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Pablo Picasso
'La Bonne dans l'Atelier de Sculpture' (S.V. 71), Surrealist Etching, 1933

May 3, 1933

$55,000List Price

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'EVEN THE HEART SKIPS A BEAT' (Black on Black)
By RETNA
Located in New York, NY
'EVEN THE HEART SKIPS A BEAT' (Black on Black) is a signature stylistic print by RETNA. The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust. ...
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2010s Abstract Abstract Prints

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'OUI', 2023, Contemporary Abstract Print
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Harland Miller's 'OUI', 2023 is a contemporary woodcut print. A tribute to Harland Miller’s time spent in Paris as a young artist and writer during the 1990s, OUI is inspired by the ...
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Abstract Giclée Print with Glitter, 'Nūr Jahān', 2022
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Located in New York, NY
Damien Hirst’s ‘Nūr Jahān’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. 'Nūr Jahān...
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Archival Picasso Linocut Print, ‘B1296 Madoura’, 1961
By Pablo Picasso
Located in New York, NY
Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art...
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1960s Abstract Abstract Prints

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'Escargot'
By Alexander Calder
Located in New York, NY
Alexander Calder’s ‘Escargot’ lithograph showcases his playful yet sophisticated approach to abstraction, combining organic form with bold color and dynamic composition. The title, w...
Category

1960s Abstract Expressionist Abstract Prints

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'Escargot'
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'Jeune Fillet et sa Suite'
By Alexander Calder
Located in New York, NY
Alexander Calder’s ‘Jeune Fillette et sa Suite’ lithograph reflects his signature style of playful abstraction while offering a whimsical portrayal of human figures through simplifie...
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1970s Abstract Geometric Abstract Prints

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Charlie Davies, Winter winds, Contemporary Limited Edition Botanical Prints
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Charlie Davies Winter winds Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 c...
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Howard Hodgkin hand-colored Early Evening in the Museum of Modern Art
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Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...
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Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
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André Butzer, Untitled - Etching on wove paper, Signed Print, Contemporary Art
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Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
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Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper. This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...
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Artist and Model Howard Hodgkin - green and yellow etching watercolour gouache
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This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...
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