Items Similar to 191j24017 (Abstract print)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Pierre Muckensturm191j24017 (Abstract print)2019
2019
About the Item
Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed.
Pierre Muckensturm added printmaking to his oeuvre since 2010.
The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time.
In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time.
Edition 9/30
Pierre Muckensturm
Pierre Muckensturm is a French abstract painter and print maker born in Strasbourg. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Muckensturm attended Louis Pasteur University in Strasbourg. Later, while studying to become a teacher, he befriended Jean Jérôme, a university art instructor, who mentored him and inspired him to enroll in painting workshops. In 2010, he was an artist in residence at Boribana Museum of Contemporary Art in Dakar, Senegal. Muckensturm's work is included in multiple institutional collections, including that of the Museum of Fine Arts in Liège, Belgium, the Boribana Museum of Contemporary Art, Dakar, Senegal, and the Art Library of the City of La Roche-sur-Yon, France.
Muckensturm has exhibited extensively in Europe, as well as in the United States and Canada.Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting techniques, also communicate a sense of calmness. In 2010, during an artist residency in Africa, Muckensturm became inspired by the differences in how time is observed in Senegalese culture, versus the culture in which he was raised. He has since been exploring these various ideas in his work, expressing calmness and an open ended view of time.
About the Seller
5.0
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2015
1stDibs seller since 2017
317 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: SOULTZEREN, France
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All191J24016
By Pierre Muckensturm
Located in London, GB
Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed.
Pierre Muckensturm added printmaking to his oeuvre since 2010.
The engraving and printing process allows him ...
Category
2010s Abstract Abstract Prints
Materials
Paper, Ink, Engraving
191j24017 (Abstract print)
By Pierre Muckensturm
Located in London, GB
Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed.
Pierre Muckensturm added printmaking to his oeuvre since 2010.
The engraving and printing process allows him ...
Category
2010s Abstract Abstract Prints
Materials
Paper, Ink, Engraving
191j24011 (Abstract print)
By Pierre Muckensturm
Located in London, GB
Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed.
Pierre Muckensturm added printmaking to his oeuvre since 2010.
The engraving and printing process allows him ...
Category
2010s Abstract Abstract Prints
Materials
Paper, Ink, Engraving
191j24017 (Abstract print)
By Pierre Muckensturm
Located in London, GB
191j24017 (Abstract print)
Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed.
Pierre Muckensturm added printmaking to his oeuvre since 2010.
The engraving and ...
Category
2010s Abstract Abstract Prints
Materials
Paper, Ink, Engraving
191j24011 (Abstract print)
By Pierre Muckensturm
Located in London, GB
191j24011 (Abstract print)
Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed.
Pierre Muckensturm added printmaking to his oeuvre since 2010.
The engraving and ...
Category
2010s Abstract Abstract Prints
Materials
Paper, Ink, Engraving
191J24016 (Abstract Print)
By Pierre Muckensturm
Located in London, GB
191J24016 (Abstract Print)
Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed.
Pierre Muckensturm added printmaking to his oeuvre s...
Category
2010s Abstract Abstract Prints
Materials
Paper, Ink, Engraving
You May Also Like
"Bidegin", 1972 signed original etching chine colle limited edit Spanish artist
By Eduardo Chillida
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Bidegin', 1972
etching, chine colle on paper Velin Arches 250 g.
Image size: 12.75 x 9.25 in. (32.5 x 23.5 cm.)
Sheet size: 29.8 x 21.9 in. (75.5 x 55.5 cm.)
Edition: 67. 50 numbered, 7 P/A (Artist Proofs), and 7 H.C.
Unframed
ID: CHI1038-011
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P.I 1959-1972. Chorus – Verlag. pp 314 – 315. Nr 72015.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew...
Category
1970s Abstract Prints and Multiples
Materials
Paper, Etching, Ink, Engraving
"Senses' Exile" set original engravings by Krauze Viskin Escobedo F.C. Leñero
By Manuel Felguérez
Located in Miami, FL
"El Exilio de Los Sentidos", 2005
Poem by Alberto Blanco, and works by Manuel Felguérez, Helen Escobedo, Perla Krauze, Francisco Castro Leñero, and Boris Viskin...
Category
Early 2000s Abstract Abstract Prints
Materials
Paper, Ink, Archival Paper, Engraving, Etching, Aquatint
TV Re-Run B Unique mixed media monotype and colored embossing geometric abstract
Located in New York, NY
Alan Shields
TV Re-Run B, 1978
Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board
Signed, num...
Category
1970s Abstract Mixed Media
Materials
Paper, Mixed Media, Drypoint, Mezzotint, Linocut, Pencil
Spanish Artist signed limited edition original art print chine colle drypoint
By Eduardo Chillida
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo I', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5
Unframed
ID: CHI1038-012
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Prints and Multiples
Materials
Paper, Drypoint
Justo Barboza Argentinean Artist 1998 Original Hand Signed silkscreen n19
Located in Miami, FL
Justo Barboza (Argentina, 1938)
'Sin título (rosa rojo)', 1998
silkscreen on paper Guarro Geler
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 15
Unframed
ID: BAR1437-019-015
Hand-signed b...
Category
20th Century Abstract Prints and Multiples
Materials
Paper, Engraving, Screen
Argentinean signed limited edition original art print silkscreen 27x19 in. n14
Located in Miami, FL
Justo Barboza (Argentina, 1938)
'Sin título II', 1998
silkscreen on paper Guarro Geler
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 30
Unframed
ID: BAR1437-014-030
Hand-signed by author
Category
20th Century Abstract Prints and Multiples
Materials
Paper, Engraving, Screen