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Michael Hale
Moderato - Abstract Geometric Screen Print

1982

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  • Abstract Pseudo-Architectural Etching with Color Added by Hand - Ink on Paper
    By Krystyna Smiechowska
    Located in Soquel, CA
    Abstract Pseudo-Architectural Etching with Color Added by Hand - Ink on Paper Detailed abstract etching by Krystyna Smiechowska (Polish, b. 1935). This piece exhibits Smiechowska's characteristic style - abstracted, but reminiscent of architectural drawings, maps, and ancient manuscripts...
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    1960s Abstract Geometric Abstract Prints

    Materials

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  • "Shapes of Noyo" Woodblock Print on Paper (Artist's Proof)
    Located in Soquel, CA
    "Shapes of Noyo" Woodblock Print on Paper (Artist's Proof) Bold woodblock print by notable artist Emmy Lou Packard (American, 1914-1998). Large dark grey shapes are placed over a lighter grey background. Both of them have strong woodgrain texture. There are this white shapes floating around the composition, with a large block of blue in the upper right corner and a smaller block in the lower left. Titled, numbered, and signed along the bottom edge: Shapes of Noyo Proof Packard Presented in a dark wood frame with a grey mat. Frame size: 18.75"H x 26.75"W Image size: 11.5"H x 19.5"W Emmy Lou Packard was born on April 15, 1914, near El Centro, California. In 1927, the Packard family traveled to Mexico. Emmy, then 13 years old, was already painting and drawing. Her mother introduced her to artists Diego Rivera and Frida Kahlo, marking the beginning of a long friendship and mentorship. In 1934, she eloped to Nevada with the architect Burton Cairns, a recent graduate of the University of California, Berkeley. In 1936 Packard graduated from the University of California, Berkeley with her bachelor's degree and later studied sculpture, mural and fresco painting at the San Francisco Art Institute. In 1939, her husband died in a car accident. After his death, she traveled to Mexico to live with Rivera and Kahlo, working as their studio assistant. During the time she stayed with Rivera and Kahlo, she took a number of photographs of the couple. When Diego Rivera came to San Francisco in 1940 for the Golden Gate International Exposition (GGIE), he asked Emmy to be the chief assistant for painting the Pan American Unity mural. Between 1944 and 1945, she briefly worked as an illustrator of a labor newspaper for the San Francisco Bay Area shipyards. Packard designed and executed the mural on the exterior of the dining commons at the University of California, Berkeley in the Lower Sproul student union center. She also designed the terrace parapet which is embellished with an 85-foot long, 5-foot high, bas-relief, Modernist mural depicting California landscape features, including coastal bluffs, cultivated fields, mountains, and rivers located in the central façade of Chávez Student Center at the University of California, Berkeley in the Lower Sproul. On May 29, 1959, she married artist Byron T. Randall; they divorced in 1972. Packard was an active community member in the Mission District of San Francisco and San Francisco's community mural movement. In 1974 she served as a mural technical adviser for the Bank of America building mural located at Mission Street and 23rd Street; the local artists that painted this mural are Jesús “Chuy” Campusano, Luis Cortázar and Michael Rios...
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    1960s Abstract Geometric Abstract Prints

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  • Exhibition Poster for Kandinsky at Galerie Karl Flinker 1977 in Ink on Paper
    By Wassily Kandinsky
    Located in Soquel, CA
    Exhibition Poster for Kandinsky at Galerie Karl Flinker 1977 in Ink on Paper Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted is for a show at Galerie Karl Flinker a Paris, in 1977. The poster was printed by IMP. IDL Graphique, Paris. Kandinsky's "Merry Structure" contains a variety of abstract geometric shapes, laid out in a harmonious composition. There are hints of architectural, figurative, and landscape-like objects, in a manner that is open to interpretation. Presented in a new white mat with foamcore backing. Mat size: 40"H x 28"W Poster size: 33"H x 21"W At the relatively advanced age of nearly thirty, Vasily Vasilievich Kandinsky abandoned a burgeoning career as a teacher of law in Moscow to take up studies as a painter. In 1896 he moved to Munich to study, enrolling in the private art academy established by the Slovenian painter Anton Ažbe, where he joined a number of other Russian artists, including Marianne von Werefkin...
    Category

    1970s Abstract Geometric Abstract Prints

    Materials

    Paper, Ink, Lithograph

  • "Blue Approach #2" - Hand-Augmented Collotype
    By Patricia A. Pearce
    Located in Soquel, CA
    "Blue Approach #2" - Hand-Augmented Collotype Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piec...
    Category

    Late 20th Century Abstract Geometric Abstract Prints

    Materials

    Copper

  • "Tarantella" - Geometric Abstract Screen Print with Peach, Red, and Black
    By Michael Hale
    Located in Soquel, CA
    A minimal geometric abstract screen print in peach, red and black by Michael Hale (British, b. 1934). Presented in a black wooden frame. Titled "Tarantella" and numbered "16/50" lowe...
    Category

    1980s Abstract Geometric Abstract Prints

    Materials

    Paper, Ink, Screen

  • "Legato 2" - Chartreuse Abstract Geometric Screen Print
    By Michael Hale
    Located in Soquel, CA
    "Legato 2", a geometric abstract screen print with chartreuse color field by Michael Hale (British, b. 1934). Presented in a black wooden framed. Signed "Hale" lower right. Titled "Legato 2" lower left. Image size, 26"H x 20"W. Mike Hale could perhaps be considered something of a 'lost' figure within this movement. He was, a pioneering screen-printer and worked as a master printing technician at Kelpra Studios for a time, before going on to teach at the Leicester Collete of Art where his meticulous approach influenced a new generation of artists working in the medium which, by the 60s had exploded in popularity. "Kelpra Studios: In 1957, commercial screen printer Chris Prater and his wife Rose set up their own business in a tiny space in Kentish Town: Kelpra Studios. Within the period of a decade they had introduced a mind-boggling array of Britain’s greatest artists to the medium of screen-printing. Like the Wizard of Oz orchestrating proceedings from behind his curtain, Prater collaborated with them all to the highest degree, succeeding - virtually single handedly as it is now recognized - in elevating the medium to an accepted art form within the eyes of even our most traditional institutions. Early converts...
    Category

    1980s Abstract Geometric Abstract Prints

    Materials

    Ink, Paper

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