
Vintage 1970s Alexander Calder poster (Calder prints)
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(after) Alexander CalderVintage 1970s Alexander Calder poster (Calder prints)c.1977
c.1977
About the Item
- Creator:(after) Alexander Calder (1898, American)
- Creation Year:c.1977
- Dimensions:Height: 28 in (71.12 cm)Width: 37 in (93.98 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good vintage condition.
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354312773622
(after) Alexander Calder
Combining abstract surrealism and biomorphic imagery into a distinctive style, Calder has become one of the 20th Century’s most iconic and important artists. Besides sculptures, Calder was also prolific in other art forms. He produced jewelry, tapestry and stage designs, as well as drawings, oil paintings, water colors, etchings, lithographs and serigraphs. Born in Philadelphia in 1898
Alexander Calder (1898 – 1976) was a monumental artist. He invented the mobile, and airy, hanging structure connected by wires that are set in motion by the wind. These mobiles tremendously influenced the art world. Calder’s versions celebrated form and color, with simplicity and profundity. As a trained engineer, began to practice as a freelance artist after attending New York’s Art Students League. Calder was strongly inspired circus spectacle, and thus constructed entertaining mobiles often accompanied by music. Producing dynamic yet playful mobile sculptures, Calder dismissed the formal structures of art and redefined its infinite possibilities.
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Vintage 1970s Alexander Calder poster (Calder prints)
By (after) Alexander Calder
Located in NEW YORK, NY
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Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature.
Medium: Offset lithograph.
Dimensions: 25 x 32 inches.
An original 1st printing in very good vintage condition.
Plate signed on the lower right from an edition of unknown.
This is an original 1970s poster and not a recent reproduction of any kind.
Alexander Calder changed the course of modern art with his three-dimensional kinetic sculptures, which Marcel Duchamp named “mobiles.” Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial materials and hang in lyrical balance. Calder was an international phenomenon during his lifetime. He won the grand prize for sculpture at the 1952 Venice Biennale, where he represented the United States. He earned the French Legion of Honor and the American Presidential Medal of Freedom, among other honors. Calder has been the subject of solo exhibitions at the Museum of Modern Art, the Rijksmuseum, the Louisiana Museum of Modern Art, and the Museo Reina Sofía. His work regularly sells for eight figures on the secondary market. Though Calder is best known for his mobiles, his diverse practice also encompassed standing sculpture, painting, set and costume design, large-scale public installation, and jewelry-making.
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Located in NEW YORK, NY
Alexander Calder 'La Grenouille et Cie'
Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature.
Medium: Offset lithograph
Dimensions: 25 x 32 inches
An original 1st printing in very good vintage condition.
Plate signed on the lower right from an edition of unknown.
This is an original 1970s poster and not a recent reproduction of any kind.
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_
Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk.
Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues.
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