Abstract Geometric Abstract Prints

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

TECHNICAL INFORMATION: Charles Hinman Orange Triangle 2012 4 color screenprint 38 x 38 in. Edition of 15 Pencil signed, dated and numbered Accompanie...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Vincent Longo Transparent, ca. 1970 Etching on wove paper with deckled edges Signed, titled and numbered 2/25 in pencil by Vincent Longo on the front 22 × 14 inches Unframed Exquisit...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Limited edition of 30 museum quality Giclee prints ...

This limited edition print is based on the GA1222 painting from the "Geometric Abstraction" series. Details: - Giclée print on Fine Art Paper Hahnemühle Photo Rag Archival 100% cott...

Thomas W. Benton, American (1930 - 2007) - Gate Series Yellow, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Size: 35 in. x 35 in. (88.9 cm x 88.9...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* This Futuristica skyline series by Mauro Oliveira h...

Michel Seuphor Europa Nostra Original screen print Handsigned in pencil Numbered / 100 On vellum 75 x 52 cm (c. 30 x 21 inch) Excellent condition

KENNETH NOLAND (hand signed and warmly inscribed to artist Arthur Secunda), 1977 Hardback monograph (hand signed and warmly inscribed to renowned artist Art Secunda) Warmly signed, d...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

Peter Halley Musee d'Art Contemporain Pully/Lausanne (Hand Signed), 1992 Offset lithograph poster (hand signed by Peter Halley) 11 1/2 × 16 1/2 inches Unframed Hand signed in black ...

Ian Tyson Rectangle Game #4 - 1970 Print - Silkscreen on Heavy Paper   27'' x 40'' inches Edition: signed in pencil and marked 36/75 Ian Tyson, British painter, printmaker and book ...

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** **IMPORTANT: This is a limited edition of onl...

Peter Halley Painting as Sociogram: The Kitakyushu Municipal Museum of Art, Japan (Hand Signed), 1997 Double-sided offset lithograph poster (hand signed by Peter Halley) 11 3/4 × 8 1...

Artist: Dorothy Dehner, American (1901 - 1994) Title: Navaho Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 150 Image Size: 17 x 22 inches Size: 20 x 26 in. (5...

Artist: Edival Ramosa, Brazil (1940 - ) Title: Sin Titulo Year: 1970 Medium: Screenprint, signed in pencil Edition: 100 Size: 30 x 22 inches [76.2 x 55.88 cm]

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

"Last Minute Shopping #2" is a digital print on cotton rag, acid-free paper by generative artist Stephen Boyd. Including the wood frame it measures 24x24". Based on mathematical computation, the artist has programmed thousands of lines into two grid patterns that reveal textured backgrounds, moiré effects and organic shapes that allude to motion and plant growth (among other natural processes). Stephen makes generative art (not AI art) based on Organizing Principle Ratios and Emergent Structure – all of which means the artist is programming coherent visual relationships and compositional structures into every artwork. Simple rules, repeated millions of times, result in hypnotic, beautiful images. From Stephen – "I consider myself a composer for an infinite orchestra, where each instrument plays a single note that endlessly ricochets off its neighbours." Stephen Boyd is a Toronto-based artist using code as a medium for creating prints and interactive works since 2003. For the last 20 years, Stephen has explored the idea of simple patterns written in code, repeating millions of times to create beauty through emergent structure. His work for the last five years has focused on creating generative art for print and screen. Stephen's prints and installation work have been exhibited in solo and group shows. He has presented at the Marshall McLuhan Festival, Siggraph, and held an Artist-in-Residence position at Centennial College. Stephen’s influences range from early generative artists of the 1960s such as Manfred Mohr and Vera Molnár...

Radial / ONE is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be supplied...

Oscari NIVESE Colored Geometrical Pattern Original screen print Handsigned in pencil Numbered / 60 ex On vellum 38 x 56 cm (c. 15 x 22 inch) Excellent condition

RAZA Sayed Haider Tree MEDIUM : Lithograph SIGNATURE : Hand signed SIZE : 43 x 22" (110 x 55 cm) PAPER : Vellum LIMIT : 150 copies INFORMATION : E...

Michelle Mason Lines For All Seasons Lithograph 100 x 65 cm A colourful, abstract poster, depicting a series of geometric zig-zag lines with colours representing the different Lo...

Peter Halley New Works, Galerie Bruno Bischofberger (Hand signed), 1994 Offset lithograph poster (signed by Peter Halley) 19 × 26 1/2 inches Boldly signed in black marker on the fron...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print A "Certificate of Authenticity" issued by the artist is included. We are the...

Piero Dorazio Untitled Geometric Abstraction (deaccessioned from the Triton Museum, Santa Clara, CA), 1968 Lithograph on white BFK paper Hand signed, numbered (AP), dated on the fron...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This limited edition print is based on the GA1221 painting from the "Geometric Abstraction" series. Details: - Giclée print on Fine Art Paper Hahnemühle Photo Rag Archival 100% cott...

Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered VII 4/5 in pencil Image size: 17 x 17 inches Signature...

Yona FRIEDMAN (1923-2019) Pictograms of Genesis (Blue), 1975 Original screenprint (Silium workshop) Signed in pencil Numbered / 100 copies On Arches vel...

This is a 33 color screen print titled, Small Abstract by Thomas Nozkowski (1944 - 2019). It was created in 2007 as a signed and numbered edition of 108. The edition was published by...

Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered XXVIII 65/115 in pencil Image size: 17 x 17 inches Sign...

Yona FRIEDMAN (1923-2019) Pictograms of Genesis (Purple), 1975 Original screenprint (Silium workshop) Signed in pencil Numbered / 100 copies On Arches v...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 368 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

Yona FRIEDMAN (1923-2019) Pictograms of Genesis (Orange), 1975 Original screenprint (Silium workshop) Signed in pencil Numbered / 100 copies On Arches v...

Eternity (ÉTERNITÉ), 1951 Lithograph in colors on heavy paper 24 x 20 inches Numbered in pencil 111/150; unsigned as issued AUGUSTE HERBIN (1882 1960) French artist Auguste Herbin ...

Limited edition of 100 pieces, hand signed.

Santoro, "Untitled: Lavender, Blue & Pink Serigraph (Edition 303/350)" Mid-Century Modern Serigraph/ Abstract Geometric Screenprint, Signed in Graphite lower right, marked as an Edit...

Pierre Clerk Plate V : Yellow-Red - 1973 Print - Serigraph on Somerset paper 32'' x 36'' inches Edition: signed in pencil and marked 34/100 The images ...

Artist: Manuel Felguérez Barra, Mexican (1928 - ) Title: Untitled Year: circa 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 8/100 Image Size: 17.5 x 21.5 inches Siz...

Charles Arthur Arnoldi (b. 1946) Macchu Picchu 4, 2019 Woodcut in colors on wove paper Edition: 25/30 Signed, editioned, and dated in pencil along lower edge Printed by Peter Kosowicz, Thumbprint Editions, London Published by Harvey Bayer...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is inc...

An abstract geometric screenprint by Omar Rayo from 1966. Artist: Omar Rayo, Colombian (1928 - 2010) Title: Clandestine Game Year: 1966 Medium: Screenprint, signed and numbered in ...

John Chamberlain Flashback I - 1981 Print - Silkscreen   20" x 28¾" inches Image size 19" x 14½" inches Deluxe Edition Printed on Rives BFK Paper Edition: Signed in pencil and marked...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Knots ok Fire: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Luisa Duarte works out of her stu...

Artist: Budd Hopkins Title: Guardian X Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: AP 45 Paper Size: 40 x 26 inches (101.6 x 66...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Megapolis II Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 17 x 17 inches Size: 20 x 2...

Limited edition of 100 prints, hand signed and numbered.

Jean LURCAT (1892-1966) The Archer, 1965 Original lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Lithograph cre...

This engaging artwork is a print on paper create by the Italian artist Gualtiero Nativi. It is a multiple of 250 specimens and it is numbered n. 2. Gualtiero Nativi is a well known ...

Original poster: Linen-backed original poster "Tage Slawischer Kultur" done by the artist Rasch. The days of Slavic Culture. This would cover the countries knowns as Slavic language speaking people: Russia, the Ukraine, Belarus, Poland, Czech Republic, Slovakia, Bulgaria, Slovenia, Croatia, Serbia, Bosnia and Herzegovina, Macedona and Montenegro. A drama mask in white rests on a leaning abstract color panel that could be a scarf or material that blends the styles and colors inlocking together to form a cultural pattern. A dark blue background brings the image to the forefront of this vintage original poster. Every year on May 24th all Slavic countries commemorate Saints Cyril...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year -Take Advantage Of It* Colorful, sophisticated, mesmerizing and highly labor...

Abstract Composition is a color lithograph realized by the Japanese artist Kumi Sugai in 1960. Good conditions except for slight cutting and folding on the margins. Kumi Sugai (1919-1996) was a Japanese painter...

Maya Hayuk The Likes of Us, 2017 Screenprint with spray paint in colors on Arches paper Signed, numbered 91/100, dated, and titled in pencil along lower edge. Accompanied by COA hand signed by the artist. 20 × 15 inches Unframed This work is accompanied by a Certificate of Authenticity from the artist. Excellent condition. Published by the artist; Printed by Haven Press, Brooklyn, New York More about Maya Hayuk: Maya Hayuk is a Ukrainian-American artist with an extensive background in a wide range of generative art and social practices. Hayuk weaves visual information from her immediate surroundings into elaborate, painterly abstractions, thus creating an engaging mix of referents from popular culture and advanced painting practices alike. Her large-scale, improvised murals speak to the artist’s obsession with symmetry, “perfect imperfection” and outer/ inner space. Her works look to expanding consciousness and perception to find patterns and interconnectivity. Ultimately, the traditional and the contemporary blend into new harmonic, dissonant, optimistic, experimental compositions. Hayuk considers her studio painting and mural practices as both inversely relational and symbiotic. Hayuk’s work has been the subject of one person exhibitions and commissions at venues including FRAC Museum in Dunkerque, FR (2019), The Ukrainian Museum New York (2017), The Bowery Wall, NY (2014), The Hammer Museum, LA (2013), The Museum Of Contemporary Canadian Art, Toronto, Canada (2013), Bonnefanten Museum, Maastricht, The Netherlands (2012); Socrates Sculpture Park, Queens, New York (2011); Musee E.A.V., Rio De Janiero, Brazil (2011); Matucana Artspace, Santiago, Chile (2009); Democratic National Convention, Denver, Colorado (2008); and Monster Island, Brooklyn, New York (2005-2011). Her work has been included in group exhibitions such as Streetopia, The Luggage Store, San Francisco (2012); Black Light & Outer Space, Secret Project Robot, Brooklyn, New York (2011); Rojo Nova, Museum of Image and Sound, Sao Paolo, Brazil (2010); Contemporary Art 2010, Ukrainian Institute of America, New York (2010); Sous l’es bombs, Musee International des Arts Modeste, Sete, France (2007); The Zine Unbound: Kults, Werewolves, and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, CA (2005). In 2018, Hayuk gave a TEDx Talk from The Center of Art and Design (CAD) in Brussels, Belgium, which recounts the arc of her developing career. Maya Hayuk’s work is represented in numerous public and private collections internationally including FRAC Museum (FR), The Ukrainian Museum (US), The Millennium Iconoclast Museum of Art (Brussels, Belgium), The Embassy of the United States of America (Sanaa, Yemen), The Embassy of the United States of America Residence (Costa Rica), MOCA Jacksonville (FL), The Ullens Foundation (Brussels, Belgium), The Dean Collection (US) and Wayne Coyne...