Pablo Picasso

"Picasso Linocuts 1958-1963"

1969

This limited edition reproduction of Georgia O’Keeffe’s Jack-in-the-Pulpit, No. IV (1930) captures the bold, abstracted form of the flower in rich color and detail. Printed in five...

This poster was produced in 1973 to promote a Richard Hamilton exhibition at the Davison Art Center, Wesleyan University, Middletown, Connecticut, USA. The poster reproduces The cri...

THOMAS NOZKOWSKI Mostly Mozart (Hand signed and inscribed), 2007 Offset Lithograph. Hand signed dated 2016 and inscribed to Kevin 29 × 35 inches Personally signed and dedicated by No...

René Magritte Magritte at Galerie Alexandre Iolas, Milan, Italy, ca. 1980 Offset lithograph lettering and silkscreen poster on thin wove paper ...

Original exhibition poster by Damien Hirst from 2007. The exhibition took place at Gagosian, Davies Street, London, and Gagosian, Beverly Hills. Damien Hirst (British, b. 1965) Dam...

This lithographic poster was printed at the Atelier Mourlot in 1959 for an exhibition of Picasso's "50 Masterpieces" at the Musée Cantini in Marseille, Fran...

Etching with aquatint in colors on white wove paper with a deckle edge, 17 1/2 x 23 1/2 inches (317 x 598 mm); sheet 22 1/2 x 30 inches (571 x 762 mm), full margins. Signed and numbe...

Howard Hodgkin Still Life, 1980 Colour screenprint on Velin Arches paper, signed with initials, dated and numbered 77/100 in pencil. 79 x 73 cm published by Bernard Jacobson Ltd, Lon...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

Whistle by American artist George Nama is from ” Tightrope ” a suite of ten lino-cuts published by Monument Press 1974. We see a stark image of a large whistle with a wire binding it’s movement which changes the viewers concept of what they think they are perceiving. In this series of ten lino-cuts Nama takes ordinary household objects and makes them inoperable by wrapping a wire around the workable part of the object and presenting one object at a time. There seems to be a sense of humor and at the same time profundity with each image. All copies are individually signed and numbered by the artist. This is copy number 5/50 and is touched by hand with watercolor on Arches cover stock paper and printed by Monument Press in Pittsburgh, Pennsylvania. This print is in excellent condition. George Allen Nama was born in Homestead near Pittsbugh, Pennsylvania in 1939. In the 1960’s he was part of an international artistic circle in Paris while working at the Atelier 17 with William Stanley Hayter...