(after) Pablo Picasso

lithograph for Carnet Californie

1959

Medium: original lithograph. Catalogue reference: Mourlot 508. Printed in 1967 for the art revue Derriere le Miroir (issue number 164-165 -- L'Oiseau Solaire, L'Oiseau Lunaire, Etinc...

Medium: lithograph (after Renoir). Printed in 1951 at the atelier Mourlot using the same number of stones as the original, in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 in...

Zao Wou-Ki (1920 - 2013) Hommage a Nobutaka Shikanai - 1991, (Agerup 354) Color lithograph on BFK Rives watermarked paper, full margins 24 x 18 1/4 inches Signed and titled in the sheet Published by Fuji Television Gallery, Tokyo Zao (Zhao) Wou Ki combines Oriental landscape abstraction with French influence. He was born in Beijing on February 13, 1921, and from the age of ten, Zao drew and painted with great freedom. He learned from his grandfather that calligraphy is an art when it transmits an emotion to the person looking at it. At age fourteen he enrolled at the School of Fine Arts in Hangzhou, where he remained for six years. He studied and then taught at the Hongchow National Academy of Fine Arts. In 1942, he organized an exhibition of works by his teacher, Wu Dayu, along with some of his own. In 1948, he moved to Paris where he has lived and worked ever since, although he has exhibited in New York City. He attended the Académie de la Grande Chaumière and lived at Rue du Moulin Vert nearby Alberto Giacometti's studio. Making the acquaintance of Hans Hartung, Nicolas de Staël, Pierre Soulages, Viera da Silva...

Louis Enault is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...