(after) Pablo Picasso

"Exposition Poteries, Fleurs, Parfums" lithograph poster

1959

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Medium: lithograph (after the original lithograph poster for the Exposition Vallauris). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the a...

Medium: lithograph (after the original lithograph poster for the Exposition Vallauris). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the a...

Pablo Picasso (1881-1973) Affiche Exposition de Céramiques Exhibition poster Lithograph in color on wove paper , from the unsigned and unnumbered edition of 500 published/printed by...

(after) Pablo PICASSO Suite de 180 Dessins Lithograph, 1954 Printed signature in the plate Size 38 x 26.5 cm (c. 15 x 10,45 inch) Lithograph created for...

This elegant and iconic 1972 original poster was created to promote the Grands Maîtres Estampes et Dessins exhibition held at La Pochade, a renowned Parisian gallery located at 157 B...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Original Poster Exhibition - Galerie 65 Cannes...