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Maurice EstèveMaurice Esteve, Face to Face, from XXe Siecle, 19681968
1968
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About the Item
This exquisite lithograph by Maurice Esteve (1904–2001), titled Face a face (Face to Face), from the album XXe Siecle, Nouvelle serie, XXXe Annee No. 30, Juin 1968, originates from the 1968 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1968. Face a face exemplifies Esteve’s radiant mastery of color and structure, blending geometric rhythm and lyrical abstraction into a meditation on harmony, balance, and emotion.
Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: Maurice Esteve (1904–2001)
Title: Face a face (Face to Face), from the album XXe Siecle, Nouvelle serie, XXXe Annee No. 30, Juin 1968
Medium: Lithograph on velin paper
Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1968
Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris
Printer: Mourlot Freres, Paris
Catalogue raisonne reference: Prudhomme-Esteve, Monique, et al. Maurice Esteve: L'oeuvre Grave, Catalogue Raisonne. Cordelia, 1986, illustration 45
Condition: Well preserved, consistent with age and medium
Provenance: From the album XXe Siecle, Nouvelle serie, XXXe Annee No. 30, Juin 1968, published by Societe Internationale d'Art XXe siecle, Paris; printed by Mourlot Freres, Paris, 1968
About the Publication:
Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War Two, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age.
About the Artist:
Maurice Esteve (1904–2001) was a French painter, draftsman, and lithographer whose lifelong devotion to color, form, and harmony established him as one of the great masters of postwar abstraction and a central figure of 20th-century French modernism. Born in Culan, France, Esteve was largely self-taught, moving to Paris in the 1920s where he immersed himself in the avant-garde circles of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists whose innovations in abstraction, surrealism, and modern form profoundly shaped his artistic vision. Drawing from the Cubist structure of Picasso and Braque, the lyrical freedom of Miro and Kandinsky, and the humanist warmth of Bonnard and Matisse, Esteve forged a uniquely personal visual language that merged geometric precision with emotional resonance. His mature works—composed of radiant interlocking forms and glowing chromatic harmonies—embody a sense of balance and rhythm that feels both musical and architectural, transforming color into an expressive force of light, energy, and emotion. A leading figure of the Ecole de Paris, alongside Jean Bazaine, Alfred Manessier, and Serge Poliakoff, Esteve helped define the lyrical abstraction movement that bridged the gap between European modernism and American color field painting. His art, celebrated for its refined craftsmanship and spiritual intensity, rejects rigid formalism in favor of a meditative balance between intellect and intuition, order and improvisation. Over his six-decade career, Esteve’s paintings and lithographs were exhibited worldwide, including at the Venice Biennale, the Musee National d’Art Moderne, and the Fondation Maeght, and his work is represented in major collections such as the Centre Pompidou in Paris, the Tate Modern in London, and the Museum of Modern Art in New York. His influence extends to later generations of lyrical abstractionists, color field painters, and contemporary designers who continue to draw inspiration from his synthesis of color and emotion. Collectors prize his work for its timeless elegance, chromatic vitality, and spiritual depth—qualities that link him to the great innovators of his century, including Picasso, Miro, Dali, Kandinsky, Calder, Duchamp, Giacometti, and Man Ray. His highest auction record was achieved by Composition 1955, which sold for 1.6 million US dollars at Sotheby’s in Paris on June 6, 2018, confirming Maurice Esteve’s enduring legacy as one of the most poetic, harmonious, and collectible abstract painters of the modern era.
Maurice Esteve Face a face, Esteve Face to Face 1968 XXe Siecle, Esteve Mourlot lithograph, Esteve velin paper, Esteve collectible print.
- Creator:Maurice Estève (1904 - 2001, French)
- Creation Year:1968
- Dimensions:Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216528072
Maurice Estève
Maurice Estève was born May 2, 1904 in Culan in the Cher where he spent his childhood with his grandparents. He joined them in 1913 in Paris, where he discovered the Louvre Museum (he is particularly impressed by the Battle of San Romano by Paolo Ucello). Returning to Culan for the summer, he stayed there during the war years, began painting as early as 1915. He lived in Paris again from 1918. Apprentice to a typographer then to a modern furniture design studio, he followed Drawing evening class, discovers in 1919 the painting of Cézanne. Back in Paris he attended Montparnasse the free workshop of the Academy Colarossi. Marked until then by the painting of the Primitives and the work of Cézanne, it passed temporarily in 1927 the influence of surrealism, including Giorgio de Chirico. He presents his first solo exhibition in 1930 before becoming interested in film and directing. On the advice of Braque who participates, he is asked in 1936 to exhibit in Stockholm with Matisse, Picasso, Juan Gris and Fernand Léger. He participated the following year in the realization of the wall decorations of Robert and Sonia Delaunay for the pavilions of the Aviation and Railways at the Universal Exhibition of Paris. Estève, who works regularly during the summer in Culan, makes lithographs, regularly practices watercolor but also charcoal, monotype, collage. In 1970, he received the Grand Prix National des Arts. From 1981 are organized several retrospectives of his work. The City of Bourges decided to present all the works (more than a hundred) which the painter donated to him in 1985 in the Hotel des Echevins, restored with the assistance of the Historic Monuments and the Direction of the Museums of France to become the "Estève Museum", inaugurated in 1987. Estève moved permanently to Culan in 1995. He died on June 27, 2001.
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