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Surrealist Abstract Prints

SURREALIST STYLE

In the wake of World War I’s ravaging of Europe, artists delved into the unconscious mind to confront and grapple with this reality. Poet and critic André Breton, a leader of the Surrealist movement who authored the 1924 Surrealist Manifesto, called this approach “a violent reaction against the impoverishment and sterility of thought processes that resulted from centuries of rationalism.” Surrealist art emerged in the 1920s with dreamlike and uncanny imagery guided by a variety of techniques such as automatic drawing, which can be likened to a stream of consciousness, to channel psychological experiences.

Although Surrealism was a groundbreaking approach for European art, its practitioners were inspired by Indigenous art and ancient mysticism for reenvisioning how sculptures, paintings, prints, performance art and more could respond to the unsettled world around them.

Surrealist artists were also informed by the Dada movement, which originated in 1916 Zurich and embraced absurdity over the logic that had propelled modernity into violence. Some of the Surrealists had witnessed this firsthand, such as Max Ernst, who served in the trenches during World War I, and Salvador Dalí, whose otherworldly paintings and other work responded to the dawning civil war in Spain.

Other key artists associated with the revolutionary art and literary movement included Man Ray, Joan Miró, René Magritte, Yves Tanguy, Frida Kahlo and Meret Oppenheim, all of whom had a distinct perspective on reimagining reality and freeing the unconscious mind from the conventions and restrictions of rational thought. Pablo Picasso showed some of his works in “La Peinture Surréaliste” — the first collective exhibition of Surrealist painting — which opened at Paris’s Galerie Pierre in November of 1925. (Although Magritte is best known as one of the visual Surrealist movement’s most talented practitioners, his famous 1943 painting, The Fifth Season, can be interpreted as a formal break from Surrealism.)

The outbreak of World War II led many in the movement to flee Europe for the Americas, further spreading Surrealism abroad. Generations of modern and contemporary artists were subsequently influenced by the richly symbolic and unearthly imagery of Surrealism, from Joseph Cornell to Arshile Gorky.

Find a collection of original Surrealist paintings, sculptures, prints and multiples and more art on 1stDibs.

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Style: Surrealist
Mirò Lithograph II, no. IV - Lithograph by J. Mirò - 1974
Located in Roma, IT
Mirò Lithographe II, no. IV is a beautiful color lithograph on paper, realized in 1974 by Joan Miró for the second volume of his "Mirò Lithographe II", composed by an original lithog...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Composition XI (Cramer 198; Mourlot 1047), Joan Miró Lithographs
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...
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1970s Surrealist Abstract Prints

Materials

Lithograph

Miró, Yellow and Green (Mourlot 298, 300), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 128, 1961. Published by Aim...
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1960s Surrealist Abstract Prints

Materials

Lithograph

Miró, Composition (Cramer 112; Mourlot 439-442), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 164-165, 1967. Published by Aimé Maeght, Éd...
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Light Blue Composition, Surrealist Aquatint by André Masson
Located in Long Island City, NY
André Masson, French (1896 -1987) - Light Blue Composition, Medium: Aquatint (unsigned), Image Size: 13 x 10 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Description: From the co...
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1950s Surrealist Abstract Prints

Materials

Aquatint

Hecatombe de Toros
Located in San Francisco, CA
This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...
Category

Mid-20th Century Surrealist Abstract Prints

Materials

Lithograph

"4 - U proof" - 1976 Surrealist Lithograph on Paper
Located in Soquel, CA
"4 - U proof" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "4 - U proof" by Jim Crabb (American, b. 1947). This piece resembles a narrow, surreal...
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1970s Surrealist Abstract Prints

Materials

Ink, Laid Paper, Lithograph

'European Landscape' —Mid-century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition. Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Syracuse University Art Museum. ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...
Category

1940s Surrealist Abstract Prints

Materials

Drypoint

Double Personage
Located in Fairlawn, OH
Double Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters and took part in the struggle by working in a munitions factory. The violence of the struggle inspired his painting La Guerra Civil. In 1938, Lam left Spain for Paris. Shortly before leaving, he met Helena Holzer, who would become his wife in 1944. His meeting Picasso in his studio on the Rue des Grands Augustins proved decisive. Picasso introduced his new “cousin” to his painter, poet and art critic friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Kahnweiler, Zervos. Lam also met Pierre Loeb, the owner of the Galerie Pierre in Paris, which hosted Lam’s first solo exhibition in 1939. Shortly before the Germans arrived, Lam left Paris for Bordeaux and then Marseille, where many of his friends, for the most part surrealists, had gathered around André Breton in the Villa Air Bel: Pierre Mabille, René Char, Max Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret. In the Villa Air Bel, a meeting place for creativity and experimentation, Lam worked and produced, most notably, a series of ink drawings that set the tone for what would become his signature style of hybrid figures, a vocabulary he would develop more fully during his years in Cuba from 1941 to 1947. In January and February 1941, Lam illustrated Breton’s poem Fata Morgana which was censored by the Vichy government. On March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Martinique, in the company of some 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss among them. Upon arrival, the passengers were interred at Trois Îles. It was during this forced passage in Martinique and before leaving for Cuba that Lam and Aimé Césaire met for the first time to become life-long friends. Newly settled in his native land after almost twenty years, Lam delved deeper into his artistic investigations, finding nourishment for his ideas in the surroundings of his childhood and youth. His sister Eloisa, whom he was closest to, explained to him in much detail the workings of Afro-Cuban rituals and he began attending ritual ceremonies with some of his friends. This contact with Afro-Cuban culture brought new impetus to his art. He painted over one hundred canvases, most notably La Jungla, making the year 1942 his most productive of this period. Over the next few years, a number of exhibitions followed in the United States, at the Institute of Modern Art of Boston, at the MoMA of New York, at the Galerie Pierre Matisse, where La Jungla was presented and created a scandal. In 1946, Lam and Helena travel to Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton. Talking about his experience in Haiti, Lam said, “It is often assumed that my work took its final form in Haiti, but my stay there, like the trips I made to Venezuela, Colombia or to the Brazilian Mato Grosso only broadened its scope. I could have been a good painter from the School of Paris, but I felt like a snail out of its shell. What really broadened my painting is the presence of African poetry.” Picasso_Lam_Vallauris_1954_vignette Wifredo Lam et Pablo Picasso, Vallauris, 1954 Lam then went on to New York where he renewed contact with Marcel Duchamp and made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Gorky, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo, Jesse Fernández, John Cage, Sonia Sekula and Yves Tanguy. By the end of the 1940s, Lam divided his time between Europe, Havana and New York, where they stayed with Pierre and Teeny Matisse...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Miró, Personnages II (Cramer 103; Mourlot 382-383), Cartones (after)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper Size: 8.687 x 12.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and...
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1960s Surrealist Abstract Prints

Materials

Lithograph

Le Lézard aux Plumes d’Or - Lithograph by Joan Mirò - 1971
Located in Roma, IT
Hand signed, and han written in pencil "H.C." (hors commerce). Edition of 150 numbered in Arabic numerals on Rives with “Miro” watermark + 20 numbered in Roman numerals on Rives wit...
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1970s Surrealist Abstract Prints

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Lithograph

Monograph: Francis Bacon (hand signed and warmly inscribed by Francis Bacon)
Located in New York, NY
Francis Bacon Francis Bacon (hand signed and warmly inscribed by Francis Bacon), 1975 Softcover catalogue with stiff wraps (hand signed and warmly inscribed by Francis Bacon) hand si...
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1970s Surrealist Abstract Prints

Materials

Paper, Ink, Mixed Media, Lithograph, Offset, Felt Pen

Surrealist Figure, Dorothée, 1969 - Original Handsigned Etching
Located in Paris, IDF
Man Ray (Emmanuel Radnitsky, aka) Surrealist Figure, 1969 Handsigned original etching Also printed signature in the plate On vellum, 23 x 17 cm (c. 9 x 6,6 inch) Numbered /50 copie...
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1960s Surrealist Abstract Prints

Materials

Etching

THE MOST FORMAL GARDEN
Located in Santa Monica, CA
LEONARD EDMONDSON (1916 – 2002) THE MOST FORMAL GARDEN, c. 1965 Color intaglio signed titled and annotated “Artist’s Proof" Irregular platemark 10 ¼ x14...
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1960s Surrealist Abstract Prints

Materials

Intaglio

PICTOPOETRY 2 signed #2/20 by Paula Craioveanu Photograph 20x16in in mat 28x20in
Located in Forest Hills, NY
Surreal Nude, part of my "Pictopoetry" series. Printed on Hahnemuhle art photo paper with white borders This particular one is signed and numbered 2 of 20 (edition of 20). Has been...
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2010s Surrealist Abstract Prints

Materials

Photographic Paper

Faces, Surrealist Lithograph by André Masson
Located in Long Island City, NY
André Masson, French (1896 -1987) - Faces, Year: 1962, Medium: Lithograph on Rives, signed in pencil, Image Size: 11 x 8.5 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Descriptio...
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1960s Surrealist Abstract Prints

Materials

Lithograph

French Abstract Surrealist Color Lithograph Andre Masson
Located in Surfside, FL
Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...
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20th Century Surrealist Abstract Prints

Materials

Lithograph, Offset

Miró, L'Oiseau solaire, L'Oiseau lunaire, Étincelles (C. 117; D. 447-48) (after)
Located in Southampton, NY
Lithograph, stencil on vélin d’Arches paper. Paper Size: 12.5 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joa...
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1960s Surrealist Abstract Prints

Materials

Lithograph

Miró, Composition (Cramer 145; Mourlot, 738-740), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 193-194. Publis...
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1970s Surrealist Abstract Prints

Materials

Lithograph

Vintage Poster Exhibition Galerie Maeght after Joan Mirò - 1978
Located in Roma, IT
Abstract Composition is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in 1978. Good conditions. Joan Miró i Ferrà (20 April 1893 – 25 December 1983) w...
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1970s Surrealist Abstract Prints

Materials

Lithograph, Offset

Les Metamorphoses Erotiques
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Les Metamorphoses Erotiques MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Edita: a L'Erotitiade/Editions des trois Continents ME...
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1960s Surrealist Abstract Prints

Materials

Etching

L'Éte (Benhoura 395), Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Miró, Jo...
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1930s Surrealist Abstract Prints

Materials

Lithograph

Lithographs II (1039), Modern Abstract Lithograph by Joan Miro
Located in Long Island City, NY
Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...
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1970s Surrealist Abstract Prints

Materials

Lithograph

"cocoons?" - 1976 Surrealist Lithograph on Paper
Located in Soquel, CA
"cocoons?" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "cocoons?" by Jim Crabb (American, b. 1947). This piece features a variety of lines and f...
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1970s Surrealist Abstract Prints

Materials

Laid Paper, Lithograph

Miró, Composition (Mourlot 1722), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with bifold, as issued. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Publishe...
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1960s Surrealist Abstract Prints

Materials

Lithograph

The Face in the Windmill
Located in New York, NY
Color Lithograph. Artist's proof, aside from an edition of 150. Signed and inscribed "EA" in lower right and left corner respectively. Published by Sidney Z. Lucas, New York. C...
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1960s Surrealist Abstract Prints

Materials

Lithograph, Color

Miro, Composition (Mourlot 230; Cramer 39) (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From volume, Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes, 1956. Pu...
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1950s Surrealist Abstract Prints

Materials

Lithograph

Hands, Mid Century mod Surrealist mixed media Signed/N (Gemini 20 Anselmino 61)
Located in New York, NY
MAN RAY Hands, 1966 Mixed Media: Silkscreen on Plexiglass Published by Gemini GEL Measurements: Image: 20"h x 16"w sheet plexi: 25.5"h x 19.5"w overall (with frame): 26.75"h x 20.75...
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1960s Surrealist Abstract Prints

Materials

Mixed Media, Engraving, Screen

Guardian signed #2/20 Paula Craioveanu Photograph 20x16in in mat 28x20in
Located in Forest Hills, NY
UNDER THE SKIN 5 Surreal Nude, part of my "Under the Skin" series. Printed on Hahnemuhle art photo paper with white borders, size is 20x16in. In mat overall size 28x20in. This par...
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2010s Surrealist Abstract Prints

Materials

Photographic Paper

Espace de l'Espece, Surrealist Lithograph by Roberto Matta
Located in Long Island City, NY
This lithograph was created by Chilean artist Roberto Matta. Matta creates new dimensions in a blend of organic and cosmic lifeforms in a biomorphic style. He was one of the first ar...
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1970s Surrealist Abstract Prints

Materials

Lithograph

House with Stag's Head from Brodsky and Utkin: Projects 1981 - 1990
Located in Long Island City, NY
Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: House with Stag's Head from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper,...
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1990s Surrealist Abstract Prints

Materials

Etching

For Alberti, For Spain - Etching by Joan Mirò - 1975
Located in Roma, IT
For Alberti, For Spain! is an artwork realized by Joan Mirò in 1975. Etching and aquatint, 90 x 66 cm. Hand signed. Edition 64/90. Reference: Dupin 926. Printed on Fabriano paper, ...
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1970s Surrealist Abstract Prints

Materials

Etching

Miró, Composition (Cramer 89), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 148, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...
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1960s Surrealist Abstract Prints

Materials

Lithograph

Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148), Joan Miró
Located in Fairfield, CT
Artist: Joan Miro (1893-1983) Title: Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148) Year: 1971 Edition: H.C.; 195, plus proofs Inscription: Signed and inscribed ‘H.C.’ ...
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1970s Surrealist Abstract Prints

Materials

Lithograph

Composition, Variations sur l'imaginaire, Georges Rohner
Located in Southampton, NY
Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...
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1970s Surrealist Abstract Prints

Materials

Lithograph

Composition, Variations sur l'imaginaire, Félix Labisse
Located in Southampton, NY
Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Miró, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Published by Aimé Maeght, Éditeu...
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1960s Surrealist Abstract Prints

Materials

Lithograph

Femme et Chien devant la Lune
Located in New York, NY
A superb impression of this very scarce, early color pochoir. Signed, dated "1935" and numbered 58/60 in pencil by Miro. Published by Adlan, Barcelona. Ink stamp on the reverse indic...
Category

1930s Surrealist Abstract Prints

Materials

Color, Stencil

Tabula A from Brodsky and Utkin: Projects 1981 - 1990
Located in Long Island City, NY
Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Tabula A from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed and nu...
Category

1990s Surrealist Abstract Prints

Materials

Etching

Sans titre (Cramer 34), Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, an...
Category

1950s Surrealist Abstract Prints

Materials

Lithograph

Sans titre (Cramer 34), Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, Cata...
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1950s Surrealist Abstract Prints

Materials

Lithograph

Le Lézard aux Plumes d'Or - Lithograph by Joan Miró - 1967
Located in Roma, IT
Le Lézard aux Plumes d'Or is a beautiful and rare color lithograph on parchment, realized in 1967 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 1983). Num...
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1960s Surrealist Abstract Prints

Materials

Lithograph

"lost + found" - 1976 Surrealist Lithograph on Paper
Located in Soquel, CA
"lost + found" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "lost + found" by Jim Crabb (American, b. 1947). This piece features an arachnid-like...
Category

1970s Surrealist Abstract Prints

Materials

Ink, Laid Paper, Lithograph

Doubles - Etching by Max Ernst - 1972
Located in Roma, IT
Hand signed. Edition of 100 pieces. Very good condition Provenance: P. Prouté
Category

1970s Surrealist Abstract Prints

Materials

Etching

Litografia Original VI (Abstract, Modern, Surrealism, Colorful, Iconic, 40% OFF)
Located in Kansas City, MO
Joan Miró Litografia Original VI Color Lithograph Year: 1975 Size: 13.25 × 10 inches (33.65 x 25.4 cm) Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.35 Publisher: Ma...
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1970s Surrealist Abstract Prints

Materials

Lithograph

Miró, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Derrière le miroir, N° 186, 1970. Publishe...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Miró, Composition (Cramer 112; Mourlot 439-442), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 164-165, 1967. Published by Aimé Maeght, Éd...
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1960s Surrealist Abstract Prints

Materials

Lithograph

The Arrival of Iseult, from Tristan and Iseult
Located in Washington, DC
Artist: Salvador Dali Title: The Arrival of Iseult Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4"...
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1970s Surrealist Abstract Prints

Materials

Engraving

Les Deux Taureaux et une Grenouille - Etching by Marc Chagall
Located in Roma, IT
Hand Signed. Edition of 100 prints. From the series “Les Fables de La Fontaine”.
Category

1920s Surrealist Abstract Prints

Materials

Etching

American Trotting Horse No II from Currier & Ives suite by Salvador Dali
Located in Paonia, CO
American Trotting Horses No. 2 by Salvador Dali has dynamic movement in the two trotting horses with an added giant Dalian insect head in coll...
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1970s Surrealist Abstract Prints

Materials

Lithograph

André Masson, "Figures in Landscape, " hand signed lithograph in colors
Located in Chatsworth, CA
André Masson Figures in Landscape Lithograph in colors on Arches paper Hand signed in pencil, numbered 51/150
Category

Mid-20th Century Surrealist Abstract Prints

Materials

Lithograph

Miró, Composition (Mourlot 235; Cramer 39) (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes, 1956. Pu...
Category

1950s Surrealist Abstract Prints

Materials

Lithograph

Sobreteixims
Located in Austin, TX
Artist: Joan Miro Title: Sobreteixims Galerie Maeght Exhibition Poster Year: 1973 Printer: Arte Paris Publisher: Maeght Medium: Lithographic poster From a limited edition of 7000 Dim...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Sobreteixims
Sobreteixims
$488 Sale Price
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French Abstract Surrealist Color Lithograph Andre Masson
Located in Surfside, FL
Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...
Category

20th Century Surrealist Abstract Prints

Materials

Lithograph, Offset

French Abstract Surrealist Lithograph Andre Masson Mourlot Paris Limited Edition
Located in Surfside, FL
This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...
Category

20th Century Surrealist Abstract Prints

Materials

Lithograph

Hölderlin: Poèmes - Etching by Max Ernst - 1961
Located in Roma, IT
" Hölderlin: Poèmes " is a hand-signed etching realized by Max Ernst  in 1961. It presents very good conditions. Passepartout included: 49 x 34 cm. Bibliography: Catalog Brusberg n....
Category

1970s Surrealist Abstract Prints

Materials

Etching

Composition, Feuilles éparses, André Masson
Located in Southampton, NY
Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...
Category

1960s Surrealist Abstract Prints

Materials

Etching

Composition, Variations sur l'imaginaire, Jacques Hérold
Located in Southampton, NY
Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Japan 1966 Exhibition Poster Lithograph
Located in Wilton Manors, FL
Height: 15.5 in (39.37 cm)Width: 22.5 in (57.15 cm) SHIPS ROLLED IN TUBE
Category

Mid-20th Century Surrealist Abstract Prints

Materials

Lithograph

Les Mademoiselles - Lithograph by R.S. Matta - 1970s
Located in Roma, IT
Les Mademoiselles, is an Artwork realized by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002) Colored Litograph on paper. Hand Signed on the lower right margin. Edition of 283/300. Good conditions. After studying architecture, in 1934 Roberto Sebastian Matta moved to Paris, where he worked with Le Corbusier and came into contact with intellectuals such as Rafael Alberti and Federico García Lorca. Here, he also met André Breton and Salvador Dalí , and adhered to the Surrealist movement, elaborating a painting style focused on psychological morphologies. In 1944, Breton wrote: " Matta is the one who most faithfully keeps his star, which is perhaps on the best path to reach the supreme secret: the control of fire". An extremely dynamic Chilean artist, who met Alvar Aalto in Scandinavia, Henry Moore , Roland Penrose...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Surrealist abstract prints for sale on 1stDibs.

Find a wide variety of authentic Surrealist abstract prints available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including (after) Joan Miró, Holger Bäckström, Joan Miró, and John Hultberg. Frequently made by artists working with Lithograph, and Mixed Media and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Surrealist abstract prints, so small editions measuring 2.5 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $88 and tops out at $1,450,000, while the average work sells for $947.

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