1960s Animal Prints

David Hockney is an English painter, printmaker, photographer, designer and dog-lover. Perhaps the most popular and versatile British artist of the 20th century, Hockney made appa...

Georges Braque, French (1882 - 1963) - Phaeton, Year: circa 1963, Medium: Offset Lithograph, Image Size: 5 x 7 inches, Size: 13.5 x 10 in. (34.29 x 25.4 cm)

Original Holy Land TWA vintage travel poster. Artist David Klein. Size 25" x 40.5". Archival linen-backed authentic vintage TWA travel poster...

Original linen backed vintage travel poster on United Air Lines to Washington D. C. Artist: Jebary. Linen backed vintage poster. Ve...

Original Lowenbrau Munchen Vintage Poster with Iconic Lion - Conservation Linen Backed, Ready to Frame, Excellent Condition. (Löwenbräu München) The Original Lowenbrau Munchen Vintage Poster with Iconic Lion is a true collector's item. This poster features the company's iconic Gothic lion design, which has become synonymous with the brand. Conservation linen backed and in excellent condition, this poster is ready to be framed and displayed in any space. The gold and blue colors of the lion add a royal touch to the poster, making it a stunning piece of art. Perfect for beer enthusiasts and collectors, this vintage poster is a timeless treasure that celebrates the heritage of Lowenbrau Munchen. Its name is German for "lion's brew". Most Löwenbräu beers are marketed as being brewed according to the Reinheitsgebot, the Bavarian beer...

A signed and numbered print of a bobcat from Texas artist Charles Beckendorf. Charles did the original in pencil for this series. The print is displayed in a chrome frame and white m...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...

Elegant etching of pair of swans by French artist Francois Soulas, 1969. Signed in pencil lower right. Original artwork on paper displayed on a white mat with a gold border. Mat f...

Emilio Vedova - Original Lithograph Abstraction 1961 From the art revue XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued

Original Lithograph by Picasso Atelier Mourlot. Paper: Vélin. Dimensions : 9 5/8 x 12 7/16 inches Bloch 1017; Cramer 113; Mourlot 350

Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil. Israeli views Lithograph by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974 Artistic career Joseph Zaritsky...

Jules CAVAILLES The Dove Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 38 x 25 cm (c. 15 x 10 in) Very good c...

Artist: Ben Shahn, American (1898 - 1969) Title: One Must Know the Animals from the Rilke Portfolio Year: 1968 Medium: Lithograph, signed in the plate Edition: 750 Size: 22.5 x 17.7...

Artist: Philippe Noyer (1917-1985) Title: The Tortoise Year: circa 1969 Medium: Lithograph on Arches paper Edition: 60/220, plus proofs Size: 29.75 x 22 inches Condition: Good Inscri...

Original Lithograph by Jean Cocteau Title: The Arena 1961 Dimensions: 38 x 28 cm printed signature Lithograph made for the portfolio "Gitans et Corridas" published by Socié...

Artist: Pablo Picasso Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet Size: 9 1...

Original "The Big Show", US 1-sheet linen-backed movie poster from 1961. Very fine condition. Professional restoration of original theater fold marks. A - A- condition, ready to frame. Original "the Big Show" US 1-sheet, 1961, linen-backed vintage movie poster. Very fine condition with the restoration of original theater-issued fold marks. A - A- condition. NSS 61/125. Ester Williams...

Julian Trevelyan Lions ( Turner 194), 1966-1967 Color etching and aquatint on T.H. Saunders paper Pencil signed and numbered 28 from the limited edition of 125 Frame Included: held i...

German-born Robert Ernst Marx was a painter, printmaker, and teacher. His main subject was the human condition. This intaglio is somewhat unusual in ...

Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil. Israeli views Lithograph by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974 Artistic career Joseph Zaritsky...

Artist: Alexander Calder (1898-1976) Title: Cinq Boules et Deux Serpents Year: 1965 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 20.5 x 28.75 inches Cond...

A dynamic mid 20th century copy of a lithograph that depicts Englishmen on horseback giving chase with a pack of beagle-type dogs running in the background. by John Frederick Herring...

Horse is a lithograph realize by Jacques Van Melkebeke in 1961. Good conditions. Numbered.Edition 1/25 The artwork is represented through soft strokes.

Owl is an etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in pencil. Ed...

Aubrey Schwartz, American (1928 - 2019) - Chimpanzee, Year: circa 1965, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 16/100, Size: 18 x 15 in. (45.72 x 38....

Artist: Philippe Noyer (1917-1985) Title: Femme a L'Eventail Year: circa 1969 Medium: Lithograph on Arches paper Edition: 25/50 E.A., 375, plus proofs Size: 29 x 41.75 inches Conditi...

Artist: Philippe Noyer (1917-1985) Title: The Owl Year: circa 1969 Medium: Lithograph on Arches paper Edition: 102/220, plus proofs Size: 29.75 x 22 inches Condition: Good Inscriptio...

Artist: Philippe Noyer (1917-1985) Title: The Monkey Year: circa 1969 Medium: Lithograph on Arches paper Edition: 66/220, plus proofs Size: 29.75 x 22 inches Condition: Good Inscript...

Artist: Larry Rivers, American (1923 - 2002) Title: Downtown Lion Year: 1967 Medium: Etching on Wove paper, signed and numbered in pencil Edition: 3/24 Image Size: 11.5 x 17.5 inches...

Lithograph after Salvador Dali Title: S.N.C.F Blind stamped signature Dimensions: 46.5 x 34 cm Edition: 1700 Numbered in pencil 1969 References : Catalogue raisonne Michler & Lopsi...

Artist: Philippe Noyer (1917-1985) Title: The Crocodile Year: circa 1969 Medium: Lithograph on Arches paper Edition: 111/220, plus proofs Size: 29.75 x 22 inches Condition: Good Insc...

Raoul DUFY Colorful Birds on Blue Background, 1965 Lithograph (Mourlot workshop) Unsigned On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Posthumous published lithograph pub...

Original The Owl And The Pussycat, by Edward Lear with all text in Greek. Linen backed and in very good condition. One tiny printing flaw under the foot of the cat. Translation:...

"Mi Gato" is an original collagraph by Joseph Rozman. The artist signed, dated, and titled the artwork below the image. This artwork is the artist's proof. This artwork features an a...

Artist: Salvador Dali Medium: Heliogravure Title: The Rabbit Sends in a Little Bill Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sh...

Original Lithograph by Jean Cocteau Title: Artaban 1961 signed in the stone/printed signature Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" ...

Richard Lindner, German/American (1901 - 1978) - Man's Best Friend, Portfolio: After Noon Portfolio, Year: 1969, Medium: Lithograph on Arches, Signed and numbered in pencil, Editi...

Artist: Salvador Dali Medium: Heliogravure Title: Pig and Pepper (tree) Portfolio: Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: 16 7/8"...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Max Ernst - Birds - Original Lithograph Birds, 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

The original Stone Garden vintage psychedelic 1960s poster is in excellent condition. The artist is Wilfred Satty (1939 – 1982). German-born collage artist and graphic designer ...

Larry Rivers Downtown Lion (1st State), 1967 Etching on wove paper, signed, inscribed and dated with blind stamps Signed, dated and inscribed in graphite; Printers Proof aside from ...

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

Harrison Begay: 1917-2012. Listed American Indian painter and printmaker. His given Navajo name was Haashke yah Niya. His screen prints have sold at auc...

Original Stan Galli "Pacific Northwest" United Air Lines Vintage Poster – Stunning Mid-Century Travel Art. Archival linen backed in excellent condition, ready to frame. Grade A. ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Artist: Salvador Dali Medium: Heliogravure Title: Who Stole the Tarts? Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: 16 ...

Original “Foire Internationale de Lyon” vintage poster. Archival linen backed. In excellent condition A+, ready to frame. NO damage, no restoration, no fold marks. Full lithogr...

Andre Francois, Hungarian (1915 - 2005) - Cheval Noir, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size: 15.5 x ...

Andre Francois, Hungarian (1915 - 2005) - Cheval, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 7/50, Image Size: 15.5 x 22.5 ...

Andre Francois, Hungarian (1915 - 2005) - Cheval Bleu, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 7/50, Image Size: 15.5 x ...

Andre Francois, Hungarian (1915 - 2005) - Cheval jaune et bleu, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size:...

Max ERNST Surrealist Composition : Après-moi le XX° siècle, 1971 Original lithograph in colours Unsigned On wove paper 31 x 24 cm (c. 12,2 x 9,4 inches) REFERENCES : Catalogue rais...

Artist: Colin Self Title: Power and Beauty No. 4 Year: 1969 Medium: Screenprint, signed and titled in ink Edition: 75 Size: 41 x 26 inches

Unknown Artist Nixon + Spiro - Zero, 1968 Extremely rare vintage 1960s Offset lithograph poster 28 × 22 inches Publisher Published by Joe A. Kennedy; printed by Provo Press Unframed,...

Savo Radulović, Serbian American (1911 - 1991) - Exodus, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: 20, Image Size: 9.5 x 14.25 inches, Size...

Artist: Salvador Dali Medium: Heliogravure Title: Alice's Evidence Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: 16 7/8"...

Johnny FRIEDLAENDER (1912 - 1992) Cats Original handsigned etching On vellum BFK Rives 50 x 33 cm (c. 19.6 x 13 inch) Excellent condition, the sheet is slightly yellowed

Unknown/ Unidentified Artist, "Fisch" Edition 35/100, Abstract / Animal Lithograph numbered and signed in pencil, 15 x 20, Late 20th Century, 1963 Colors: Red, Blue, Black, White, G...