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Seymour LiptonOracle: Study for Clairvoyant1969
1969
$1,500
£1,133.50
€1,308.92
CA$2,096.02
A$2,325.71
CHF 1,218.26
MX$28,519.51
NOK 15,495.84
SEK 14,627.41
DKK 9,761.40
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About the Item
Seymour Lipton
Oracle: Study for Clairvoyant, 1969
Lithograph on wove paper
24 1/2 × 18 inches
Pencil signed "Lipton" lower right recto Pencil numbered 44/100, lower left recto pencil titled and dated, verso
Unframed
Uncommon mid century modern pencil signed and numbered lithograph by renowned abstract expressionist sculptor Seymour Lipton. "Study for Clairvoyant", also known as "Oracle", is a study for a famous monumental modernist masterpiece by Lipton. Other editions of this lithograph are in major collections such as that of the Brooklyn Museum. Rarely to market.
Provenance: Swann Galleries
- Creator:Seymour Lipton (1903 - 1986, American)
- Creation Year:1969
- Dimensions:Height: 24.5 in (62.23 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:a strong impression of this rare print.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU174529866742
Seymour Lipton
Seymour Lipton was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. He made several technical innovations, including brazing nickel-silver rods onto sheets of Monel to create rust resistant forms. Through the medium of metal sculpture, Lipton endeavored to portray the inner complexities of the human psyche through shapes that enclose and oppose each other, interrelating convex and concave, solid and hollowed forms. Although his imagery was often based on visual stimuli, his expressive abstractions were never literal translations of the visible world. He altered and arranged shapes to create sculptures symbolizing intangible, universal concepts absorbed from sociology, psychology, and myth.
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Mid century Modern 1960s Abstract Expressionist painting, renowned artist Signed
Located in New York, NY
Jack Wolfe
Untitled, 1965
Acrylic and collage on board
Hand signed on the front
Frame included: held in original vintage frame with original gallery label
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Excellent abstract expressionist mixed media work.
Measurements:
Image:
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Framed:
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From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
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Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10]
With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13]
Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...
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Kimber Smith, Abstract Expressionist Geometric Abstraction signed/n lithograph
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Biography:
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Education:
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New York University / Tisch MPS 1991
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Lithograph on paper with deckled edges
Hand signed, numbered 22/30 and dated on lower front
22 × 15 inches
Unframed
Hand signed, numbered 22/30 and dated on lower front
Publisher: Long Point Gallery, Inc., Provincetown, Massachusetts; Printer: Bruce Porter from Trestle Editions Limited, New York
Rarely to market, this stunning 1988 woodcut was created by Nora Speyer as part of a portfolio produced for sale by Long Point Gallery, an artist's cooperative in Provincetown, Massachusetts.
Superb provenance as it is was acquired from the original Long Point Portfolio. This will be the first time the work will be removed from the portfolio.
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For reference and provenance we have included an image of the colophon page from the complete portfolio.
About Nora Speyer:
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Born in Pittsburgh, Speyer enrolled at Temple University's Tyler School of Art when she was sixteen. It was there she became roommates with Lillian Lent...
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