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Peter HalleyMusee d'Art Contemporain Pully/Lausanne poster (Hand Signed by Peter Halley)1992
1992
$1,000
£772.67
€893.28
CA$1,413.07
A$1,584.85
CHF 829.96
MX$19,257.53
NOK 10,539.15
SEK 9,991.86
DKK 6,667.89
About the Item
Peter Halley
Musee d'Art Contemporain Pully/Lausanne (Hand Signed), 1992
Offset lithograph poster (hand signed by Peter Halley)
11 1/2 × 16 1/2 inches
Unframed
Hand signed in black marker by Peter Halley, not signed
Alpha 137 Gallery is honored to offer this rare European poster of legendary American artist Peter Halley which the artist hand signed in black marker. If you are a Peter Halley fan, snag this collectors item now while it's still available.
Attached is a photograph of our director Nadine Witkin with the artist in his studio.
The present work was published on the occasion of a traveling Peter Halley retrospective exhibition at the Musée d’art contemporain, Pully/Lausanne April 3 through May 31, 1992.
From 1991 to 1992, this Peter Halley retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and the Stedelijk Museum, Amsterdam.
Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney.
Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era.
Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured.
In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas.
Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian.
A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier.
Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others.
- Creator:Peter Halley (1953, American)
- Creation Year:1992
- Dimensions:Height: 11.6 in (29.47 cm)Width: 16.5 in (41.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215023812
Peter Halley
Peter Halley is an American artist known for his distinctive geometric paintings that explore the intersection of technology, society, and architecture. Born in 1953 in New York City, Halley developed an early interest in art and went on to study at Yale University, where he received his Master of Fine Arts degree in 1978.Halley's work is characterized by vibrant, flat colors and repetitive, abstract forms, often resembling circuit boards or prison cells. His paintings reflect his fascination with the effects of technology on human interaction and the isolation of modern society. Halley coined the term "prison cells" to describe the confined spaces and social structures that he believes have been created by technology and urban architecture. Throughout his career, Halley has exhibited his work internationally, gaining recognition for his unique style and thought-provoking concepts. He has also been involved in art criticism and writing, contributing to various publications and expanding the discourse on contemporary art. Today, Peter Halley's art continues to captivate audiences, provoking discussions about the impact of technology on our lives and the nature of human connections in an increasingly digital world. His contributions have made him an influential figure in the field of contemporary art.
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