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Robert MotherwellCarnegie Hall1982
1982
$5,200
£3,909.03
€4,531.80
CA$7,260.01
A$8,131.59
CHF 4,231.14
MX$98,757.64
NOK 53,640.09
SEK 50,613.42
DKK 33,813.69
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About the Item
This artwork, titled "Carnegie Hall," from the suite New York, New York, 1982, is an original color lithograph with silkscreen and embossing by American artist Robert Motherwell (1915-1991). It is hand signed and numbered 1/250 in pencil by the artist. The publisher/printer blind stamp is impressed in the margin at the lower right corner. The image size is 27.5 x 22 inches and the sheet size is 30 x 22 inches. It was published and printed by Tyler Graphic L.T.D. New York. It is beautifully custom framed in black and silver wooden frame with fabric matting and silver colored bevel. The size including frame is 43 x 34 inches.
- Creator:Robert Motherwell (1915-1991, American)
- Creation Year:1982
- Dimensions:Height: 43 in (109.22 cm)Width: 34 in (86.36 cm)Depth: 1.75 in (4.45 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 103681stDibs: LU66632115923
Robert Motherwell
The name of painter, printmaker and writer Robert Motherwell (1915–91) is often taken as synonymous with the New York School, whose name he coined. Motherwell was the youngest of this group of Abstract Expressionists working in art, dance, poetry and music in 1950s and '60s New York City, which included Jackson Pollock, Willem de Kooning, Philip Guston, Helen Frankenthaler and Mark Rothko.
Born in Aberdeen, Washington, in 1915, Motherwell had perhaps the broadest and best education of any of the New York School coterie, with an extensive background in philosophy, literature and art history. He earned a BA in philosophy in 1937 from Stanford University and was working toward a PhD in the subject at Harvard when he interrupted his studies for a yearlong trip to Europe, where he fell in love with European modernism.
After returning, in 1940 he enrolled Columbia to study art history. It was there that he met a group of exiled Parisian Surrealists, and encounter that proved influential on his style. Motherwell began to integrate the idea of “automatism” — unmediated gestures that reflect deeper psychological impulses — into his work, pioneering a new form of Abstract Expressionism that came to characterize the New York School.
Works like the 1967 Beside the Sea no. 45, an acrylic on canvas, and the 1966 lithograph New York International epitomize Motherwell’s use of simple shapes in boldly contrasting colors, executed in quick, gestural strokes that occasionally evoke figures, suggesting a latent narrative despite their obvious abstraction.
Throughout his career, Motherwell taught painting at Hunter College, in New York, and at Black Mountain College, in North Carolina, where his work influenced the likes of Cy Twombly, Robert Rauschenberg and Kenneth Noland. His influence as one of the founding fathers of American Abstract Expressionism remains profound.
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