Tom Baldwin

"Untitled"

Japanese Garden: Orange, 1996 Tom Baldwin created the series of inkjet prints "Japanese Gardens" in 1996 on his computer, using then-nascent graphics tech...

Reisinger was born in Kanjiža, Serbia, into a family of painters and decorators active in Austria-Hungary and the Balkans. Most family members died in the Holocaust, including his father. As a teenager, he became active in the Partisan Pioneer Brigade and, with his mother and stepfather, immigrated to Israel in 1949. Reisinger initially lived in a transit camp and then worked as a house painter in order to earn money from almost any source. In 1950 at age 16, he was accepted as a student—its youngest up to the time—at the Bezalel Academy of Art and Design in Jerusalem, there to 1954. During mandatory service in the Israeli Air Force from 1954, he was the art director of its books and other publications. While there, he attended a class on postage-stamp design taught by Abram Games, who became his mentor and friend. Subsequently, he traveled, studied, and worked in Europe: from 1957 in Brussels and then onto London where, 1964–66, studied stage and three-dimensional design at the Central School of Art and Design, designed posters for Britain's Royal Mail, and worked for other clients while making intermittent visits to Israel. Then in 1966, he returned permanently to Israel and established a studio in Tel Aviv and today in Giv'atayim. His work has been included in numerous international group and one-person exhibitions. A large number of social-, political-, and cultural-theme posters and other graphic design, such as calendars, packaging, and more than 150 logos are superior to much of his fine art. He designed a new logo for El Al airlines (1972), and the 50-meter-long aluminum-cast relief (1978) of a biblical quotation in Hebrew on the exterior of the Yad Vashem, Israel's official museum/memorial to Holocaust victims, in Jerusalem. He has also designed logos for the Tel Aviv Museum of Arts, Tefen Museum of Arts, and Habima Theater (הבימה - התיאטרון הלאומי) and the symbol and posters of the 9th-15th Maccabiah Games (מַכַּבִּיָּה). His widely published self-produced “Again?” poster (1993) features a Nazi swastika (which Reisinger incorrectly made to face left) breaks apart to 5 pointed red Star of soviet union in reference to the possible dreaded repeat of the Holocaust. The influences on his work—itself more widely focused than solely on social and political issues—have come from colorists, Minimalists, Constructivists, and humorists. He claims one of his more significant contributions has been to stretch the visual and communicative possibilities of Hebrew letters through his symbols and logos. Reisinger is one of Israel's most-accomplished graphic designers; the others include Franz Kraus...

Japanese Garden: Orange, 1996 Tom Baldwin created the series of inkjet prints "Japanese Gardens" in 1996 on his computer, using then-nascent graphics tech...

Stephen Greene (September 19, 1917 – November 18, 1999) was an American artist known for his abstract paintings and in the 1940s his social realist figure paintings. Stephen Greene was born in New York City and he attended the National Academy School of Art and then the Art Students League. Mr. Greene taught at Princeton University for many years where he was teacher to many well-known figures in the art world including Frank Stella and art critic and historian Michael Fried. Mr. Greene had more than 2 dozen solo exhibitions of his work in leading art galleries in New York City. He also taught at the Art Students League of New York for several decades. After the mid-1950s and until his death Greene's mature work was related to abstract expressionism, color field painting and surrealism. His work is represented in numerous public collections, including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the Brooklyn Museum, the Houston Museum of Fine Arts...

Artist Statement: Industrial materials and processes, ideas about placemaking and the creation of unexpected juxtapositions compels me and empowers my work. Whether it's sculpture,...

The painting is being offered with a work and authenticity certificate

Rita Letendre, Canadian, 1928-2021 Serigraph 25 x 22 in signed and numbered in pencil, edition of 250 framed

Untitled Screen print, 1941 Signed and dated in pencil lower right From an unnumbered edition of 6 Condition: Excellent Image size: 7 1/4 x 5 3/4 inches Sheet size: 10 x 8 inches Pr...