Abstract Geometric Abstract Prints

French painter, writer and sculptor. He began painting at the age of 12 and was producing pointillist works at the age of 18. He studied architecture for two years at the Ecole des Beaux-Arts in Paris as a preparation for his painting. In about 1943 he began painting abstract works, and he remained an abstract painter for the rest of his career. He was associated with the group of abstract artists who exhibited at the Galerie Denise René in Paris, including Hans Hartung, Nicolas de Stäel and Serge Poliakoff, and he himself exhibited there from 1945 to 1956. Together with Sonia Delaunay, Hans Arp, Antoine...

Edition of 25 Unframed Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been s...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Matt Neuman (b. 1985) is a painter and printmaker based in Brooklyn, NY. During his MFA at Boston University Neuman began to focus his attention on basic geometric interactions. In h...

Pierre Clerk Plate V : Yellow-Red - 1973 Print - Serigraph on Somerset paper 32'' x 36'' inches Edition: signed in pencil and marked 34/100 The images ...

"FESEX" is an embossed paper work by Spanish artist Jaquinto Moros. It is a contemporary curvilinear paper work with a sandy white appearance and relief effect. Edition 35, originally signed, 2017. Certificate. Comes framed in minimalist white wooden frame and museum glas. Spanish artist Jaquinto Moros (born 1959) in Cetina, Zaragoza. He began to develop his career in New York where he lived for five years, before he moved to Madrid. He is known for his "post minimalism...

Alexander Calder Stabiles Lithograph poster Made for the exhibition of Alexander Calder at Maeght Gallery Printer: Arte Paris Editor: Maeght 77 x 55 cm (c. 30.3 x 21.6 in) Excellen...

Challenger's work is a powerful interplay of op-art and constructivism. His graphic work evokes the counter- play of shapes, forms and color of his predecessors, including Albers an...

Pierre Clerk Plate II : Green - 1973 Print - Silkscreen on Somerset paper 32'' x 36'' Edition: Signed in pencil and marked 22/100 image size: 28" x 32" i...

color serigraphy on paper, edited in 1970 limited edition signed in pencil by artist and numbered as: 154/190 in lower right paper size: 60 x 60 cm very good conditions, with strong ...

Chiharu Shiota "I HOPE..." 2021 stainless steel, heat-resistant satin glass, transparent Din A5 sheets Edition of 100 + 20 APs 120 x 120 cm 28 x printed artworks by the artist 65 x...

Strophoid is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

"In that I have selected a variety of mathematical / geometric concepts as the basis for the work, it is my intent to form a complex integration by graphing an x,y axis, asymptote sy...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

In this work Singer demonstrates a cardioid , pseudosphere, ellipse, semicircle with collinear point intersects.

Artist: Arthur Boden, American Title: T Series (Purple) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 29 in. x 23...

The Apollonius Series is an in depth study of the ancient Greek geometer Apollonius' Conic Sections.

Max Bill Abstract Geometric Composition Silkscreen on wove paper Year: 1971 Size: 13.7x11.82in Edition: 2500 Unsigned as issued COA provided Publisher: Edition Domberger Siebdruck, Filderstadt, Germany Ref.: 924802-1199 ------------------------------ (Geometric Abstraction, Minimalism, Constructivism) Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work.[3] His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions.[4] Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker...

Richard Paul Lohse Mid Century Modern Geometric Abstraction, ca. 1969 Silkscreen on velincarton 39 1/4 × 39 1/4 inches Edition 43/100 Signed and num...

Artist: Stanley William Hayter (1901-1988 ) Title: Calculus Date: 1971 Medium: Etching and soft-ground etching Image Size: 23.5 x 19 inches Sheet size: 30 x 22 inches – BFK Rives paper Signature: signed, dated lower right Publisher: La Tortue Gallery, Santa Monica, CA Printer: Hector Saunier Catalogue Raisonne: B&M 353 Edition: 100 plus 5 artist’s proofs. This one: 57/100 This exceptional color viscosity etching is an excellent example of Stanley William Hayter’s iconic printmaking. He is the founder of Atelier 17, and as such, one of the most influential printmakers of the 20th century. Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. This is an absolutely beautiful print; it is an exceptional composition with rich, saturated colors. The print is titled “Calculus”. It was published in 1971, and is B&M 353 in the catalog raisonne. The print has full margins and is in very good condition, never framed. There is a bit of slight rippling on the upper and lower edges, barely visible. Please see photographs. Stanley William Hayter CBE (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...

The Apollonius Series is an in depth study of the ancient Greek geometer Apollonius' Conic Sections.

The Apollonius Series is an in depth study of the ancient Greek geometer Apollonius' Conic Sections.

Cut Space Series involved Bezier curves, partial ellipses, straight lines with collinear intersects. Beauty in the geometry of Clifford Singer.

Cut Space Series involved Bezier curves, partial ellipses, straight lines with collinear intersects. Beauty in the geometry of Clifford Singer.

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

Neuberg Osculating Circle is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

Artist: Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with ...

Edition of 25 Unframed Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been s...

Osculating Circle is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

Artist: Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with ...

Artist: Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with ...

Artist Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with f...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Strophoid Series. Clifford Singer is know for his investigations into mathematical curvatures. Strophoid is a mathematical curvature which Singer has elegantly derived from Neuberg...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

Doug Ohlson Untitled geometric abstraction, 1968 Color silkscreen on wove paper Hand signed, dated and numbered 15/50 on the front This dazzling 1960s Op Art/Geometric Abstraction si...

Artist: Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with ...

Dimensions w/Frame: 16 3/4" x 14 3/4" Zvi Tolkovsky was among the founders of the current Bezalel Academy. Also among the founders of the Art Department in the late 1960s, he established the silk-screening and papermaking workshops, and was one of the department’s most outstanding teachers until his retirement this decade. He spawned generations of students during his many years of teaching. Tolkovsky is of a generation of teachers who formed a personal relationship with their students. This gallery is too small to contain the works of his many students, from those who were among his first students and are now established artists, to those who have just recently completed their studies. Doron Livne– From the Exhibition Text This exhibition was initiated by Tolkovsky’s students, in homage to the man and his teaching . Participating artists: Pinhas Cohen-Gan, Itzik Livne, Assaf Ben-Zvi, Shuki Borokovsky, Jacques Jeaneaut, Haim Ben-Shitrit, Doron Livne, Itzik Maresha, Orna Milo, Dov Heller, Gil Yefman, Ami Rosenberg, Shosh Israeli, Sharon Keren, Hannan Abu-Hussein, Alex Kramer, Gil Shani, Israel Rabinowitz, Noam Dror, Pinni Zinovitz. 1956-59 Studied at the Bezalel School of Arts and Crafts, Jerusalem / 1957,58 America –Israel foundation Grant / 1959-61 Studied and worked in Paris / 1966-67 Lived and worked in New York and studied at Art Student League/ 1968-2001 Lecturer at the Bezalel Academy of Art and Design, Jerusalem / 1968 Established a screen printing workshop at the Bezalel Academy, Jerusalem / 1969 Jerusalem Prize for Painting / 1970 Established the Print Workshop at the Artists' House, Tel Aviv / 1979-81 Lived and worked in Boston and San Francisco / 1984 Artist's Book, edited by Mordechai Omer, published by Bezalel Academy; Art critic, "Kol Ha Ir", Jerusalem / 1985-88 Head of the Fine Arts Department, Bezalel Academy, Jerusalem / 1986 "Paper. Art and Technology", / 1990 Artist-in-residence,Cite Internationale des Arts, Paris. / 1994 Curator of the exhibition "mutual Feedback: Painting / Sculpture / Print", Jerusalem Print Workshop; The Minister of Education and Culture Award; Curator of "Art Focus", Artists' House, Jerusalem / 2000 Curator of the exhibition "33x33", Artists' House, Jerusalem / 2002 Artist in Residence Taipei, Taiwan/ 2004 Mordechai Ish-Shalom Prize for Life's Work, Jerusalem / 2007 Established the Paper Workshop at Bezalel Academy; Prize of the Ministry of Education for Painting. Selected solo Exhibitions 1962 Rina Gallery, Jerusalem; Museum of Modern Art, Haifa / 1965 Rina Gallery, Jerusalem / 1969 Gordon Gallery, Tel Aviv; Artists' House, Jerusalem / 1972 Graphic Art Gallery, Tel Aviv; Gallery of Modern Art, Old Jaffa / 1975 Tel Aviv Museum of Art, Helena Rubinstein Pavilion / 1977 Julie M. Gallery, Tel Aviv / 1978 Hirschberg Gallery, Boston; Gallery of the Kala Institute, Berkley, California / 1979 Source Gallery, San Francisco / 1980 Julie M. Gallery, Tel Aviv; Gallery of the Kala Institute, Berkley, California / 1982 Radius Gallery, Tel Aviv / 1984 "Works on Paper", Jerusalem Print Workshop / 1985 Artists' house, Jerusalem; Alon Gallery, Jerusalem / 1988 J. Robert Fisher Hall, Mishkenot Sha'ananim, Jerusalem / 1989 Meimad 2 Gallery, Tel Aviv; Kibbutz Cabri gallery / 1990 "Nueima", Israel Museum / 1997 Art Space Gallery, Jerusalem / 1998 Novy Svet Gallery, Prague / 1999 The Haifa University Gallery / 2000 Konrad...

Artist Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with f...

La Vague (The Wave). Original color lithograph, 1971. Edition of 100 signed and numbered impressions on Arches paper. Alexander Calder is one of the most important kinetic artist form America. Although primarily known for his sculpture, he also created paintings and prints, miniatures, theater set design, jewelry design, tapestries, rugs, and political posters. “My whole theory about art is the disparity that exists between form, masses, and movement.” He named much of his work in French, like this one, regardless of where they were meant to be displayed. In the 1930. Calder visited Piet Mondrian’s studio, after which he seeks influence in Mondrian’s colors and geometry in Calder’s artwork...

Blue Ombre Leonid Lerman, (Ukrainian 1953 - ) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 100, AP Image Size: 23 x 23 inches Size...

"Echolocation Five" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Five" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

"Homage to the Square - Portfolio 2, Folder 4, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

"Echolocation Six" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Six" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

"Rolled Wrongly - Portfolio 1, Folder 18, Image 2 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972 and was previously titled "Falsch Gerickelt". This ...

"Homage to the Square - Portfolio 2, Folder 8, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

"Echolocation Pink" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Pink" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane...

"Little Echo (Ghost)" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Little Echo (Ghost)" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 1998 exhibition of new works at The Butler Institute of American Art in Youngstown, Ohio, which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

Peter Halley Peter Halley, Jablonka Galerie, Köln (Hand Signed), 1993 Offset lithograph poster (hand signed by Peter Halley) 26 1/2 × 26 1/2 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1993 exhibition at Jablonka Gallery in Köln (Cologne, Germany) which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...