Kiss Me, Kiss Me, Towel (limited edition, hand numbered wrapped in official COA)
Tracey EminKiss Me, Kiss Me, Towel (limited edition, hand numbered wrapped in official COA)2014
2014
About the Item
- Creator:Tracey Emin (1963, British)
- Creation Year:2014
- Dimensions:Height: 42 in (106.68 cm)Width: 69 in (175.26 cm)Depth: 0.3 in (7.62 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745210314812
Tracey Emin
Tracey Emin was born in Croydon, in South London, in 1963, and raised in Margate, Kent. She studied fashion at the Medway College of Design (now the University for the Creative Arts) from 1980–82. At Medway, she met Billy Childish, who would become a huge inspiration for her work, and became closely associated with The Medway Poets. During this time, Emin became the administrator for Childish’s small printing press, Hangman Books.
In 1984 she went on to study printing at Maidstone Art College. In 1983, Emin opened a shop with fellow artist Sarah Lucas, called The Shop in Bethnal Green. The Shop sold works by Emin and Lucas, including original t-shirts and ashtrays featuring iconic artist Damien Hirst.
In November 1993, Emin held her first solo show at White Cube in London. She named her autobiographical exhibition “My Major Retrospective,” which largely consisted of personal photographs, photos of her own early paintings that she had destroyed, and a few emotionally charged items such as a packet of cigarettes her uncle was holding when he was decapitated in a car crash.
In 1994, Emin toured the United States, making stops en route with partner Carl Freedman to give readings from her autobiographical book Exploration of the Soul. In 1995, Emin produced her famous “tent” — Everyone I Have Ever Slept With 1963-1995 — which was exhibited in Freedman’s curated show “Minky Manky” at the South London Gallery. This piece was later bought by Charles Saatchi and included in the acclaimed 1997 “Sensation” exhibition at the Royal Academy of Arts in London, going on to tour Berlin and New York.
Emin appeared on a Channel 4 television series in 1997 titled Is Painting Dead? that largely comprised a discussion over the Turner Prize. Two years later, in 1999, Emin was shortlisted for the Turner Prize herself and exhibited My Bed at the Tate Gallery. In the same year, she exhibited a number of monoprint drawings inspired by Princess Diana for an exhibition at The Blue Gallery, London.
Elton John and George Michael are both famed collectors of Emin’s work, with Michael holding the “A Tribute to Tracey Emin” exhibition in September 2007 at the Dallas-based Goss-Michael Foundation. A solo exhibition, “This is Another Place,” was held at the Modern Art Oxford from 2002–03, and in 2007, Emin was included in the British Pavilion at the Venice Biennale. The same year, Emin was made Royal Academician by the Royal Academy of Arts. She has previously been invited to include works at the Royal Academy “Summer Exhibitions” dating back to 2001. Emin curated the 2008 “Summer Exhibition” and gave a public talk and interview with Matthew Collings, during which they mused on her role within the Royal Academy. Emin’s art has fetched astronomical amounts at auction, selling to Charles Saatchi, the 2011 Prime Minister (David Cameron), David Bowie and more for their private collections.
Find original Tracey Emin prints and other art on 1stDibs.
- Gagosian Gallery Announcement Scarf/Bandana, Andy Warhol Camouflage ExhibitionBy Andy WarholLocated in New York, NYAfter Andy Warhol Camouflage Exhibition Gagosian Gallery Announcement Scarf/Bandana, 1998 Silkscreened letters on cotton cloth fabric 21 1/2 × 21 1/2 inches Unframed Collectible souvenir scarf/bandana issued as an invitation to attend the opening reception on November 7, 1998 of the ANDY WARHOL Camouflage Exhibition which ran through January 9, 1999 at Gagosian Gallery downtown on Wooster Street...Category
1990s Pop Art Mixed Media
MaterialsCotton, Screen
- Aufbruch Aus Moskau MockBa: Suite of 20 signed prints top Russian artists 64/100Located in New York, NYVARIOUS ARTISTS AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unfram...Category
1990s Pop Art Abstract Prints
MaterialsMixed Media, Screen, Linen, Pencil
- The Last Civil War VeteranBy Larry RiversLocated in New York, NYLarry Rivers The Last Civil War Veteran, 1970 Silkscreen and mixed media collage on paper 29 × 19 3/4 inches Frame included Edition of 100 Hand signed and numbered 55/100 in graphite lower front 1970 Mixed media collage multiple based upon famous Larry Rivers 1961 painting "The Last Civil War Veteran'. (In 1979-80, Rivers reprised this theme with another edition of 125, but this is the original 1970 print from the limited edition of only 100) In 1962, the Museum of Modern Art acquired The Last Civil War Veteran and by early 1963 put it on view. 1963 marked the hundred-year anniversary of the Emancipation Proclamation...Category
1970s Pop Art Abstract Prints
MaterialsMixed Media, Screen
- ROBOT Triptych (Set of Three (3) Skateboards)By Jean-Michel BasquiatLocated in New York, NYJean-Michel Basquiat ROBOT Triptych (Set of Three (3) Skateboards), 2017 Set of 3 Silkscreens on 7-Ply Canadian Maplewood Skate Decks (Set of 3) Estate of Jean-Michel Basquiat copyri...Category
2010s Pop Art Abstract Prints
MaterialsWood, Maple, Mixed Media, Screen
- A Walk in the Tuileries Gardens Paris (screenprint with silver leaf and glazes)By Peter BlakeLocated in New York, NYPeter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. The work is matted and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...Category
Early 2000s Pop Art Abstract Prints
MaterialsSilver
- Blue Skies, Nothing but Blue SkiesBy Howard HodgkinLocated in New York, NYHOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...Category
Early 2000s Pop Art Mixed Media
MaterialsMixed Media, Screen
- BagsLocated in Santa Monica, CASilkscreen/Collage on Retail BagsCategory
21st Century and Contemporary Pop Art Mixed Media
MaterialsScreen
$280 Sale Price20% Off - ST1b99-Contemporary, Abstract prints, stil-life, figurative, nude, landscapeBy Francisco NicolásLocated in London, LondonFlowers 09, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work h...Category
2010s Pop Art Abstract Prints
MaterialsPaper, Mixed Media, C Print, Inkjet, Giclée, Pigment, Archival Pigment
- ST1b99-Contemporary, Abstract prints, stil-life, figurative, nude, landscapeBy Francisco NicolásLocated in London, LondonFlowers 09, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work h...Category
2010s Pop Art Abstract Prints
MaterialsPaper, Mixed Media, C Print, Inkjet, Giclée, Pigment, Archival Pigment
- ST107B-Contemporary, Abstract prints, stil-life, figurative, nude, landscapeBy Francisco NicolásLocated in London, LondonEdition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown in...Category
2010s Pop Art Abstract Prints
MaterialsArchival Pigment, Paper, Mixed Media, C Print, Color, Digital Pigment
- Hematriptan mRNA (Black), Agent X, Futuristic Artwork, Limited EditionBy Agent XLocated in Deddington, GBHematriptan mRNA(Black) by Agent X [2021] limited edition Mixed Media Edition of 70 Image size: H:85 cm x W:96 cm Complete Size of Unframed Work: H:85 cm x W:96 cm x D:1cm Sold Unfr...Category
21st Century and Contemporary Pop Art Mixed Media
MaterialsMixed Media
- HEART II Signed Hand Colored Lithograph, Love Symbol, Red, Yellow, TurquoiseBy Peter MaxLocated in Union City, NJHEART II - is a unique, hand colored lithograph by the pop culture icon - Peter Max. The image Heart II was printed in 1981 as a limited edition lithograph of 165, using traditional...Category
1980s Pop Art Mixed Media
MaterialsMixed Media, Lithograph