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Roger Bissière
Roger Bissiere, Last Flower, from Derriere le Miroir, 1964

1964

$716
$89520% Off
£546.06
£682.5820% Off
€629.20
€786.5020% Off
CA$1,022.79
CA$1,278.4820% Off
A$1,124.44
A$1,405.5520% Off
CHF 581.24
CHF 726.5520% Off
MX$13,454.63
MX$16,818.2820% Off
NOK 7,338.02
NOK 9,172.5320% Off
SEK 6,879.60
SEK 8,599.5020% Off
DKK 4,699.24
DKK 5,874.0620% Off

About the Item

This exquisite lithograph by Roger Bissiere (1886–1964), titled Derniere fleur (Last Flower), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Bissiere’s poetic abstraction and spiritual lyricism with a tribute to Braque, “I would like this image to be like a final flower on the grave of an old comrade who has taken with him a great part of my youth, leaving me the respect for a great work and the memory of a friendship.” In Derniere fleur, organic form and radiant tone intertwine to evoke both fragility and renewal, reflecting the artist’s deep engagement with nature, light, and emotion. The work captures the meditative harmony that defines Bissiere’s mature style—one that bridges Cubism, Expressionism, and the spiritual essence of postwar modernism. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies Bissiere’s ability to merge gesture and color into a visual language of quiet transcendence and balance. Artwork Details: Artist: Roger Bissiere (1886–1964) Title: Derniere fleur (Last Flower), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Roger Bissiere (1886–1964) was a French painter and master of lyrical abstraction whose poetic compositions bridged the worlds of Cubism, Expressionism, and spiritual modernism. Beginning his career as an art critic and painter in early 20th-century Paris, Bissiere was deeply influenced by the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like him, sought to redefine art through emotion, color, and structure. After the devastation of World War II, Bissiere emerged as a leading figure in the postwar abstract movement in France, creating deeply personal works marked by luminous color harmonies, rhythmic brushwork, and a meditative sense of balance. His paintings, stained glass, and tapestries convey an inner spirituality and connection to nature that earned him widespread critical acclaim. Bissiere’s works are represented in major museums worldwide, including the Centre Pompidou, the Musee d’Art Moderne de Paris, the Tate, and MoMA, and his influence continues to shape generations of abstract artists. The highest price ever paid for a Roger Bissiere artwork is approximately $720,000 USD, achieved in 2019 at Christie’s Paris for Atelier sur la colline (1956). Roger Bissiere Derniere fleur, Roger Bissiere lithograph, Bissiere Derriere le Miroir, Bissiere Maeght Editeur Paris, Bissiere Mourlot Freres, Bissiere 1964 edition, Bissiere color lithograph, Bissiere abstraction, Bissiere collectible lithograph, Bissiere modernist, Bissiere Maeght Paris publication.
  • Creator:
    Roger Bissière (1886-1964, French)
  • Creation Year:
    1964
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216842982

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