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Medium: Engraving
Eagles, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Eagles
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
The Mountstuart Coat of Arms
Located in Middletown, NY
London: T. Spilsbury & Son, 1790.
Engraving on light-weight wove paper, 3 3/4 x 5 3/4 inches (950 x 145 mm), full margins at top and sides of sheet, lower portion of sheet trimmed. ...
Category
17th Century Italian School Engraving Animal Prints
Materials
Laid Paper, Engraving
Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Le Téléphone (Lobster Telephone) /// Salvador Dali Surrealism Modern Engraving
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Le Téléphone (Lobster Telephone)"
Portfolio: Hommage à Leonardo da Vinci (Great Inventions)
*Signe...
Category
1970s Surrealist Engraving Animal Prints
Materials
Engraving, Etching, Intaglio
Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Le Harle Femell (The Female Merganser)" (Plate 953)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the...
Category
1770s Old Masters Engraving Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21
Located in Paonia, CO
[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...
Category
Early 18th Century Other Art Style Engraving Animal Prints
Materials
Engraving
![[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21](https://a.1stdibscdn.com/jacques-barraband-prints-works-on-paper--bird-of-paradise-la-pie-de-paradise-vue-par-derriere-no21-for-sale/a_7803/1543778408303/Bird_of_Paradise_master.jpg?width=240 "jacques bird")
$5,200 Sale Price
20% Off
Returning to the Stable.
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category
1920s Modern Engraving Animal Prints
Materials
Drypoint, Etching
$800 Sale Price
36% Off
Sea Birds, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Sea Birds
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Izzy with her Ball, Dog Art, Affordable Art, Contemporary Animal Art Print
Located in Deddington, GB
Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist.
Helen Fay's art for sale online and in our gall...
Category
2010s Contemporary Engraving Animal Prints
Materials
Paper, Drypoint, Etching
Canard de Miclon (Old Squaw) /// Ornithology Martinet Bird Animal Art Duck
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Canard de Miclon (Old Squaw)" (1008)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the plate (printed...
Category
1770s Old Masters Engraving Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Red Damsel (Human looks at small Tinker Bell like figure)
By Lois Ward
Located in New Orleans, LA
Lois Ward's "Red Damsel" is a color mezzotint created in 1994 in a very small edition of just 10. This impression is #2 of 10. A young human figure in green gazes down on a Tinker B...
Category
1990s American Modern Engraving Animal Prints
Materials
Mezzotint
"The Game of Transformation. Butterflies"
Located in Zofingen, AG
The etching "The Game of Transformation. Butterflies" is an artist's play with meanings and associations. In this work, modern girls are presented in the form of glamorous fluttering...
Category
2010s Aesthetic Movement Engraving Animal Prints
Materials
Paper, Mulberry Paper, Mezzotint, Etching, Aquatint
Spur-winged Goose, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Category
1930s Modern Engraving Animal Prints
Materials
Engraving
Salvador Dali - The Rider and the Deer - Handsigned Engraving
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Rider and the Deer - Handsigned Engraving
1974
Hand signed by Dali
Edition: /250
The dimensions of the image are 22.8 x 15.7 inches on 3...
Category
1970s Surrealist Engraving Animal Prints
Materials
Drypoint, Aquatint
Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Cena Ultima (Guinea Vultures stand for apostles in this version of Last Supper)
Located in New Orleans, LA
Sharon Augusta Mitchell created "Cena Ultima" as if guinea vultures were the apostles in a "last supper" pose arrayed around a carcass in an edition of 100. This is impression #9 fr...
Category
1990s Contemporary Engraving Animal Prints
Materials
Drypoint, Etching, Aquatint
Antonio Eligio Fernández Cuban Artist Original Hand Signed silkscreen 1988
Located in Miami, FL
Antonio Eligio Fernández (Cuba, 1958)
'Tres Besos', 1988
silkscreen on paper Guarro Geler
27.6 x 20.1 in. (70 x 51 cm.)
Edition of 125
ID: TON-301
Hand-signed by author
Category
1980s Contemporary Engraving Animal Prints
Materials
Paper, Engraving, Screen
Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
"Tumba y Raja" 2019 (see video) Signed Original Large Engraving Cuban Art Print
By Jose Bedia
Located in Miami, FL
"Tumba y Raja', is a term in Spanish that colloquially refers to an uncontrollable force that "knocks something down and rips it apart". In this case it refers to the Nkisi (magic po...
Category
2010s Contemporary Engraving Animal Prints
Materials
Engraving
Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Night Time, Dieppe.
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category
1920s Modern Engraving Animal Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
The Yacou, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Ass, Ape & Mole, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving, Etching
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard'
Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800).
120mm by 195mm (platemnark).
Early engraving of an ...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
CANGREJO MANO LARGA
Located in New York, NY
paper: 22 x 15 in.
printed image: 4 3/4 x 6 in.
english translation: Long Hand Crab
Latin
Category
Late 20th Century Post-Modern Engraving Animal Prints
Materials
Archival Paper, Drypoint, Etching, Aquatint
The Aurelian, A Natural History English Moths Butterflies Moses Harris pl. IX
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785)
The Aurelian, A Natural History of English Moths and Butterflies – Plate IX
Hand-Colored Engraving
17.88 x 11.00
very good condition
Plate IX fro...
Category
1770s Engraving Animal Prints
Materials
Engraving
Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI
Le Cerf Malade from Le Bestiaire de la Fontaine
1974
Hand signed by Dali
Edition: /250
The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 inch paper
Refer...
Category
1970s Surrealist Engraving Animal Prints
Materials
Drypoint, Aquatint
Red-billed Promerops, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Full Practice. Terrier dogs. 19th century mixed method engraving, circa 1865
Located in Melbourne, Victoria
'Full Practice', mixed method engraving published in New York, circa 1865.
After the painting by George Armfield.
475mm by 610mm (platemark)
505mm by 645mm (sheet)
Category
Mid-19th Century Victorian Engraving Animal Prints
Materials
Engraving
The Rostrated Ray, Australia, engraving with original hand-colouring, 1794
Located in Melbourne, Victoria
'The Rostrated Ray' (Eastern Shovelnose Ray)
Copper-line engraving with original hand-colouring. 1794, by Frederick Polydore Nodder (fl.1770 – 1800).
110mm by 195mm (platemark)
125...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Impeyan Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Ass and the Lion Hunting, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving, Etching
Red-necked Grebe, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Bloodhound, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Blood Hound'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporti...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Marbled Guillemot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
White-eared Bustard, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Red-tailed Tropic Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Hackled Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Harlequin Humming-Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Black faced Ibis, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Mastiff, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Mastiff'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporting a...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Rabbit Series #4
Located in San Francisco, CA
This artwork titled "Rabbit Series #4" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition.
About the artist:
Radovan Kraguly...
Category
Late 20th Century Pop Art Engraving Animal Prints
Materials
Mezzotint
Cat with Red Claws and a Bird
By Colin Self
Located in New York, NY
Once a peer of David Hockney and Peter Blake during school, Colin Self is an important contemporary British printmaker whose innovative etching techniques and novel use of found mate...
Category
Early 2000s Engraving Animal Prints
Materials
Drypoint
The Lobated Musk Duck, Australia, engraving with original hand-colouring, 1795
Located in Melbourne, Victoria
'The Lobated Musk Duck'
Copper-line engraving with original hand-colouring. 1796, by Richard Polydore Nodder (fl.1770 – 1800).
155mm by 125mm (platemark).
Early engraving of an ...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Sun Bear - Ursus malayanus, mid 19th French century engraving
Located in Melbourne, Victoria
'Ours malais, Ursus malayanus, Raffles''
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Salvador Dalí, "Le Cerf Malade" from Le Bestiaire de la Fontaine, engraving
Located in Chatsworth, CA
This piece is an original engraving with color added by pochoir by Salvador Dali. It is from Dali's suite of 12 original engravings entitled "Le Bestiaire de la Fontaine", which he c...
Category
1970s Surrealist Engraving Animal Prints
Materials
Engraving
$3,160 Sale Price
29% Off
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category
Late 18th Century Engraving Animal Prints
Materials
Engraving
Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
Category
1760s Naturalistic Engraving Animal Prints
Materials
Engraving
Vicuna and Llama, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. Vigigne 2. Lama' (1. Vicuna 2' Llama)
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Crustaceans - lobsters, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Le Singe - Etching by Pablo Picasso - 1940s
Located in Roma, IT
Etching, aquatint and drypoint. Not Signed and not Numbered as issued.
Edition of 226 pieces.
Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86).
Printed by Lacourièr...
Category
1940s Cubist Engraving Animal Prints
Materials
Paper, Etching, Drypoint, Aquatint
The Butterfly.
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category
Early 20th Century Modern Engraving Animal Prints
Materials
Drypoint, Etching
$1,200 Sale Price
40% Off
The Matador.
By James McBey
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category
1910s Modern Engraving Animal Prints
Materials
Drypoint, Etching
$1,200 Sale Price
27% Off
Chicken With Garlic and Basil
Located in Palm Springs, CA
The lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...
Category
Early 2000s Contemporary Engraving Animal Prints
Materials
Mezzotint, Aquatint
Engraving animal prints for sale on 1stDibs.
Find a wide variety of authentic Engraving animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 18th Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, Edmund Blampied, and Francois Nicolas Martinet. Not every interior allows for large Engraving animal prints, so small editions measuring 8 inches across are also available Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $460, while the average work can sell for $380.
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