Screen Abstract Prints

color serigraphy on Fabriano paper , edited in 1983 Limited Edition of 99 copies Hand signed in pencil by artist lower right and numbered EA ( artist proof ) lower left Paper size: 5...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus ...

Perez Melero, Spanish/Venezuelan (1938 - ) Born in Spain, PEREZ MELERO began his career in Venezuela where he lived from the late 1950's until the early 1980's. Maintaining workshops in Caracas and New York, he is an artist who exhibits his work internationally. He is in public collections including the Spanish Museum of Contemporary Art, CANTV, Fundarte, the White House, the American Institute of Architects, and the Women in Military Service to America Memorial at Arlington National Cemetery. ARTIST STATEMENT My 3-dimensional constructions are built mostly from wood, paper, canvas and acrylic paint. Their ideas evolves from an organic and intuitive process. The final work is a combination of my creative vision and a highly organized process employing disciplines of geometry and applied design. Viewers should interact physically with my constructions. They need to walk around them and view them from different perspectives. Up close one can see the detailed and intricate methods of their construction. From further back, one can appreciate their total effect. Color and light and how they interact are central to my work. Color is painted on pieces of wood attached to a high-contrast geometric background. Light penetrates between them, reflecting color from one to another and on the background. These reflected colors seem to mix in the air and produce an impression of others. As light sources change angle or intensity, and as the viewer moves around the work, new colors can be perceived even though they aren't really there. The interaction between color and light has produced an illusion. This relationship between color and light, in part, defines my work. His work is in the tradition of Latin American Modernity made famous by artists: Carlos Cruz-­Diez, Jesús Rafael Soto, Eduardo Ramírez-Villamizar, César Paternosto, Carlos Rojas, Omar Rayo, Fernando De Szyszlo, Julio Le Parc, Omar Carreno, Raul Lozza...

James Rosenquist Limited Edition Vintage Louis Vuitton Silk Scarf, 1987 Screenprint on 100% Italian Silk Scarf . Signed on the plate 34 × 34 in 86.4 × 86.4 cm Limited Edition of 50...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

This large, abstract image celebrates the 13th Annual Community Holiday Festival, 1983 at Lincoln Center. It is signed and numbered by the artist from the edition of 144 (plus 18 APs) and was printed at Fine Creations, NY. This print comes directly from the publisher, Lincoln Center Editions...

Screenprint printed in black and white on handmade oatmeal paper. Signed, dated and numbered in white pencil. Date and name lower right, Signed and numbered edition of 85 from ARTISTS PORTFOLIO, a limited edition series of five prints in support of the dance company of Bill T. Jones/Arnie Zane & Company. The other four artists who contributed were Robert Longo, Keith Haring, William Katz and Gretchen Bender. Bill Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. He was the studio assistant to Robert Indiana for more than a decade, initiating and arranging print projects for the artist, including Numbers (1968), with poems by Robert Creeley.For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. He also spearheaded the project of the cover artwork at Chanterelle with the full roster of distinguished contributing artists, photographers, musicians, and writers — Marisol, Chuck Close, Jasper Johns and Robert Mapplethorpe. Almost all the images were made specifically for the menus In addition, some of the images were made for one night special events, such as annual benefits held for the Bill T. Jones and Arnie Zane Dance Company. He also Curated for the Fisher Landau Center for Art, Painting and Sculpture, Selections from the collection, which included work by Carl Andre, Willem de Kooning, John Duff, Robert Indiana, Neil Jenney...

Braco D. Slobodan "Braco" Dimitrijević (born 18 June 1948) is a Paris-based Bosnian and Yugoslavian conceptual artist. His works deal mainly with history and the individual's place ...

This edition was commissioned in 1980 by Lincoln Center to commemorate its 10th Annual Community Festival. The signed and numbered edition is 144 was printed at Fine Creations. Born in 1940 (Pittsfield, MA), Nancy Graves explored the interplay between the replication of nature and the formal values of abstract art in her wide variety of works throughout her life. Thought she first gained attention with her realistic, life-sized camel sculptures, she was later inspired to draw, paint and print by visual representations of natural phenomena, like weather and moon maps...

Acid Rain is a screenprint on paper in unique, trial-proof colors, 32 x 40" sheet size, signed and numbered in the lower right margin ‘TP16/40 Kenny Scharf,’ and framed in a contemp...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...

Untitled. Original color silkscreen, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky’s and Malevich’s art and ...

Space Balls is a unique, trial-proof screenprint on paper, 32 x 40" sheet size, signed and numbered lower right margin ‘TP14/40 Kenny Scharf,’ and framed in a contemporary, white mou...

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: A.P. Sheet Size: 29 5/8" x 8 3/4" ...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: H.C. 12/18 Sheet Size: 29 5/8" x 8...

Water Drops, from The Official Arts Portfolio of the XXIVth Olympiad, Seoul, Korea, 1988. Silkscreen in colors on paper. Hand signed, dated and numbered by the artist. Image size 3...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 27/54 Sheet Size: 29 5/8" x 8 3/4"...

Artist: Yaacov Agam Title: Thanksgiving Medium: Screenprint in colors on Arches Year: 1980 Edition: XXXIV/LXIII (34/63) Sheet Size: 30" x 42" Image Size: 27 1/8" x 33 1/2" Signed: Ha...

Hunt Slonem Anaconda II, 1980 Silkscreen on Arches paper Hand signed, numbered and dated on the front and titled on the back. 29 3/4 × 21 3/4 inches Unframed With tropical animals, worldly sculptures, and vibrant textiles, Hunt Slonem’s early still lifes are filled with treasures that reflect his childhood spent traveling to faraway places. As the son of a Navy officer, Slonem moved every two or three years during his youth, living everywhere from Hawaii to Washington State to Nicaragua. “I would say my whole life could be summed up by the word exotica,” the artist has said. Slonem’s still lifes contain allusions of his various homes, including pineapples, Native American headdresses...

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

Artist: Jack Youngerman (American, 1926-2020) Title: Mandala Blue Medium: Pochoir in colors with screenprint and embossing Date: 1980 Dimensions: 37" x 36" Signed, dated and numbered...

Artist: Keith Haring Title: Silence = Death Size: 39 x 39 in. (99.1 x 99.1 cm) Medium: Color Screenprint on Wove Paper Edition: HC 15 of 25 Year: 1989 Notes: Image Size: 33 x 33 in...

Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus ...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...

A very good impression of this color screenprint. One of 25 numbered artist's proofs, aside from the edition of 150. Signed, titled, inscribed "AP" and numbered 25/25 in pencil.

Oil and silkscreen on canvas Hand signed, numbered, and dated on verso by Robert Indiana. Edition IV/V. Part of a series that Robert Indiana created in support of Barack Obama’s p...

Artist: Howard Hodgkin Title:Tropic Fruit Medium: Color screenprint Year: 1981 Initialed and dated lower center 'HH 81' and numbered lower right, '80/100' aside from the artist's pro...

Artist: Victor Vasarely (Hungarian-French, 1906-1997) Title: "E.T. (Fond Argent)" *Signed by Vasarely in pencil lower right Year: 1983 Medium: Original Screenprint on Arches paper Li...

Artist: Sharon Sutton Title: I am Here in The World Medium: Screenprint Signed: Hand Signed Edition: From the edition of 200 Measurements: 29" x 29" ...

Yaacov Agam is an Israeli artist best known for his pioneering of Kinetic Art. Employing light and sound to provide a unique sensorial experience for the viewer, Agam melded formalis...

Artist: Jurgen Peters, German (1936 - ) Title: Imaginary Triangle Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size: 23.5 x 23.5 inches Size: ...

Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

"Fan Shape with Dancers" is a silkscreen print by Schomer Lichtner in blue and pink. The print is signed in pencil lower right and is edition 13/200. In this work, the Matissean arabesque figures...

This is a bold and geometric rendering of a vase of flowers atop a grand piano. The background is cleanly split into three colors in red, yellow, and gray while the flowers and the v...

Sol LeWitt Untitled geometric abstraction for Ugo Ferranti Gallery Exhibition Invitation, Rome, Italy, 1980 Rare vintage silkscreen poster for Ugo Ferranti in Rome. Signed by Sol LeWitt on the front. Edition of 300 (uniquely signed; unnumbered) Provenance: Acquired from Wallector Gallery...

Untitled. Original color silkscreen, cca. 1980. Edition of 50 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by...

George McNeil Untitled Figure, 1986 Lithograph on paper. Publisher's and Printer's Blind Stamps Hand-signed, numbered 78/84 and dated by the artist on the front with publisher's and...

Sidney Janis Gallery, Jean-Michel Basquiat, CRASH (John "Crash" Matos), A1One, Chris DAZE Ellis, Daze, Keith Haring, Rammellzee, TOXIC, Kenny Scharf, Lee Quiñones, Lady Pink, Futura & others Rare Sidney Janis Gallery poster for American Graffiti show Abstract Prints, 1983 Silkscreen Poster on glossy paper 36 × 24 inches Unframed Very rare and highly collectible vintage poster...

Important Note: The measurements of this scarf when fully opened are 36 inches x 35 inches. (the measurements of 10 square inches are once folded, as it ships folded not flat) Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature lower right and printed Louis Vuitton brand name...

Screenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this bright yellow, red, ...

Screenprint from 20 screens with embossing. On Velin Arches mould-made paper Based on 'Lotus', textile dyes on hand-made Indian paper, 1978 Signed and dated in pencil, lower centre. ...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

Friedel Dzubas Night Star, 1984 Silkscreen on wove paper with deckled edges Pencil signed and numbered 24/90 on the front 32 3/10 × 19 1/10 inches Unframed Terrific silkscreen by ren...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 23/54 Sheet Size: 29 5/8" x 8 3/4"...

The painting is being offered with a work and authenticity certificate.

Larry Bell Hand Signed and Inscribed Poster, 1981 Silkscreen Poster Hand Signed, inscribed and dated by the artist on the front 16 × 14 inches Unframed This uniquely signed vintage s...

Untitled. Original color silkscreen, cca. 1980. Edition of 200 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Segnali (Signals) is an artwork realized in 1984 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower left in ...

Ghost. 1989., paper, screen print, 60x32.5 cm

Richard Anuszkiewicz Soft Satellite Red, 1981 Silkscreen on wove paper Signed, dated and numbered 53 from the edition of 100 in pencil by the artist on the front. Bears label from Metzenbaum campaign on back of frame Vintage metal period frame included Terrific 1980s Op Art silkscreen, pencil signed and numbered from the limited edition of only 100. This work is framed in its original vintage frame, and bears the label from the campaign for Metzenbaum for Senator - the longtime Democratic Senator from the state of Ohio, along with a biographical blurb on the artist. Don't forget that Anuszkiewicz studied at the Cleveland Institute of Art in the 1950s before studying with Albers at Yale - so it is not surprising that he would contribute this work several decades later to support a liberal politician from Ohio - where he once studied. (Anuszkiewicz was born in Eerie Pennsylvania). Measurements: Framed: 36 x 36 x 0.5 inches Artwork: 35 x 35 inches Provenance: Originally sold to raise funds for Senator Metzenbaum's campaign. Very good; the work is held in its original 1980s vintage frame...

Claire Seidl Description Without Place (Hand Signed), 1986 Lithograph and silkscreen. Hand signed, dated and numbered from the edition of 65 by the artist. 28 × 38 1/2 inches Unfram...