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Victor Vasarely
Victor Vasarely "Axo-Charga" Hand-Signed Limited Edition Serigraph, Framed

1976

$3,850
$5,50030% Off
£2,957.81
£4,225.4530% Off
€3,398.49
€4,854.9930% Off
CA$5,415.50
CA$7,736.4330% Off
A$6,084.07
A$8,691.5330% Off
CHF 3,178.94
CHF 4,541.3430% Off
MX$74,258.97
MX$106,084.2430% Off
NOK 40,363.23
NOK 57,661.7530% Off
SEK 37,993.47
SEK 54,276.3930% Off
DKK 25,360.82
DKK 36,229.7430% Off

About the Item

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by Victor Vasarely, a pioneer of the Op Art movement whose innovative approach to color and geometric abstraction redefined modern visual perception. This work exemplifies Vasarely’s ability to create depth, movement, and optical illusions through a meticulously calculated interplay of forms and color contrasts. This highly collectible piece, created in 1976, is hand-signed and numbered 28 of 150, published by Georges Fall, Paris, and authenticated in the Pablo Benavides/Michele Vasarely Catalogue Raisonné (2015), #746, p. 189. The artwork is professionally framed in a custom conservation frame, ensuring its long-term preservation. WHY COLLECT THIS WORK? ✓ Highly Collectible: A sought-after work by the founder of the Op Art movement ✓ Museum-Recognized: Listed in the Vasarely Catalogue Raisonné ✓ Optical Mastery: A vivid example of Vasarely’s pioneering geometric illusions ✓ Limited Edition: Hand-signed and numbered 28/150 ✓ Expertly Framed: Conservation-quality framing for protection and display ARTWORK DETAILS: ▸ Title: Axo-Charga ▸ Artist: Victor Vasarely (1906-1997) ▸ Medium: Serigraph on Black Paper ▸ Year of Creation: 1976 ▸ Signature: Hand-signed & numbered by the artist ▸ Edition Number: 28 of 150 ▸ Publisher: Georges Fall, Paris ▸ Catalogue Raisonné Reference: Pablo Benavides/Michele Vasarely (2015), #746, p. 189 ▸ Country of Origin: France Dimensions: — ◼︎ Image Size: 17.625 x 23.5 inches — ◻︎ Paper Size: 26 x 34 inches — ◻︎ Framed Size: 32.375 x 40.125 x 1.125 inches ▸ Condition: Excellent – Well-preserved with strong color integrity ▸ Framing: Professionally Conservation Framed – Ready to hang INCLUDED DOCUMENTATION: ✓ Certificate of Authenticity ✓ Artist Biography Info THE ARTIST: A visionary of 20th-century geometric abstraction, Victor Vasarely is widely regarded as the father of Op Art. His groundbreaking use of color, mathematical precision, and optical illusions revolutionized modern art and influenced generations of artists across the world. Born in Hungary in 1906, Vasarely initially studied at the Mühely Academy in Budapest, a Bauhaus-inspired school where he honed his skills in graphic design and geometric composition. He later relocated to Paris in 1930, working in commercial design before shifting his focus to pure abstraction. His early influences included Kazimir Malevich and Piet Mondrian, but Vasarely developed a distinctive style centered on kinetic movement, depth perception, and dynamic optical effects. His 1955 manifesto, "Manifeste Jaune," formally introduced his theories on visual illusions and established him as a leading figure in the Op Art movement. Vasarely’s breakthrough came with The Responsive Eye exhibition at the Museum of Modern Art (MoMA) in New York (1965), which cemented his reputation on an international scale. His work was widely celebrated, earning him prestigious awards including the Guggenheim Prize (1964) and Chevalier de la Légion d'honneur (1970). Today, Vasarely’s works are housed in major institutions worldwide, including: • The Museum of Modern Art (MoMA), New York • The Centre Pompidou, Paris • The Tate Modern, London • The Victor Vasarely Museum, Hungary Vasarely passed away in Paris in 1997, but his legacy continues to influence contemporary digital and kinetic artists. His pioneering contributions to Op Art remain as relevant today as ever, making his works highly sought after by collectors and museums alike.
  • Creator:
    Victor Vasarely (1906 - 1997, French, Hungarian)
  • Creation Year:
    1976
  • Dimensions:
    Height: 40.125 in (101.92 cm)Width: 32.375 in (82.24 cm)Depth: 1.125 in (2.86 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
    This piece is well-preserved, in great condition, framed, and ready to hang. Because of the unique properties of the ink, slight handling marks are common in this type of fine artwork.
  • Gallery Location:
    Miami, FL
  • Reference Number:
    1stDibs: LU2843215775342

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"VIII.1 Study" BY TIM NORDIN (B. 1945) Acrylic on Canvas over Panel ⚜ Signed ⚜ Frameless Display A VIBRANT STUDY OF COLOR, TRANSPARENCY & STRUCTURE A rare and original acrylic on canvas over panel, Tim Nordin’s "VIII.1 Study" (1976) is a striking example from his renowned Transparent Sumi Brush Mark series. This work is defined by layered organic strokes of deep blues, vibrant greens, and subtle earth tones, forming a rhythmic interplay of color and light. Nordin’s distinctive brushwork creates a composition that shifts dynamically depending on light and perspective, a hallmark of his innovative approach. His technique results in an immersive, pulsating visual field—where each mark remains distinct yet seamlessly integrates into the whole. This meticulous layering and structured spontaneity connect his work to Abstract Expressionism, Op Art, and Color Field painting. This highly collectible piece was exhibited in Nordin’s 1982 Palm Springs Desert Museum exhibition and remains an essential work for collectors seeking dynamic gestural abstraction and structured color play. WHY COLLECT THIS WORK? ✓ Highly Collectible – A rare hand-signed original by Tim Nordin ✓ Exhibited Work – Featured in Nordin’s 1982 Palm Springs Desert Museum exhibition ✓ Optical Depth & Color Play – A dynamic surface with layered transparency & gestural brushwork ✓ Historical Provenance – From the Collection of Mr. & Mrs. Ricardo Sanchez, acquired directly from the artist ✓ Frameless Display – Ready to Hang – Presented in its original artist-preferred format ARTWORK DETAILS: ▸ Title: VIII.1 Study ▸ Artist: Tim Nordin (b. 1945) ▸ Medium: Acrylic on Canvas over Panel ▸ Year of Creation: 1976 ▸ Signature: Hand-signed, titled, and dated on verso ▸ Provenance: Collection of Mr. & Mrs. Ricardo Sanchez, acquired directly from the artist ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Image Size: 12 x 12.125 inches — ◻︎ Panel Size: 12 x 12.125 x 1.625 inches ▸ Condition: Excellent – Vibrant colors with well-preserved surface clarity ▸ Framing: Frameless Display (Artist’s Standard Presentation) – Ready to Hang INCLUDED DOCUMENTATION: ✓ Certificate of Authenticity ✓ Artist Biography Document ✓ Excerpts from the 1982 Palm Springs Desert Museum Exhibition Catalog THE ARTIST: Tim Nordin is an American abstract painter best known for his exploration of transparency, repetition, and structured mark-making. His work draws inspiration from a wide range of influences, including Mark Rothko, Sam Francis, Josef Albers, Kazimir Malevich, and the Optical Art movement pioneered by Victor Vasarely and Bridget Riley. While elements of his work reflect the gestural expressiveness of Abstract Expressionism, his approach to composition and structure aligns with Color Field painters such as Morris Louis and Helen Frankenthaler. Born in 1945, Nordin traveled extensively before settling in California, where he studied fine arts at Cerritos College and later earned his MFA at Claremont Graduate School, concentrating on printmaking and experimental painting techniques. Early in his career, he experimented with plexiglass, vinyl, and alternative surfaces, seeking ways to push the boundaries of traditional painting. By the 1970s and 1980s, Nordin became known for his Transparent Sumi Brush Mark series, in which he developed a meticulous method of layering individual brushstrokes to form structured, organic compositions. These works, featuring veils of fluid color and precise gestural marks, evoke the optical depth and rhythmic movement found in Bridget Riley’s Op Art...
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