Richard Tuttle

Richard Tuttle 'Calm Down' from Artists for Obama. Signed, limited edition print

2012

David Roth (b. 1942) Untitled 1, 1979 Silkscreen in colors on wove paper Edition 11/150 Each signed, numbered, and dated in pencil along lower edge Image 22 3/4in H x 22 3/4 in L In...

Charles Arthur Arnoldi (b. 1946) Macchu Picchu 4, 2019 Woodcut in colors on wove paper Edition: 25/30 Signed, editioned, and dated in pencil along lower edge Printed by Peter Kosowicz, Thumbprint Editions, London Published by Harvey Bayer...

Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...

James Rosenquist (1933-2017) Star Proctor, 1978 Etching and aquatint in colors with embossment and hand embellishment on Pescia Italia paper Edition 11/78 Signed, numbered, dated, and titled in pencil along lower edge Published by Multiples Inc., New York Printed by Flatstone Studio, Tampa, Florida Framed Dimensions 31in H X 48in L LITERATURE: Glenn, 130 Rosenquist's work is included in major public and private institutions, and has been featured in solo exhibitions at the Solomon R. Guggenheim Museum, Museum of Modern Art, Walker Art Center, Whitney Museum of American Art, Guggenheim Museum Bilbao, The Menil Collection...

This artwork titled "Drypoint Lambda I" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist....

This artwork titled "Drypoint Lambda II" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist...

Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...

Two whaling ships meet out at sea, one named after an Indigenous American tribe and the other after the first king of the northern Kingdom of Israel, the latter set upon by a malignant epidemic and a sailor gone mad with the belief that he is the Archangel Gabriel. Both ships are plagued, one by sickness and the other by obsession, and neither heeds the warnings of the mad prophet. Built out in layers of paper that have been printed using techniques like lithography and etching, this colossal print by Frank Stella employs careful color against warping black and white grids to give the impression of control slowly slipping and giving way to chaos. Photos don't give this piece proper justice; it is carefully collaged in purposeful layers that constantly pull the eye in every direction and the viewer closer and closer in. The Pequod Meets the Jeroboam: Her Story...