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Art Subject: Hat
Original University Art Museum Berkeley 1969 serigraph vintage poster
Located in Spokane, WA
Berkley; University Art Museum; original exhibition poster by Richard Lindner. Size: 23.5" x 30" Exhibition year: 1969.
Archival linen-backed original serigraph; excellent cond...
Category
1960s Portrait Prints
Materials
Screen
Gris, Moulin à Cafe (Kahnweiler 1969), Au Soleil du Plafond (after)
By Juan Gris
Located in Auburn Hills, MI
Lithograph on Velin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Au Soleil du Plafond, 1955. Published by Éditions de la Re...
Category
1950s Modern Still-life Prints
Materials
Lithograph
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French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
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Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters.
He designed posters for Air France and for the French national railways.
Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar.
Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work.
Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud.
Select Solo Exhibitions:
1938: Galerie Charpentier, Paris
1950, '53, '55, '57: Galerie Andre Weil, Paris
1953:Wildenstein Gallery, London
1954: Institut Francais, Cologne
1956: Galerie Matarasso, Nice
1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris
1958: Denys-Puech Museum, Rodez
1962: Musee de l'Athenee, Geneva;
Chateau Grimaldi, Cagnes-sur-Mer
1966: Galerie des Ponchettes, Nice
1967: Galerie Martel, Montreal
1968: Romanet-Vercel Gallery, New York;
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Screen print on Saunders Waterford 300gsm paper
Hand signed, dated, and numbered 87/150 by Ai Weiwei on the front
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This print was originally published by Kettle's Yard - before it rapidly sold out.
It is accompanied by the Certificate of Authenticity issued by the publisher to the original owner.
The print was editioned by master printer, Kip Gresham at The Print Studio, Cambridge for Kettle's Yard. It was made using an original drawing ‘cut’ into an acrylic sheet. The image is then reversed when printed.
Description from the publisher:
"Drawing has been fundamental to Ai Weiwei’s artistic practice from an early age. He also has a longstanding love of cats, and they appear frequently in the artist’s social media posts. Many cats used to roam his studio in Beijing. As part of the Kettle’s Yard exhibition, Ai’s ‘Cats wallpaper’ (2015) will be displayed in the Castle Street window. This artwork was originally exhibited as ‘Studio Cats’ in the exhibition Andy Warhol / Ai Weiwei at the National Gallery of Victoria in Melbourne, reflecting both artists’ mutual love of cats. For Kettle’s Yard, the drawing of Maple and Birch has been inserted among the other cats depicted on the wallpaper."
Quote from Ai Weiwei:
"I like cats very much because of their independent character, alertness and understanding of human beings; I have feelings approximating to reverence for them. Cats have been regarded as psychic animals since ancient times, no matter in China or ancient Greece. What’s even more interesting is that if a selfie of mine would be seen by 100 people, a cat photo...
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