting on subway trains in his early teens, working alongside other pioneering American Graffiti artists, such as Dondi White...

Abstract Composition is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition of 21/50 pr...

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. Richard Marshall Merkin (1938-2009) was an American painter, illustrator and arts educator. Merkin's fascination with the 1920s and 1930s defined his art and shaped his identity as a professional dandy. Merkin traveled back in time as an artist, to the time of the interwar years, creating narrative scenes (ala Robert Crumb and Ben Katchor) in bright colors of jazz musicians, film stars, writers, and sports heroes. Merkin was as well known for his painting and illustration work as he was for his eccentric collecting habits and his outré fashion sense. he received a Louis Comfort Tiffany Foundation Fellowship in Painting. Merkin began teaching at the Rhode Island School of Design (RISD) in 1963 and remained there for 42 years, during which time he built his reputation in New York. Some notable students Merkin taught at RISD include Chris Frantz and Tina Weymouth of the band Talking Heads and Martin Mull. Merkin had been a contributing editor for Vanity Fair since 1986 and a regular contributor of illustrations to The New Yorker since 1988, as well as Harper's and The New York Times' Sunday Magazine. From 1988–1991, he wrote a monthly style column called "Merkin on Style" for Gentlemen's Quarterly. Merkin also designed several album covers for the Jazz record label Chiaroscuro Records for artists such as Mary Lou Williams, Ruby Braff, and Ellis Larkins. Merkin's friend, the writer Tom Wolfe wrote in an email to the New York Times upon Merkin's death: "He was the greatest of that breed, the Artist Dandy, since Sargent, Whistler and Salvador Dali, Like Dali, he had one of the few remaining Great Mustaches in the art world" Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy, a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick, soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes, William Burroughs, Bobby Short...

Screenprint in colours on Verin d'Arches paper Edition of 150 + AP15 + PP4 28.2 x 37.5 cm (11.1 x 14.8 in) (Frame 40 x 46 x 3.5 cm / 15.8 x 18.1 x 1.4 in) Signed, numbered, dated an...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Small Pink Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 175/175 Image Size: 33.5 x 26 inches Size: ...

Artist: Josef Albers, German (1888 - 1976) Title: Olympische Spielen Muenchen Year: 1970 (published 1972) Medium: Silkscreen Poster, signed in the plate Edition: 3000 Size: 42 x 27 i...

A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...

Robert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...

Gustavo Perez Monzon (Cuba, 1956) 'Untitled', 2018 etching, aquatint on paper Velin Arches 300 g. 42.2 x 31.5 in. (107 x 80 cm.) Edition of 40 ID: MOZ-101 Unframed

Artist: Jon Becklers Title: Echo Structure Year: circa 1980 Medium: Silkscreen and collage multiple, signed and numbered in pencil Edition: 9/25 Size: 39 x 27 in. (99.06 x 68.58 cm)

Jesús Rafael Soto Jai-Alai Suite: Screen Print C, 1969 screenprint on plexi, edition of 300 24 1/4 x 19 3/5 in.

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego V', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-122 Unframed

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled Year: 1985 Medium: Silkscreen, signed and numbered in pencil Edition: 22/26 Image Size: 30 x 42 inches Size: 36 x 48 inches

Artist: Kikuo Saito, Japanese (1939 - 2016) Title: Paper Lake Year: 1979 Medium: Silkscreen with Collage, Signed in Pencil l.r. Edition: 160 Size: 42 x 29.5 inches (124.46 x 74.93 cm)

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored serigraph on paper. Hand signed on the lower right margin. Num...

Composition is an original screen print on white paper realized by Italian artist Tonino Maurizi. Hand-signed on the lower right. Numbered on the lowe...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

This artwork titled "Solitude" 1987 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 35/95 in pencil b...

Max Bill Untitled Mid Century Modern Geometric Abstraction, 1970 Silkscreen on wove paper 27 1/2 × 19 1/2 inches Signed, dated and numbere...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Medium: Print Signature: Hand-signed by artist in pencil and dated 2022. Certificate of authenticity Included (issued by gallery) Publisher: Original Limited Edition from PichiAvo....

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

A black, white, and grey silkscreen by Josef Albers from, "Articulation : Formulation," published by Harry N. Abrams, 1972, and printed by Ives - Still...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. Richard Marshall Merkin (1938-2009) was an American painter, illustrator and arts educator. Merkin's fascination with the 1920s and 1930s defined his art and shaped his identity as a professional dandy. Merkin traveled back in time as an artist, to the time of the interwar years, creating narrative scenes (ala Robert Crumb and Ben Katchor) in bright colors of jazz musicians, film stars, writers, and sports heroes. Merkin was as well known for his painting and illustration work as he was for his eccentric collecting habits and his outré fashion sense. he received a Louis Comfort Tiffany Foundation Fellowship in Painting. Merkin began teaching at the Rhode Island School of Design (RISD) in 1963 and remained there for 42 years, during which time he built his reputation in New York. Some notable students Merkin taught at RISD include Chris Frantz and Tina Weymouth of the band Talking Heads and Martin Mull. Merkin had been a contributing editor for Vanity Fair since 1986 and a regular contributor of illustrations to The New Yorker since 1988, as well as Harper's and The New York Times' Sunday Magazine. From 1988–1991, he wrote a monthly style column called "Merkin on Style" for Gentlemen's Quarterly. Merkin also designed several album covers for the Jazz record label Chiaroscuro Records for artists such as Mary Lou Williams, Ruby Braff, and Ellis Larkins. Merkin's friend, the writer Tom Wolfe wrote in an email to the New York Times upon Merkin's death: "He was the greatest of that breed, the Artist Dandy, since Sargent, Whistler and Salvador Dali, Like Dali, he had one of the few remaining Great Mustaches in the art world" Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy, a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick, soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes, William Burroughs, Bobby Short...