Amir Akhavan

"Portrait of a Lion (Green Ribbon)"

2014

"Untitled," Joanne Greenbaum, 2009 Silkscreen on 320 gram Coventry Rag paper Dimensions: 41" x 35" Signed by the Artist in pencil An edition of 18 Through her use of vibrant color a...

"I would look up at the ceiling, imagine myself as the character in her dilemma and draw – on napkins, scrap paper, the backs of paper menus. The rule was, I had to write the subject down first, and when I looked down, I was finished. Not all the drawings work, of course. At times I go right off the page. At times they are incoherent or emotionally flat. The truth is, the drawings only work when I succeed in becoming the woman in the drawing in my own head – I need to get under her skin, feel what she feels. " - Rebecca Miller A SUITE OF EIGHT HAND-PRINTED SILKSCREENS WITH HAND-PAINTING SIGNED, NUMBERED AND TITLED BY THE ARTIST IN PENCIL IMAGE SIZE: 14 X 14 INCHES PAPER SIZE OF 19 X 19 ½ INCHES PRINTED ON 290 GRAM ARCHIVAL COVENTRY RAG PAPER EDITION OF TEN NUMBERED 1/10-10/10 3 ARTIST’S PROOFS AND 2 PRINTER’S PROOFS ALL SCREENS USED IN THE MAKING OF THE EDITION HAVE BEEN CANCELLED PUBLISHED AND PRINTED BY GARY LICHTENSTEIN Rebecca Miller has written and directed six feature films: "Angela" (1995), winner of the Sundance Film Festival Filmmakers Trophy and Cinematography Award; "Personal Velocity" (2002), starring Parker Posey, Kyra Sedgwick and Fairuza Balk, winner of the Sundance Grand Jury Prize and Cinematography Award, as well as the Independent Spirit John Cassavetes Award; "The Ballad of Jack...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 20 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

Renowned painter and printer, Gary Lichtenstein demonstrates true abstract expressionism via his spectacular use of color. His paintings and silkscreen prints, more than 200 oil-based and water-based works to date, exhibit mastery of the properties of light absorption and reflection, specifically with regard to the visual impact of color. Inspired by artists such as Robert Motherwell and Helen Frankenthaler, Lichtenstein creates canvases which have frequently been described as ethereal, and he has been praised as one who manages to capture a “sense of no-self…” In fact, the composition of Lichtenstein’s work has been referred to as atmospheric... “evocative of natural forms and phenomena.” In addition, Lichtenstein has collaborated with over one hundred artists during the course of his 49-year career. Despite, and because of, rich historical influences, Gary Lichtenstein’s vision and artistic intellect are uniquely his own and clearly evident throughout the enormous portfolio of work that spans his career. Lichtenstein’s work has been shown and collected by, among others, The Aldrich Contemporary Art Museum, Ridgefield, CT, New York’s Museum of Modern Art, the San Francisco Museum of Modern Art, the Smithsonian, the San Francisco Art Institute, the San Francisco International Art Expo, the Chicago Art Institute, the Butler Institute of American Art, the College of Art & Architecture at the University of Tennessee, the Silvermine Arts Center, the International Print Center NYC, the Boston World Art Fair, the New York International Exhibit of Contemporary Art, and Art Asia (Hong Kong). Solo exhibitions in New York, San Francisco, Tokyo, and Hong Kong have been celebrated at the Rubicon Gallery, Susan Todd Gallery, Galerie Enatsu, and the Modernism Gallery. The Fried screen print collection can be found at the Museum of Modern Art in New York City, the Whitney Museum, and the Museum of Modern Art in San Francisco. “Not enough has been written about Gary’s personal work as a painter and printmaker. The work, which can be categorized as “Color Field” has been informed by diverse influences, many of them not readily apparent to the casual viewer. One inescapable fact is despite Gary’s roots on the East Coast his artistic outlook has really been tempered by his thirty years in California, and by the Bay area in particular. Working with fabled San Francisco screen printer Robert Fried...

OIl paint on canvas Hand-signed on the back by the artist “At first glance, we are invited to a colorful carnival. Everything is movement here! As if Julien Wolf had tried to captur...

Tamer of Lions is an Original Linocut Print realized by Mino Maccari in 1951. Very good condition, not signed. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and...

Florence Cadène’s artwork is like natural history, a sensitive memory in the heart of animal nations, a possible communion between the eyes of humans and all dimensions of life. Flo...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...