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Zao Wou-KiEtching No. 163 - Chinese Art Abstract French1965
1965
About the Item
ZAO WOU-KI 1921- 2013
Beijing 1921 -2013 Switzerland (Chinese)
Title: Etching No. 163, 1965
Technique: Original Hand Signed and Numbered Etching and Aquatint in Colours on Arches Wove Paper
Paper size: 50 x 65 cm. / 19.7 x 25.6 in.
Image size: 28.8 x 35.5 cm. / 11.3 x 14 in.
Additional Information: This original etching and aquatint in colours is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin. It is dated in pencil “65” [1965], next to the signature.
It is also hand numbered pencil from the edition of total edition of 95, at the lower left margin.
Our impression is one of the 75 impressions on Arches paper, the remaining 20 were on Japan Nacre paper. In addition to these 96 impressions, there were 20 signed and numbered artist’s proofs.
This work was printed and published by Atelier Lacourière et Frélaut, Paris in the same year.
The paper bears the blindstamp of the publisher in the lower left corner and the Arches watermark in the centre of the lower margin.
Literature: Ågerup, J. (1994). Zao Wou-Ki - The Graphic Work - A Catalogue Raisonné 1937-1995. Copenhagen: Heede & Moestrup.
Reference: Ågerup 163
Condition: Excellent condition.
- Creator:Zao Wou-Ki (1921, Chinese)
- Creation Year:1965
- Dimensions:Height: 19.69 in (50 cm)Width: 25.6 in (65 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1807515172
Zao Wou-Ki
Zao Wou-Ki was born in Beijing, China, on February 13, 1921, to a wealthy family descended from the Song Dynasty.
French-educated Chinese artist Lin Fengmian was Wou-Ki’s teacher at the China Academy of Art from 1935–41 and encouraged him to study abroad in Paris. Wou-Ki made the move in 1948 with a substantial amount of financial backing and later adopted France as his new home, remaining in the country, besides a few short trips abroad, until his death.
In Paris, Wou-Ki quickly joined a large postwar French art circle, composed of key writers, poets, painters and cultural figures, including Joan Miró, Pablo Picasso, Riopelle and Vieira da Silva, among others. This networking helped position himself at the top of the Lyrical Abstraction movement. By his mid-30s, Wou-Ki had decided to devote his artistic career to abstract painting that blended Eastern and Western stylistic traditions.
In 2011, Wou-Ki was referred to in art publications as the top-selling living Chinese artist. He died in Nyon, Switzerland, on April 9, 2013, at the age of 93.
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