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Albert Al Hirschfeld1975 original poster A Fine Mess! The Crazy World of Laurel & Hardy1975
1975
About the Item
Crafted in 1975, the original poster by Al Hirschfeld titled "A Fine Mess! The Crazy World of Laurel & Hardy" captures the timeless charm and humor of one of the most beloved comedy duos in cinematic history.
Renowned for his distinctive caricature style, Al Hirschfeld was a master of capturing the essence of his subjects with just a few fluid lines. In this poster, he expertly depicts the iconic figures of Stan Laurel and Oliver Hardy, affectionately known as Laurel & Hardy, in their signature comedic poses.
Laurel & Hardy rose to fame during the early days of Hollywood's silent film era and went on to become one of the most enduring comedy partnerships of all time. With their impeccable timing, slapstick antics, and endearing on-screen chemistry, they delighted audiences around the world and left an indelible mark on popular culture.
The poster "A Fine Mess! The Crazy World of Laurel & Hardy" serves as a delightful homage to the duo's comedic genius. Against a backdrop of chaos and hilarity, Laurel and Hardy are depicted in their trademark bowler hats and suits, their expressions conveying a mix of bewilderment and amusement as they navigate the absurdities of their fictional world.
Literature - Advertising - Comedy
I'm Mr Hardy, This is My Friend, Mr. Laurel
Darien House New York
- Creator:Albert Al Hirschfeld (1903 - 2003, American)
- Creation Year:1975
- Dimensions:Height: 44.49 in (113 cm)Width: 30.32 in (77 cm)
- Medium:
- Period:
- Condition:Good condition, light folds, on linen.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792214010062
Albert Al Hirschfeld
For nearly 70 years, Al Hirschfeld created iconic caricatures of theater, film and television celebrities, capturing moments in time and documenting U.S. entertainment history in the process. Art historian Lloyd Goodrich called Hirschfeld “one of the few masters of graphic humor.” "New York Times" art critic John Russell dubbed him “the Fred Astaire of pen and ink.” Brendan Gill of "The New Yorker" stated, “To be a star on Broadway is to be drawn by Hirschfeld.” And many performers believed that, regardless of any other accolades they might achieve, “if Al Hirschfeld hasn’t drawn you, you don’t exist.” Hirschfeld began his career as a political cartoonist and became a theater caricaturist for "The New York Times" in 1925. He began creating his pure line drawings on a trip to Bali in the 1930s, and, over the course of his career, mastered the technique of using lines to capture the spirit and personality of his subjects. Hidden in each drawing is his daughter’s name, Nina, and so many people became obsessed with finding all of the Nina’s, that he developed a system of noting the number of Nina’s in each work next to his signature. In addition to "The New Yorker" and "The New York Times," Hirschfeld’s drawings appeared on playbills and posters as well as in advertisements. As a result of his work, he earned two Tony awards for lifetime achievement in theater and had a Broadway theater renamed in his honor.
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