1960s Animal Prints

Johnny FRIEDLAENDER (1912 - 1992) Cats Original handsigned etching On vellum BFK Rives 50 x 33 cm (c. 19.6 x 13 inch) Excellent condition, the sheet is slightly yellowed

Marino Marini - Horse and Rider - Original Lithograph 1963 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Original "The Big Show", US 1-sheet linen-backed movie poster from 1961. Very fine condition. Professional restoration of original theater fold marks. A - A- condition, ready t...

A late 1960's modern Pop Art etching of horses by Marc Foster Grant (American, b.1947). The galloping horse motif is repeated, in the style of Warhol...

A dynamic mid 20th century copy of a lithograph that depicts Englishmen on horseback giving chase with a pack of beagle-type dogs running in the background. by John Frederick Herring...

The Dog is an original lithograph realized by Giuseppe Viviani in 1961. Good conditions. Edition of 170. Hand signed and numbered in pencil. The artwork is depicted through strong ...

Jules CAVAILLES The Dove Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 38 x 25 cm (c. 15 x 10 in) Very good c...

Max Ernst - Birds - Original Lithograph Birds, 1964 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

German-born Robert Ernst Marx was a painter, printmaker, and teacher. His main subject was the human condition. This intaglio is somewhat unusual in ...

A signed and numbered print of a bobcat from Texas artist Charles Beckendorf. Charles did the original in pencil for this series. The print is displayed in a chrome frame and white m...

Owl is an etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in pencil. Ed...

19 x 15.5 with backing 12 x 12 image Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...

Artist: Colin Self Title: Power and Beauty No. 6 Year: 1969 Medium: Screenprint, signed, numbered and titled in ink Edition: 75 Size: 26 x 41 inches

Artist: Ben Shahn, American (1898 - 1969) Title: One Must Know the Animals from the Rilke Portfolio Year: 1968 Medium: Lithograph, signed in the plate Edition: 750 Size: 22.5 x 17.7...

Fish is original etching on paper, realized by the French artist Maurice Bouval (1863–1916). Hand-signed on the lower right and numbered on the lower l...

Shelly (Sheldon) Fink (American, 1925-2002), "Beautiful Bird" Artist Proof, Animal Lithograph signed on Paper, 14 x 17, Late 20th Century, 1963 Color: Black and White Sheldon Fink was born in 1925 in Brooklyn, NY. He attended the High School of Music and Art in Manhattan, and won Tiffany Foundation grants in 1957 and 1963. Shelly's work has appeared at the Albany Art Institute, the Berkshire Art...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Original poster: II FESTIVAL MELODIA DE LA COSTA VERDE, 1961. This image for the second music festival held in Gijon, a city in north-western Spain. Located on the coast of the ...

Horses 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in ...

Original excellent condition, linen backed United Airlines: Seattle, the 1968 airplane airline aviation travel poster promoting travel to Seattle, Washington aboard United Airlines and featuring art of a Native American Indian totem pole...

Falcon is an original lithograph realized by Giselle Halff in 1965s. Good condition, hand-signed by the artist and numbered (7/30) on the lower right corner. This is an edition in ...

After Marc Chagall - Lithograph From the deluxe art review, Derrière le Mirroir, printed by Charles Sorlier 1964 Printed signature Dimensions: 38 x...

Artist: Robert Indiana, American (1928 - 2018) Title: Parrot from the American Dream Portfolio Year: 1967 (1997) Medium: Serigraph Edition Size: 395 Image Size: 16.5 x 14 inches Size...

Image dimensions: 25 x 43.5 cm. Une Aile is a beutiful etching and aquatint on paper, realized in 1962 by the French burin master Louis-René Berge. Signed and dated in pecil on the...

A pair of early lithographs by Walasse Ting, signed and numbered from an edition of only 30 They are in their original 60's gallery frames. Edition and size information is the same...

Bird is an original etching realized in 1968 by an Anonymous artist of the XX century, the state of preservation of the artwork is good. Hand-signed on the lower right, unreadable, ...

Dresden Zoological Garden is an original color offset print by the German artist Etha Richter (Dresda,1883 - Dresda,1977). Hand-signed in lead bottom right: Etha Richter Dresden. T...

Max Ernst - Birds - Original Lithograph Birds, 1964 (BNF, 63) Dimensions: 32 x 24 cm Revue Art de France ax Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Devastation and reconstruction is an original etching on paper, realized by Marino Marini in 1963. Mixed colored etching. Original title: Devastazione e ricostruzione. The plate ...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), With it...

Measurements indicate paper size. Print size is 16 inches on longest side. (Original artwork is an oil painting.)

A signed and numbered print of two prairie dogs from Texas artist Charles Beckendorf. Charles did the original in pencil for this series. The print is displayed in a chrome frame an...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), this pie...

Nevelson, Louise. CAT. Baro 80. Etching and drypoint, 1965/6. Edition of 40 (There were also three Trial Proofs and four Artist's Proofs). Signed and numbered in pencil. 17 1/2 x 11 1/2 inches (plate), (sheet). The edition was printed at the Hollander Graphic...

An original hand-signed limited edition lithograph by famed sculptor Emile Gilioli. Edition of only 75. Émile Gilioli (b. Paris, 10 June 1911, d. Paris,...

The Mock Turtle's Story is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random...

Alberto Giacometti - Original Lithograph 1964 Dimensions: 38 x 28 cm From the journal Derrière le Miroir No. 148, 1964 Edition: Foundation Maeght at Saint Paul Alberto Giacometti...

Jules CAVAILLES Rupestral Painting Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 36 x 20 cm (c. 14 x 8 in) Excellent condition

Poisson is an original print: a colored lithograph, hand-signed in pencil on the lower right margin. An artist's proof in excellent conditions, including passepartout: 34 x 49 cm. ...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...

Johnny FRIEDLAENDER (1912 - 1992) Horses Original handsigned etching On vellum BFK Rives 50 x 33 cm (c. 19.6 x 13 inch) Excellent condition, the sheet is slightly yellowed

Charles Pachter is one of the most collected and cherished Canadian artists. His iconic, uplifting and patriotic images have independently earned their place in the nation's museum...

Johnny FRIEDLAENDER (1912 - 1992) Fishes Original handsigned etching On vellum BFK Rives 50 x 33 cm (c. 19.6 x 13 inch) Excellent condition, the sheet is slightly yellowed

SERGIO SARONI "The frog on the box" from Portfolio "Grafica '69" Year: 1969 Medium: Etching in four colors Edition: 100 Size: 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy ...

The Lion Eating Straw Like The Ox refers to the following text...The wolf and the lamb shall feed together, and the lion shall eat straw like th...

Maurice Estève - Composition - Original Lithograph Colorful Abstraction 1969 From the art review XXe Siecle Dimensions: 32 x 24 inches Edition: G. di Sa...

Seagulls is an original lithograph realized by Giuseppe Viviani in 1962. Hand-signed on the lower right. Condition of preservation is good except for folding which affects the colo...

Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: G. Guastalla, G. Guastalla, Marino Marini. Catalogo ragionato dell'Opera grafica (Incision...

Original linen backed vintage travel poster on United Air Lines to Washington D. C. Artist: Jebary. Linen backed vintage poster. Ve...

Jean Arp - Original Lithograph 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Artist: Frank Stella Title: "Jill" Black Series (Axsom 16) Medium: Lithograph Date: 1967 Edition: 100 Dimensions: 15 X 22” Description: Framed. Series of eight lithographs on Barcham Green...

Artist: Mario Avati, French (1921 - 2009) Title: Elephant Equilibriste Year: 1969 Medium: Mezzotint, signed and numbered in pencil Edition: 35/50 Image Size: 17.5 x 24 inches Size: 2...

This vintage color lithograph on paper is after a watercolor by Marc Chagall titled Femme au bouquet de fleurs (Lady with Flower Bouquet). Signed on ...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in G...

Striking lithograph in green of fantasy creature by French artist Aristide Caillaud, 1963. Signed in pencil lower right. Original artwork on paper ...

"Mi Gato" is an original collagraph by Joseph Rozman. The artist signed, dated, and titled the artwork below the image. This artwork is the artist's proof. This artwork features an a...

Maurice Estève - Composition - Original Lithograph Colorful Abstraction 1969 From the art review XXe Siecle Dimensions: 32 x 24 inches Edition: G. di Sa...

Fishes is an original mixed colored etching realized by Nino Cordio in 1965. Hand signed and dated on the lower right margin. Artist's proof. Hand-written dedication on the lower ...