Items Similar to Roger Bissiere, Last Flower, from Derriere le Miroir, 1964
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Roger BissièreRoger Bissiere, Last Flower, from Derriere le Miroir, 19641964
1964
$716
$89520% Off
£546.06
£682.5820% Off
€629.20
€786.5020% Off
CA$1,022.79
CA$1,278.4820% Off
A$1,124.44
A$1,405.5520% Off
CHF 581.24
CHF 726.5520% Off
MX$13,454.63
MX$16,818.2820% Off
NOK 7,338.02
NOK 9,172.5320% Off
SEK 6,879.60
SEK 8,599.5020% Off
DKK 4,699.24
DKK 5,874.0620% Off
About the Item
This exquisite lithograph by Roger Bissiere (1886–1964), titled Derniere fleur (Last Flower), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Bissiere’s poetic abstraction and spiritual lyricism with a tribute to Braque, “I would like this image to be like a final flower on the grave of an old comrade who has taken with him a great part of my youth, leaving me the respect for a great work and the memory of a friendship.” In Derniere fleur, organic form and radiant tone intertwine to evoke both fragility and renewal, reflecting the artist’s deep engagement with nature, light, and emotion. The work captures the meditative harmony that defines Bissiere’s mature style—one that bridges Cubism, Expressionism, and the spiritual essence of postwar modernism.
Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies Bissiere’s ability to merge gesture and color into a visual language of quiet transcendence and balance.
Artwork Details:
Artist: Roger Bissiere (1886–1964)
Title: Derniere fleur (Last Flower), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964
Medium: Lithograph on velin paper
Dimensions: 15 x 11 inches (38.1 x 27.9 cm)
Inscription: Signed in the plate and unnumbered, as issued
Date: 1964
Publisher: Maeght Editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris
Notes:
Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964.
About the Publication:
Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing.
About the Artist:
Roger Bissiere (1886–1964) was a French painter and master of lyrical abstraction whose poetic compositions bridged the worlds of Cubism, Expressionism, and spiritual modernism. Beginning his career as an art critic and painter in early 20th-century Paris, Bissiere was deeply influenced by the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like him, sought to redefine art through emotion, color, and structure. After the devastation of World War II, Bissiere emerged as a leading figure in the postwar abstract movement in France, creating deeply personal works marked by luminous color harmonies, rhythmic brushwork, and a meditative sense of balance. His paintings, stained glass, and tapestries convey an inner spirituality and connection to nature that earned him widespread critical acclaim. Bissiere’s works are represented in major museums worldwide, including the Centre Pompidou, the Musee d’Art Moderne de Paris, the Tate, and MoMA, and his influence continues to shape generations of abstract artists. The highest price ever paid for a Roger Bissiere artwork is approximately $720,000 USD, achieved in 2019 at Christie’s Paris for Atelier sur la colline (1956).
Roger Bissiere Derniere fleur, Roger Bissiere lithograph, Bissiere Derriere le Miroir, Bissiere Maeght Editeur Paris, Bissiere Mourlot Freres, Bissiere 1964 edition, Bissiere color lithograph, Bissiere abstraction, Bissiere collectible lithograph, Bissiere modernist, Bissiere Maeght Paris publication.
- Creator:Roger Bissière (1886-1964, French)
- Creation Year:1964
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216842982
Roger Bissière
Roger Bissière was born on September 22, 1886 in Villeréal (Lot-et-Garonne). He embarked in 1904 for Algiers where he worked for almost a year with the orientalist painter Rochegrosse. Returning in 1905 he attended the School of Fine Arts in Bordeaux and, from 1909 to 1911, that of Paris, traveling to Rome and London. From 1914 he participated in collective events (Salon of independent artists, Salon d'automne) and binds in the following years with André Lhote, Georges Braque, Juan Gris.Roger Bissière was born on September 22, 1886 in Villeréal (Lot-et-Garonne). At the International Exhibition of Arts and Techniques in Paris in 1937 Bissière participated in the decoration of various pavilions, including that of the Railways, assisted by Bertholle, Le Moal and Manessier. On the initiative of the latter, Bissière exhibited in 1943 and 1944 at the Galerie de France new pastels made during the winter, alongside works by Bertholle, Le Moal, Manessier, Gustave Singier, Louttre B. and Etienne Martin . "My youth began at sixty," he says later. In 1952, Roger Bissière received the Grand Prix National des Arts. He returned to oil painting in 1954. In 1955, Bissière was invited to the II Biennial of Sao Paulo and exhibited at the "Dokumenta" of Cassel. In 1958, he created stained glass windows for the churches of Develier and Cornol in Switzerland, while a retrospective traveling exhibition was devoted to him in the German and Dutch museums, and in 1960 he created the models of two stained glass windows for the cathedral of Metz. In 1964, presentation of his paintings at the French pavilion of the Venice Biennale, where he received a special mention of honor, which will not be awarded later, "because of the historical and artistic importance of his work". Bissière died in Boissierette (Lot) on December 2, 1964. Important retrospectives of Bissière's work have been organized over the last twenty years, notably in France, Paris and the provinces, Germany and the Netherlands.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,200 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Southampton, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllBraque, Soleil et lune I, Derrière le miroir (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...
Category
1950s Modern Abstract Prints
Materials
Lithograph
Georges Braque, The Studio, from Derriere le Miroir, 1964 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled L’Atelier (The Studio), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Br...
Category
1960s Cubist Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Raoul Ubac, Plow, from Derriere le Miroir, 1964
By Raoul Ubac
Located in Southampton, NY
This exquisite lithograph by Raoul Ubac (1910–1985), titled Charrue (Plow), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute t...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Georges Braque, Composition, L'édition de tête (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Georges Braque, Derniers messages,...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Pierre Pallut, Homage to Georges Braque, from Derriere le Miroir, 1964
Located in Southampton, NY
This exquisite lithograph by Pierre Pallut (1900–1985), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque ...
Category
1960s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Georges Braque, Composition, L'édition de tête (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré a George...
Category
1960s Modern Abstract Prints
Materials
Lithograph
You May Also Like
pochoir
By (after) Georges Braque
Located in Henderson, NV
Medium: pochoir (after the oil painting). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 1/2 x 6 inches (193 x 150 mm). A text inscription...
Category
1920s Prints and Multiples
Materials
Lithograph, Stencil
Si je mourais là-bas
By Georges Braque
Located in Paris, FR
Wood engraving, 1962
Handsigned by the artist in pencil and numbered 60/70
Publisher : Louis Broder (Paris)
Printer : Fréquet et Braudier (Paris)
Catalog : [Vallier 181, p.250]
47.50...
Category
1960s Abstract Abstract Prints
Materials
Wood, Engraving
After Georges Braque 'En Vol'
By Georges Braque
Located in Brooklyn, NY
This is a first edition lithograph reproduction of Georges Braque's En Vol (In Flight), published in 1959 as part of Derrière le Miroir (DLM) No. 115. The lithograph is featured on p...
Category
1950s Cubist Prints and Multiples
Materials
Lithograph
$200 Sale Price
20% Off
Cinq Poésies en Hommage à Georges Braque (Five Poems in Homage to Georges Braque
By Georges Braque
Located in Palo Alto, CA
Georges Braque Cinq Poésies en Hommage à Georges Braque (Five Poems in Homage to Georges Braque), 1958 is the image Braque designed for the cover of a book containing five poems by R...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition from Derriere Le Miroir - Lithograph after George Braque - 1964
By George Braque
Located in Roma, IT
Composition from Derriere Le Miroir is a splendid lithograph realized after George Braque in 1964
The artwork is from Derriere Le Miroir. La Fondation Marguerite et Aimè Maeght, n.148. Printed by Ateliers de Maeght, Paris, 1964
Special issue of the magazine, published on the occasion of the inauguration of the Marguerite et Aimé Maeght Foundation...
Category
1960s Fauvist Abstract Prints
Materials
Lithograph
Hommage à Robert de Visée
By Jean-François Provost
Located in Montreal, Quebec
Born in Ottawa in 1976, Jean-François Provost holds a Bachelor's degree in Visual Arts from the Université du Québec en Outaouais. He has received several awards and honours for his ...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Mixed Media, Oil, Acrylic