Stone Abstract Prints
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Style: Abstract
Medium: Stone
Abstract Stone Lithograph 1950s San Francisco Black and White Original Art
By Jerry Opper
Located in Arp, TX
From the estate of Jerry and Ruth Opper
Untitled
1950s
Stone Lithograph on paper
13 1/4"x19 1/4" unframed
Unsigned
This piece is unsigned and came from a collection of Jerry and Rut...
Category
Mid-20th Century Abstract Stone Abstract Prints
Materials
Stone
Flux # 202320 (Abstract photography)
By Paul Snell
Located in London, GB
Flux # 202301 (Abstract photography)
Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments
Backed with Dibond ...
Category
2010s Abstract Stone Abstract Prints
Materials
Concrete, Enamel
Flux # 202301 (Abstract photography)
By Paul Snell
Located in London, GB
Flux # 202301 (Abstract photography)
Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments.
Edition: 1/3.
Snel...
Category
2010s Abstract Stone Abstract Prints
Materials
Concrete, Enamel
1950's Stone Lithograph Black and White Abstract San Francisco Artist
By Jerry Opper
Located in Arp, TX
From the estate of Jerry and Ruth Opper
JO 14-1
1950's
Stone Lithograph on Paper
12.5" x 19", Unframed
Came from a portfolio of his work from his estate.
Jerry Opper (1924-2014)
He...
Category
Mid-20th Century Abstract Stone Abstract Prints
Materials
Stone
C.1950s Abstract Mid Century Lithograph
By Jerry Opper
Located in Arp, TX
From the estate of Jerry and Ruth Opper
Abstract Fireworks
1950's
Stone Lithograph on Paper
12.5" x 19", Unframed
Came from a portfolio of his work from his estate.
Jerry Opper (192...
Category
Mid-20th Century Abstract Stone Abstract Prints
Materials
Stone
C.1950s Abstract Mid Century Lithograph "JO 23-1"
By Jerry Opper
Located in Arp, TX
From the estate of Jerry and Ruth Opper
JO 23-1
1950's
Stone Lithograph on Paper
12.5" x 19", Unframed
Came from a portfolio of his work from his estate.
Jerry Opper (1924-2014)
He...
Category
Mid-20th Century Abstract Stone Abstract Prints
Materials
Stone
1950 "Cave Drawings" Abstract Stone Lithograph
Located in Arp, TX
From the estate of Jerry and Ruth Opper
"Cave Drawings"
1950
Stone Lithograph on Paper
25"x19.5" paper 21.25"x14.75" site Unframed
Titled and dated lower le...
Category
1950s Abstract Stone Abstract Prints
Materials
Stone
Flux # 202307 (Abstract photography)
By Paul Snell
Located in London, GB
Flux # 202307 (Abstract photography)
Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments.
Edition: 1/3.
Snel...
Category
2010s Abstract Stone Abstract Prints
Materials
Concrete, Enamel
Flux # 202301 (Abstract photography)
By Paul Snell
Located in London, GB
Flux # 202301 (Abstract photography)
Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments.
Edition: 1/3.
Snel...
Category
2010s Abstract Stone Abstract Prints
Materials
Concrete, Enamel
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Walled Off Hotel Boxed Set Assemblage w/original embossed receipt from Bethlehem
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Banksy (after)
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"Altered States of an Autorittrati" 3rd State, Modernist Blue Self-Portrait
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"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition
By Geoffrey Bowman
Located in Soquel, CA
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Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...
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A Paintings Retrospective: vintage LACMA Museum poster depicting her 1963 work
Located in New York, NY
Helen Frankenthaler (after)
A Paintings Retrospective: vintage LACMA Museum poster, 1990
Offset lithograph museum poster
(Unsigned & Unnumbered)
37 × 25 inches
Unframed
This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA)
Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA
The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.)
“What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler
This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961)
Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide.
Helen Frankenthaler, A Brief Biography
Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow.
Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann.
Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture.
In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland.
As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour.
Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century.
Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others.
Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category
1990s Abstract Expressionist Stone Abstract Prints
Materials
Offset, Lithograph
Jim DINE Eight Sheets from an Undefined Novel (sample portfolio)
By Jim Dine
Located in NEW YORK, NY
Jim Dine Eight Sheets from an Undefined Novel:
A rare, highly-collectible sample portfolio of 8 offset printed lithographs advertising Jim Dine's Eight Sheets from an Undefined Novel...
Category
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Located in Madrid, Madrid
Eduardo Arranz-Bravo - Casa negra (Black House)
Date of creation: 1988
Medium: Lithograph on paper
Edition: 75
Size: 56 x 76 cm
Condition: In perfect conditions and never framed
Obse...
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Alfred Jensen, Deluxe VIP Hand Signed Edition #85/100, 1 Cent Life, '64, Framed
Located in New York, NY
Alfred Jensen
Untitled (Deluxe Artists & Collaborators Edition of the One Cent Life portfolio), 1964
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$5,000 Sale Price
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Previously Available Items
1950 "The Grab" Abstract Stone Lithograph
Located in Arp, TX
From the estate of Jerry and Ruth Opper
"The Grab"
c. 1950s
Stone Lithograph on Paper
25"x19.5" image 18"x12.5" Unframed
Estate stamp lower right
Came from ...
Category
1950s Abstract Stone Abstract Prints
Materials
Stone
Stone abstract prints for sale on 1stDibs.
Find a wide variety of authentic Stone abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Paul Snell, Albert Rafols Casamada, and Michael Wallner. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Stone abstract prints, so small editions measuring 0.02 inches across are also available