1970s Abstract Prints

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe II Year: 1975 Edition: 5,000 Image Size: 10" x 1...

Karel Appel Tibetan Bird Animals and monsters series Print - Lithograph 22.0'' x 30'' inches Year: 1979 Edition: signed in pencil and marked 134/175 Karel Appel is one of the foundi...

White Finger Ball  is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this...

Artist: Alexander Calder Title: Derriere Le Miroir No. 201, Cover One page Lithograph from the Derriere le Miroir No. 201 publication. Unsigned and unnumbered from an edition of pre...

Neon Intaglio Etching, c. 1970 Signed, titled and numbered in pencil Edition: 99 (76/99) Image size: 7 1/2 x 7 1/2 inches Sheet size: 22 x 17 inches Condition: Excellent Carlos Dávil...

Untitled is an etching and collage on paper realized by Hans Richter in 1973. Published by La Nuova Foglio, a publishing house of Macerata. Monogrammed by Frida Richter and numbered in pencil on the lower margin. Edition of 99 prints. Good conditions. On the lower left margin of the back, there are a dry-stamp of the publishing house and a black-ink stamp "Estate Hans Richter". From a portfolio of seven etchings published by The New Sheet under the supervision of Hans Richer, who signed for each " bon à tirer " before his death, which took place in Locarno on 1 February 1976...

This colorful modern lithographic poster by Wassily Kandinsky was printed in 1972 at the Atelier Mourlot in Paris to promote an exhibition of his watercolors and drawings at the Gale...

Robert Mangold A Square with Four Squares Cut Away, 1976 Numbered on the back Rubber stamp print on custom cut Cambersand paper Stamp made by Unity Engraving Company, Inc. Printed by...

Artist: Salvador Dali (1904-1989) Title: Jardin biologique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Organic garden, Imaginations and Objects of the ...

"Galerie Maeght Miro" is an original color lithograph poster with art by Joan Miro. It was printed by Maeght Editeur Imprimeur in 1970. The poster showcase...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size: 14 x 18 in. (35.56 x 45....

Caviar20 is thrilled to be offering the work of Louise Nevelson. "Moon Garden" is a superb example of one of her impressive molded reliefs in black paper pulp. Although Nevelson is...

Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described extreme reservations, he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill..At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of The beginning and the end of history...

Josef Albers (1888-1976) is affiliated with numerous movements that have defined 20th century art. Historians credit Albers with fusing elements of American and European abstraction ...

Title: Morning Medium: Lithograph in colors Year: 1979 Edition: AP (artist's proof, aside from the edition of 175) Signature: Stamped signature Image Size: 21 3/4" x 27 3/4" Sheet Si...

Artist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-348) (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Original Lithograph on white ...

14th New York Film Festival Allan D’Arcangelo, American (1930–1998) Date: 1976 Screenprint, signed and numbered in pencil Edition of 107/144 Size: 40 x 59 in. (101.6 x 149.86 cm)

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

Hans BELLMER Abstract Erotism Original etching, 1973 Handsigned in pencil by the artist Numbered / 20 (Roman numerals) On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the P...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, et al. Chagall Lithographe, ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Vertumne poursuit Pomone de son amour (Vertumnus Pursues Pomona with His Love), originates from the rare 1970 folio ...

Artist: Josef Albers Title: Homage to the Square (double) from the Portfolio: Formulation: Articulation (Double Portfolio) Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol ...

Alexander Calder Lithograph c. 1973 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; contains center fold-line as originally issue...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1972 E...

Colorful abstract landscape woodcut print by modern artist Carol Summers. The work features a color blocked depiction of a volcano with a rainbow. Signed, titled, and editioned withi...

Artist: Alan Davie, Scottish (1920 - 2014) Title: Olympische Spiele Muenchen Year: 1972 Medium: Lithograph, signed and numbered in pencil Ed...

Artist: Robert Bennett Title: Saturday Night on Planet X Year: 1979 Medium: Lithograph on Stonehenge paper Size: 22 x 30 inches Edition: 10/100, plus proofs Condition: Good Inscripti...

This lithograph was created by American artist Jasha Green (1923-2006). Known for his abstract expressionist vision, some of his prints also show his appreciation for op art and surrealism...

"Homage to the Square - P2, F32, I1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Vintage Poster is an original manifesto realized by Leo Guida in 1975. Screen print. Good condition for the 8 copies of the artwork. Edition 42/150. Dated and signed. Leo Guida ...

Artist: John Hultberg Title: Fragments of a Dream Year: 1977 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 32.5 inches Paper Size: 26 in. x 3...

Jean Albert Gorin (French, 1899-1981), 1970, silkscreen printed in colors, pencil-signed and numbered 22/175, Image 23.75 x 23.75 inches, Published ...

MAN RAY (Emmanuel Radnitsky, known as) (1890-1976) Menton Biennale, 1970 Original lithograph (Mourlot workshop) Signed on the plate On paper, 67 x 47 cm (c. 27 x 18 in) INFORMATION...

Johnny Friedlander Automne 1977 Etching on Arches teinte’ paper Visible: 10 x 7.25 inches Framed: 16.375 x 13.5 x 1 inches Edition: 135 Signed and numbered in pencil along lower edge...

Pierre Soulages - Original Lithograph Published in the deluxe art review "XXe siècle" 1970 Unsigned as published Dimensions: 32 x 24 cm Pierre Soulages or the "painter of black" as ...

Joan Miró - Maravillas con variaciones n-20 Lithography 35,7x49,6cm Signed in the plate 1975 Edition of 1500 copies on Guarro paper Publisher : Poligrafa Barcelona 890€

Silkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...

Artist: John Chamberlain (1927-2011) Title: Flashback III Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 119/175, plus proofs Size: 28 x 20 inches Inscription: Signed...

"Up Against the War Motherland" UC Berkeley Workshop April 26, 1970 Screenprint on computer paper 14.75"x22" unframed Unsigned Poster is printed on tracto...

Marie Therese Vacossin Geometric Composition Medium: Colour Silkscreen Year: 1979 Signed, dated, titled, numbered or inscribed Edition: 15 Size: 8.2 × 8.2 on 14.0 × 13.3 inches COA ...

Antoni Tàpies. "Composition" 1976 Lithograph hand-signed Print run of 75 copies, 69/75 56 x 76 cm

Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XVII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations:...

Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...

"Homage to the Square - Portfolio 2, Folder 4, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Alexander Calder McGovern for President, 1972 Lithograph on wove paper with deckled edges Signed and numbered 93/200 in graphite pencil on the front; also bears blind stamp from Styr...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

Artist: Salvador Dali (1904-1989) Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Hologram glasses and computers to see ...

Indian View C, 1971 Screenprint in colors 22 4/5 × 30 7/10 in 58 × 78 cm Edition 1/75 + 1AP Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wood...

Paul Herrmann Form on Black Background (Abstract, Modern, Mid-Century) Linocut 1970 Signed, titled and dated in stone on verso (along lower margin) Edition: 100 (not individually num...

As always, Caviar20 is thrilled to present the esteemed work of Louise Nevelson - one of the most revered and unique artists of the 20th century. Although Nevelson is best known f...

Paul Jenkins' works are described as: "Flowing veils of color that overlap and interact together, seeping and bleeding vivid color." In 1954 Jenkins had his first exhibition in Paris...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 14.125 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and ...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 28.25 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné refere...

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 20) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

Antoni Tapies (Spain, 1923-2012) 'Varations V: Chaussure sur chaise', ca. 1970-1975 lithograph on paper 29.6 x 41.4 in. (75 x 105 cm.) Edition of 90 Unframed ID: TAP1162-022 Hand-sig...

Joan Miro, Spanish (1893 - 1983) - Ubu aux Baleares (M.786), Year: 1971, Medium: Lithograph, signed in pencil, Edition: 120, Size: 21 x 25 in. (53.34 x 63.5 cm), Frame Size: 2...

Joan Miró "Le Pitre Rose", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 9/50. Sheet measures: 55 x...

Robert RAUSCHENBERG Cardbirds, 1972 exhibition, rare original poster For the exhibition "Cardbirds" at the Sonnabend Gallery Signed in the plate framed in walnut. 21 x26.5" framed. ...