Engraving Animal Prints
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Medium: Engraving
Spanish Artist hand signed limited edition original art print cromolithograph n2
Located in Miami, FL
Salvador Dali (Spain, 1904-1989)
'La conquête du cosmos. Philosophe écrasé par le Cosmos', ca.1970-1989
cromolithograph, dry point on paper Rives BFK 300 g.
39.2 x 27.6 in. (99.5 x 7...
Category
Late 20th Century Surrealist Engraving Animal Prints
Materials
Drypoint, Paper
Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, England
Publisher: John James Audubon, London, England
Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet
Framed size: 26.25" x 31.75"
Sheet size: 21.75" x 27.25"
Platemark size: 15" x 20.63"
Image size: 12" x 18"
Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors
Rare
Notes:
Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming.
The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...
Category
1830s Victorian Engraving Animal Prints
Materials
Watercolor, Engraving, Aquatint, Intaglio
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders.
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 125...
Category
19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Drongo / Duc; Pl. 140
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Engraving Animal Prints
Materials
Engraving
Surrealist Salvador Dali Large Pochoir Etching Drypoint Lithograph Chariot Rider
Located in Surfside, FL
Salvador Dalí (1904-1989) – Spanish painter, graphic artist and sculptor.
Drypoint with etching and pochoir on Japon paper
"Elijah and the Chariot," 1975, (Horse and rider)
from the "Our Historical Heritage" suite.
Pencil signed along the lower right and numbered 53/250 along the lower left.
Literature: Field 75-4 J
Framed; Height: 29 in x width: 35 in. Mat opening 19.5 X 25.5.
The Spanish artist’s extensive oeuvre not only includes watercolors, drawings and sculptures but also tapestries; here a fine example from the limited edition ‘The Twelve Tribes of Israel’
The tapestry was created after an etching by Salvador Dalí from 1973 with the title ‘The Tribe of Judah’, which the artist created as part of a suite to mark the 25th anniversary of the State of Israel, and in which he represented the twelve tribes of Israel. This vintage French tapestry is an impeccable textile re-creation of a rare Dali etching. This is a flat weave Aubusson style tapisserie. The edition size was 500. The tapestry is inscribed with woven ‘Salvador Dalí’ lower right
Genre: Surrealism
Subject: people, architecture rendering
Medium: textile
Salvador Dali (Spanish, 1904-1989)
Salvador Dali is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century.
Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him.
In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness.
By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. Along with Rene Magritte his is considered the greatest of the Surrealists. His great craftsmanship allowed him to execute his paintings in a nearly photo realistic style. No wonder that the artist was a great admirer of the vintage Italian Renaissance painter Raphael. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. In 1933 Salvador Dali had his first one-man show in New York. One year later he visited the U.S. for the first time supported by a loan of US$500 from Pablo Picasso. To evade World War II, Dali chose the U.S.A. as his permanent residence in 1940. He had a series of spectacular exhibitions, among others a great retrospective at the Museum of Modern Art in New York. He has worked in paining, sculpture, tapestry, Daum glass and prints.
Dali became the darling of the American High Society. Celebrities like Jack Warner or Helena Rubinstein gave him commissions for portraits. His artworks became a popular trademark and besides painting he pursued other activities - jewelry and dated clothing designs for Coco Chanel or film making with Alfred Hitchcock.
In 1948 Dali and Gala returned to Europe, spending most of their time either in their residence in Ligate/Spain or in Paris/France or in New York. Dali developed a lively interest in science, religion and history. He integrated things into his art that he had picked up from popular science...
Category
1970s Surrealist Engraving Animal Prints
Materials
Drypoint, Etching, Lithograph
"Yo animal" contemporary lithograph pink interviened fertility animals
By Yanieb Fabre
Located in Ciudad de México, MX
A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...
Category
2010s Engraving Animal Prints
Materials
Engraving, Lithograph
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders.
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 125...
Category
19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders.
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 125...
Category
19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
"Yo animal" contemporary lithograph interviened fertility animal gathering
By Yanieb Fabre
Located in Ciudad de México, MX
A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...
Category
2010s Engraving Animal Prints
Materials
Engraving, Lithograph
"Yo animal" contemporary interviened fertility animals lithograph
By Yanieb Fabre
Located in Ciudad de México, MX
A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...
Category
2010s Engraving Animal Prints
Materials
Engraving, Lithograph
MAMELOUK ENLEVANT UNE FEMME, ATTAQUE PAR UN MOUSQUETAIRE (BLOCH 1586)
Located in Aventura, FL
Aquatint on wove paper. Hand signed and numbered by Pablo Picasso. Plate 106, from the serie "347 gravures" (B. 1586; BA. 1602 II B b 1). Published by Galerie Louise Leiris, Paris. ...
Category
1960s Cubist Engraving Animal Prints
Materials
Paper, Engraving
Langur monkey, mid 19th French century animal engraving
Located in Melbourne, Victoria
'Semnopitheque a croupion - Semnopithecus Leucoprymnus, Otto' (Langur)
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Backy, Contemporary Animal Art, Black Dog Art, Bright Minimalist Art
Located in Deddington, GB
Backy is a hand coloured limited edition drypoint etching with carborundum by Kate Boxer. Backy is a limited edition print in an edition of 30. The bold monochromatic work contrasts ...
Category
2010s Contemporary Engraving Animal Prints
Materials
Paper, Drypoint
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some O...
Category
1740s Old Masters Engraving Animal Prints
Materials
Intaglio, Engraving, Laid Paper, Watercolor
Man Ploughing by Paulémile Pissarro - Wood Engraving Print
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Man Ploughing by Paulémile Pissarro (1884 - 1972)
Wood engraving
7 x 13 cm (2 ³/₄ x 5 ¹/₈ inches)
Signed lower ri...
Category
20th Century Engraving Animal Prints
Materials
Wood, Engraving
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History
Year: 1743-1764
Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers
Limited edition: Unknown
Printer: C. Rickaby, London, UK
Publisher: William Gardiner and Messrs. Robinson, London, UK
Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198
Sheet size (each): approx. 11.25" x 9"
Image size (each): approx. 8.63" x 7.38"
Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors
Notes:
Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included.
Biography:
George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...
Category
1740s Old Masters Engraving Animal Prints
Materials
Intaglio, Engraving, Laid Paper, Watercolor
Francois Nicolas Martinet (1731-1804) - Engraving, Petite Outarde ou Canepetiere
Located in Corsham, GB
This hand-colored engraving comes from "Histoire Naturelle Des Oiseaux," a famous set of volumes edited by Georges Louis Leclerc, le comte de Buffon (1707-1788). The book was publish...
Category
Early 18th Century Engraving Animal Prints
Materials
Engraving
Kate Boxer, I Won't Eat You, Limited edition animal print, contemporary art
Located in Deddington, GB
I Won’t Eat You [2021]
limited_edition
Drypoint print
Edition number of 30
Image size: H:81 cm x W:113 cm
Complete Size of Unframed Work: H:92 cm x W:122 cm x D:0.1cm
Sold Unframed
...
Category
21st Century and Contemporary Contemporary Engraving Animal Prints
Materials
Drypoint, Etching, Paper
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 5.75" x 4.75"
Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Engraving Animal Prints
Materials
Intaglio, Engraving, Watercolor
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.13" x 8.75"
Image size (each): approx. 4.75" x 4.5"
Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Engraving Animal Prints
Materials
Engraving, Intaglio, Watercolor
Fishing: Gaffing a Salmon
Located in Mount Vernon, NY
Vintage color engraving by W. H. Simmons after a painting by Richard Ansdell (1815-1885). The print depicts two men fishing, one in Scottish kilt in the ...
Category
Late 20th Century Engraving Animal Prints
Materials
Engraving
Lioness and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Etching, Engraving
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Kamtschatkan Thrush", "Spotted-sided Grosbeak", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 4.5" x 4.5"
Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Engraving Animal Prints
Materials
Intaglio, Engraving, Watercolor
Big Horse (Black & Moorhead 46)
Located in New York, NY
Stanley William Hayter
Big Horse (Black & Moorhead 46), 1932
Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting
Hand signed, numbered and dat...
Category
1930s Abstract Expressionist Engraving Animal Prints
Materials
Engraving, Drypoint
Le Divin Berger (The Divine Shepherd) /// Old Masters Boy Sheep Etching Antique
Located in Saint Augustine, FL
Artist: Charles Waltner (French, 1846-1925)
Title: "Le Divin Berger (The Divine Shepherd)"
Portfolio: Gazette des Beaux-Arts
Year: 1875
Medium: Original Etching and Drypoint on cream...
Category
1870s Old Masters Engraving Animal Prints
Materials
Intaglio, Etching, Drypoint, Laid Paper
Engraving of a British Fox Hunting Scene "The Pink Of Condition"
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...
Category
Early 1900s Naturalistic Engraving Animal Prints
Materials
Engraving
The Flight into Egypt 17th century engraving after Rubens by Lucas Vorsterman
By Peter Paul Rubens
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640)
The Fligh...
Category
1620s Realist Engraving Animal Prints
Materials
Engraving
Chasseur Fortune, Engraving, Van Falenz / Le Bas, Hunter, Decorative Piece
Located in Greven, DE
Le Chasseur Fortune
Engraving
framed
Bez.: C. Van Falenz pinixit // Jac. Ph. Le Bas Sculp. // a Paris chez Le Bas graveur du Cabinet du Roy au bas de la rue de la Harpe...
Category
18th Century Rococo Engraving Animal Prints
Materials
Engraving
Antonio Eligio Fernández Cuban Artist Original Hand Signed silkscreen 1988
Located in Miami, FL
Antonio Eligio Fernández (Cuba, 1958)
'Tres Besos', 1988
silkscreen on paper Guarro Geler
27.6 x 20.1 in. (70 x 51 cm.)
Edition of 125
ID: TON-301
Hand-signed by author
Category
1980s Contemporary Engraving Animal Prints
Materials
Paper, Engraving, Screen
The Cat - Etching and Drypoint by Giselle Halff- 1950s
Located in Roma, IT
The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca.
Good conditions with some foxing.
Category
1950s Modern Engraving Animal Prints
Materials
Etching, Drypoint
Goats, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. Chevre de India 2. Chevre de Syrie'
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Hygla
Located in Mount Vernon, NY
Inscriptions: Bottom, plate: Io. Dom. Campiglia del. / Cosmus Mogalli Sculp.
Top right, plate: XXIV
Summary/Description: Engraving by Cosmus Mogalli after drawing by Giovanni Domenic...
Category
Late 18th Century Engraving Animal Prints
Materials
Engraving
Equus
Located in BARCELONA, ES
With his abstract representations of various creatures, the Spanish/German artist Max Gärtner explores the tensions and interrelationships between reality and the metaphysical, betwe...
Category
2010s Engraving Animal Prints
Materials
Drypoint
Tiempo
Located in BARCELONA, ES
With his abstract representations of various creatures, the Spanish/German artist Max Gärtner explores the tensions and interrelationships between reality and the metaphysical, betwe...
Category
2010s Engraving Animal Prints
Materials
Drypoint
X-ing ( Alone fish swims across the ocean)
By Anne Dykmans
Located in New Orleans, LA
In "X-ing"", Anne Dykmans captures an image of solace with a swimming fish . This image is an artist's proof in an edition of 50
Anne Dykmans employs her superb command of engravin...
Category
1990s Modern Engraving Animal Prints
Materials
Mezzotint
Merian - A Group of Six Flowers, Insects and Fruits.
Located in London, GB
[MERIAN, Maria Sibyl].
A Group of Six Flowers, Insects and Fruits.
The Hague, Gosse, 1719.
A group of six engravings by J. Mulder, P. Sluyter and D. Stoopendaal after Merian, with later hand-colour, of flowers, fruits and insects from Dissertatio de Generatione et Metamorphasibus Insectorum Surinamensium. Framed and glazed, overall dimensions: 38.2cm by 53.2cm.
Superb engravings which depict the metamorphoses of South American insects and the exotic plants on which they feed.
Maria Sybilla, daughter of the German engraver and publisher Matthias Merian, devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies...
Category
1710s Naturalistic Engraving Animal Prints
Materials
Engraving, Handmade Paper, Etching
Chelidoine / Chelonee caouanne - vergete - caret; Pl. 98
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Engraving Animal Prints
Materials
Engraving
Etherie / Etourneau / Eueere; Pl. 154
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Engraving Animal Prints
Materials
Engraving
Snow Bunting /// Ornithology John James Audubon Bird Animal Landscape Havell Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Snow Bunting" (Plate CLXXXIX - 189; part No. 38)
Portfolio: The Birds of America, Havell Edition
...
Category
1830s Victorian Engraving Animal Prints
Materials
Engraving, Aquatint, Watercolor, Intaglio, Rosewood
Vicuna and Llama, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. Vigigne 2. Lama' (1. Vicuna 2' Llama)
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Brown Bears, Beaver, Polar Bear, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. L'Ours brun 2. Castor 3. L'Ours blanc'
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Sun Bear - Ursus malayanus, mid 19th French century engraving
Located in Melbourne, Victoria
'Ours malais, Ursus malayanus, Raffles''
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Red Panda and Greater Hog Badger, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. Le Panda, Ailurus Fulgens, F Cuvier 2. Balisaur, Arctonyx Collaris, F Cuvier'
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Chevrotain and Arab Antelope, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. L'Ours brun 2. Castor 3. L'Ours blanc'
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Capuchins, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. Le Sajou cornu 2. Le Sajou brun' (1. Black-horned Capuchin 2. Tufted Capuchin)
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Mizuhiki
Located in New Orleans, LA
"Mizuhiki" is an exclusive publication by Stone + Press in an edition of 100.
Katsunori Hamanishi was born in 1949 on Hokkaido island - Japan's second largest island. In 1973 he fi...
Category
1990s Contemporary Engraving Animal Prints
Materials
Mezzotint
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Thistle and Moths, plate no. 6, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
"The Winner" - Etching on Paper (10/25)
Located in Soquel, CA
"The Winner" - Etching on Paper
Clean and modern drypoint etching of a horse skeleton by Maria Bennett (American, 20th Century). This etching has layer...
Category
1970s Modern Engraving Animal Prints
Materials
Paper, Ink, Drypoint
Lesser White Throat, bird and nest engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with water...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Cocoa plant, caterpillar, ..., Plate 26, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Icecream Bean plant..., plate no. 58, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Early 19th Century Realist Engraving Animal Prints
Materials
Drypoint, Etching, Laid Paper
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Engraving animal prints for sale on 1stDibs.
Find a wide variety of authentic Engraving animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 18th Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, Edmund Blampied, and Francois Nicolas Martinet. Not every interior allows for large Engraving animal prints, so small editions measuring 8 inches across are also available Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $460, while the average work can sell for $380.