20th Century Animal Prints
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Period: 20th Century
no title / "Oiseau bleu"
Located in Köln, DE
One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...
Category
Modern 20th Century Animal Prints
Materials
Aquatint
Blue Dog "Sweetie Pie - Black" Signed Numbered Print
Located in Mount Laurel, NJ
This Blue Dog work consists of a black background. In the center of the background is a single blue dog wearing a soft pink ribbon tied into a bow around its neck. The dog has sou...
Category
Pop Art 20th Century Animal Prints
Materials
Screen
Cicada
By Jasper Johns
Located in Mount Laurel, NJ
This Johns work consists of multi-color ribbon looking strips. This original Lithograph in colors, on Arches 88 paper is guaranteed authentic and is hand signed by the artist.
Arti...
Category
Pop Art 20th Century Animal Prints
Materials
Lithograph
Chicken Noodle Soup FS II.45
By Andy Warhol
Located in Mount Laurel, NJ
This Warhol work consists of a white background with a Campbell's Chicken Noodle Soup can of red and white with the word "soup" in gold. This pop a...
Category
Pop Art 20th Century Animal Prints
Materials
Screen
Pablo Picasso - Jeu de la Cape - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Picasso
Atelier Mourlot.
Paper: Vélin.
Dimensions : 9 5/8 x 12 7/16 inches
Reference: Bloch 1015
Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art.
Early life
Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms.
Updates in style
During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time.
Russian ballet
In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...
Category
Modern 20th Century Animal Prints
Materials
Lithograph
Keith Haring Subway Drawings 1983 (exhibition catalog)
By Keith Haring
Located in NEW YORK, NY
Keith Haring New York City Subway Drawings, 1983:
Rare early exhibition catalog/pamphlet illustrated by Keith Haring on the occasion of: "Keith Haring /...
Category
Pop Art 20th Century Animal Prints
Materials
Lithograph, Offset
Guerrilla Girls Do Women Have to Be Naked To Get Into the Met Museum?
Located in NEW YORK, NY
Guerrilla Girls:
Vintage original 1989 poster for: Guerilla Girls: Do Women Have To Be Naked To Get Into the Met. Museum?
Pictured here is the much i...
Category
Feminist 20th Century Animal Prints
Materials
Screen
Basquiat Serpentine Gallery 1996 (announcement)
Located in NEW YORK, NY
Jean-Michel Basquiat Serpentine Gallery London, 1996:
Rare vintage original 1990's exhibition announcement published on the occasion of Jean-Michel Basquiat at the Serpentine Gallery Kensington Gardens...
Category
Contemporary 20th Century Animal Prints
Materials
Offset
Large Classical Bird Color Print after John James Audubon - Meadow Lark
Located in Cirencester, Gloucestershire
Classical Bird print,
after John James Audubon,
printed by Harry N. Abrams, Publishers, New York
unframed, 17 x 14 inches color print on pap...
Category
Victorian 20th Century Animal Prints
Materials
Color
Le Christ a l'Horloge, Paris
By Marc Chagall
Located in Missouri, MO
Marc Chagall
"Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196)
Color Lithograph on Arches Wove Paper
Signed in Pencil "Marc Chagall" Lower Right
Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90
*Floated in Gold Frame with Linen Matting, UV Plexiglass
Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm)
Image Size: 9 3/4 x 8 1/2 inches
Framed Size: 28.5 x 24.25 inches
Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant.
Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly.
His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused.
To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings.
After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet.
Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died.
He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work.
Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement.
Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California.
Sources:
Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985
Jack Kroll in Newsweek, April 8, 1985
Andrea Jolles in National Jewish Monthly Magazine, May 1985
Michael Gibson...
Category
Modern 20th Century Animal Prints
Materials
Lithograph
My Snakebit Heart
Located in Saint Louis, MO
My Snakebit Heart, 1993
Etching
18 x 15 inches (45.7 x 38.1 cm)
Edition 38/50
Category
Contemporary 20th Century Animal Prints
Materials
Etching
Hurry Sundown
Located in Missouri, MO
Billy Schenck (American, b. 1947)
Hurry Sundown, 1985
Edition 19/60
Serigraph
21 x 38 inches
Signed, Titled, Dated, and Numbered Lower Margin
Billy Schenck is a contemporary artist ...
Category
Pop Art 20th Century Animal Prints
Materials
Screen
1959 Israeli Avraham Ofek Leviathan Modernist Lithograph, Bull, Bezalel School
By Avraham Ofek
Located in Surfside, FL
Bright, vibrant purple, red and black bull or ox.
1959 Lithograph "Bull".
This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon K...
Category
Modern 20th Century Animal Prints
Materials
Lithograph
On Vacation
Located in New York, NY
Alfred Bendiner (1899-1964) was trained as an architect but worked as an artist throughout his career. He was a noted lithographer, as well an author, muralist, and caricaturist. The...
Category
American Modern 20th Century Animal Prints
Materials
Lithograph
The Son Also Rises
Located in New York, NY
Alfred Bendiner (1899-1964) was trained as an architect but worked as an artist throughout his career. He was a noted lithographer, as well an author, muralist, and caricaturist. The...
Category
American Modern 20th Century Animal Prints
Materials
Lithograph
Wisdom of the Orient Cat (Deluxe edition)
Located in Miami, FL
Dr. Seuss
Wisdom of the Orient Cat (Deluxe edition)Serigraph on Hand-made Japanese Paper
Deluxe Edition of 250
Image Size: 58" x 29"
Paper Size: 62” x 31”
Adapted posthumously from ...
Category
20th Century Animal Prints
Materials
Handmade Paper
Surrealist Bird - Lithograph
Located in Paris, FR
Joan MIRO (after)
Surrealist Bird
Lithograph (Printed in the Arte (Paris) workshops)
On heavy paper 76.5 x 55 cm (c. 29.9 x 21.6 in)
Edited by galerie Maeght c. 1990
Excellent cond...
Category
Abstract 20th Century Animal Prints
Materials
Lithograph
Vintage Abstract Expressionist Hyman Bloom Photo Collage Assemblage Photograph
Located in Surfside, FL
This is a unique original collage, decoupage style of Jiri Kolar, This is an exceptional artwork which was part of a collaboration between Hyman Bloom and fellow artist and his very good friend Martin Sumers. This is pencil signed by Martin Sumers.
Provenance: Acquired from the Sumers estate collection.
Hyman Bloom (March 29, 1913 – August 26, 2009) was a Latvian-born American painter. His work was influenced by his Jewish heritage and Eastern religions as well as by artists including Altdorfer, Grünewald, Caravaggio, Rembrandt, Blake, Bresdin, James Ensor and Chaim Soutine. He first came to prominence when his work was included in the 1942 Museum of Modern Art exhibition "Americans 1942 -- 18 Artists from 9 States". MoMA purchased 2 paintings from the exhibition and Time magazine singled him out as a "striking discovery" in their exhibition review.
His work was selected for both the 1948 and 1950 Venice Biennale exhibitions and his 1954 retrospective traveled from Boston's Institute of Contemporary Art to the Albright Gallery and the de Young Museum before closing out at The Whitney Museum of American Art in 1955. In a 1954 interview with Yale art professor Bernard Chaet, Willem de Kooning indicated that he and Jackson Pollock both considered Bloom to be “America’s first abstract expressionist”, a label that Bloom would disavow. Starting in the mid 1950s his work began to shift more towards works on paper and he exclusively focused on drawing throughout the 1960s, returning to painting in 1971. He continued both drawing and painting until his death in 2009 at the age of 9
Hyman Bloom (né Melamed) was born into an orthodox Jewish family in the tiny Jewish village of Brunavišķi in what is now Latvia, then part of the Russian Empire
At a young age Bloom planned to become a rabbi, but his family could not find a suitable teacher. In the eighth grade he received a scholarship to a program for gifted high school students at the Museum of Fine Arts. He attended the Boston High School of Commerce, which was near the museum. He also took art classes at the West End Community Center, a settlement house. The classes were taught by Harold Zimmerman, a student at the School of the Museum of Fine Arts, who also taught the young Jack Levine at another settlement house in Roxbury. When Bloom was fifteen, he and Levine began studying with a well-known Harvard art professor, Denman Ross, who rented a studio for the purpose and paid the boys a weekly stipend to enable them to continue their studies rather than take jobs to support their families.
He took Bloom and Levine on a field trip to the Museum of Modern Art in New York, where Bloom was impressed by the work of Rouault and Soutine and began experimenting with their expressive painting styles.
In the 1930s Bloom worked sporadically for the Public Works of Art Project and the Federal Art Project (WPA), He shared a studio in the South End with Levine and another artist, Betty Chase. It was during this period that he developed a lifelong interest in Eastern philosophy and music, and in Theosophy.
He first received national attention in 1942 when thirteen of his paintings were included in the Museum of Modern Art (MoMA) exhibition Americans 1942: 18 Artists from 9 States, curated by Dorothy Miller. MoMA purchased two of his paintings from that exhibition, and he was featured in Time magazine. The titles of his paintings in the exhibition reflect some of his recurring themes. Two were titled The Synagogue, another, Jew with the Torah; Bloom was actually criticized by one reviewer for including "stereotypical" Jewish images. He also had two paintings titled The Christmas Tree, and another titled The Chandelier, both subjects he returned to repeatedly. Another, Skeleton (c. 1936), was followed by a series of cadaver paintings in the forties, and The Fish (c. 1936) was one of many paintings and drawings of fish he created over the course of his career.
Bloom was associated at first with the growing Abstract Expressionist movement. Willem de Kooning and Jackson Pollock, who first saw Bloom's work at the MoMA exhibition, considered Bloom "the first Abstract Expressionist artist in America." In 1950 he was chosen, along with the likes of de Kooning, Pollock, and Arshile Gorky, to represent the United States at the Venice Biennale. That same year Elaine de Kooning wrote about Bloom in ARTnews, noting that in paintings such as The Harpies, his work approached total abstraction: "the whole impact is carried in the boiling action of the pigment". In 1951 Thomas B. Hess reproduced Bloom's Archaeological Treasure in his first book, Abstract Painting: Background and American Phase, along with works by Picasso, Pollock, and others. Both de Kooning and Hess remarked on Bloom's expressive paint handling, a key characteristic of Abstract Expressionist painting.
As abstract expressionism dominated the American art world, Bloom became disenchanted with it, calling it "emotional catharsis, with no intellectual basis." In addition, instead of moving to New York to pursue his career, he opted to stay in Boston. As a result he fell out of favor with critics and never achieved the kind of fame that Pollock and others did. He disliked self-promotion and never placed much value on critical acclaim.
Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of rabbis...
Category
Modern 20th Century Animal Prints
Materials
Paper, Photographic Paper
Vintage Abstract Expressionist Hyman Bloom Photo Collage Assemblage Photograph
Located in Surfside, FL
This is a unique original collage, decoupage style of Jiri Kolar, This is an exceptional artwork which was part of a collaboration between Hyman Bloom and fellow artist and his very good friend Martin Sumers. This is pencil signed by Martin Sumers.
Provenance: Acquired from the Sumers estate collection.
Hyman Bloom (March 29, 1913 – August 26, 2009) was a Latvian-born American painter. His work was influenced by his Jewish heritage and Eastern religions as well as by artists including Altdorfer, Grünewald, Caravaggio, Rembrandt, Blake, Bresdin, James Ensor and Chaim Soutine. He first came to prominence when his work was included in the 1942 Museum of Modern Art exhibition "Americans 1942 -- 18 Artists from 9 States". MoMA purchased 2 paintings from the exhibition and Time magazine singled him out as a "striking discovery" in their exhibition review.
His work was selected for both the 1948 and 1950 Venice Biennale exhibitions and his 1954 retrospective traveled from Boston's Institute of Contemporary Art to the Albright Gallery and the de Young Museum before closing out at The Whitney Museum of American Art in 1955. In a 1954 interview with Yale art professor Bernard Chaet, Willem de Kooning indicated that he and Jackson Pollock both considered Bloom to be “America’s first abstract expressionist”, a label that Bloom would disavow. Starting in the mid 1950s his work began to shift more towards works on paper and he exclusively focused on drawing throughout the 1960s, returning to painting in 1971. He continued both drawing and painting until his death in 2009 at the age of 9
Hyman Bloom (né Melamed) was born into an orthodox Jewish family in the tiny Jewish village of Brunavišķi in what is now Latvia, then part of the Russian Empire
At a young age Bloom planned to become a rabbi, but his family could not find a suitable teacher. In the eighth grade he received a scholarship to a program for gifted high school students at the Museum of Fine Arts. He attended the Boston High School of Commerce, which was near the museum. He also took art classes at the West End Community Center, a settlement house. The classes were taught by Harold Zimmerman, a student at the School of the Museum of Fine Arts, who also taught the young Jack Levine at another settlement house in Roxbury. When Bloom was fifteen, he and Levine began studying with a well-known Harvard art professor, Denman Ross, who rented a studio for the purpose and paid the boys a weekly stipend to enable them to continue their studies rather than take jobs to support their families.
He took Bloom and Levine on a field trip to the Museum of Modern Art in New York, where Bloom was impressed by the work of Rouault and Soutine and began experimenting with their expressive painting styles.
In the 1930s Bloom worked sporadically for the Public Works of Art Project and the Federal Art Project (WPA), He shared a studio in the South End with Levine and another artist, Betty Chase. It was during this period that he developed a lifelong interest in Eastern philosophy and music, and in Theosophy.
He first received national attention in 1942 when thirteen of his paintings were included in the Museum of Modern Art (MoMA) exhibition Americans 1942: 18 Artists from 9 States, curated by Dorothy Miller. MoMA purchased two of his paintings from that exhibition, and he was featured in Time magazine. The titles of his paintings in the exhibition reflect some of his recurring themes. Two were titled The Synagogue, another, Jew with the Torah; Bloom was actually criticized by one reviewer for including "stereotypical" Jewish images. He also had two paintings titled The Christmas Tree, and another titled The Chandelier, both subjects he returned to repeatedly. Another, Skeleton (c. 1936), was followed by a series of cadaver paintings in the forties, and The Fish (c. 1936) was one of many paintings and drawings of fish he created over the course of his career.
Bloom was associated at first with the growing Abstract Expressionist movement. Willem de Kooning and Jackson Pollock, who first saw Bloom's work at the MoMA exhibition, considered Bloom "the first Abstract Expressionist artist in America." In 1950 he was chosen, along with the likes of de Kooning, Pollock, and Arshile Gorky, to represent the United States at the Venice Biennale. That same year Elaine de Kooning wrote about Bloom in ARTnews, noting that in paintings such as The Harpies, his work approached total abstraction: "the whole impact is carried in the boiling action of the pigment". In 1951 Thomas B. Hess reproduced Bloom's Archaeological Treasure in his first book, Abstract Painting: Background and American Phase, along with works by Picasso, Pollock, and others. Both de Kooning and Hess remarked on Bloom's expressive paint handling, a key characteristic of Abstract Expressionist painting.
As abstract expressionism dominated the American art world, Bloom became disenchanted with it, calling it "emotional catharsis, with no intellectual basis." In addition, instead of moving to New York to pursue his career, he opted to stay in Boston. As a result he fell out of favor with critics and never achieved the kind of fame that Pollock and others did. He disliked self-promotion and never placed much value on critical acclaim.
Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of rabbis...
Category
Modern 20th Century Animal Prints
Materials
Paper, Photographic Paper
Keith Haring 1985 announcement (Keith Haring at Tony Shafarzi Leo Castelli)
Located in NEW YORK, NY
Keith Haring at Tony Shafrazi/Leo Castelli Gallery, New York, 1985:
Rare original 1980s announcement for two Keith Haring exhibitions:
Keith Haring at Tony Shafrazi Gallery, October 26...
Category
Pop Art 20th Century Animal Prints
Materials
Lithograph, Offset
Guidour (Abstract Landscape in Blue and Red) - Original lithograph
Located in Paris, FR
Maurice ESTEVE
Guidour
Original lithograph, 1963
on vellum
33 x 25 cm
REFERENCES : Catalog raisonne Prudhomme-Moestrup # 32
Excellent condition
Category
Abstract 20th Century Animal Prints
Materials
Lithograph
Mickey Mouse (II.265)
By Andy Warhol
Located in New York, NY
Screenprint on Lenox Museum Board
Edition of 200
From the "Myths" series
Signed and numbered in pencil
All regular edition prints have diamond dust
Category
Pop Art 20th Century Animal Prints
Materials
Screen
René Magritte - Indiscrete Jewelry - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
René Magritte - Indiscrete Jewelry - Original Lithograph
Dimensions: 32 x 24 cm
XXe siècle
Reference: Kaplan, Gilbert E. and Timothy Baum, 'The Graphic ...
Category
Surrealist 20th Century Animal Prints
Materials
Lithograph
American Eagle (Nest Builder III)
By Ted Blaylock
Located in Missouri, MO
Ted Blaylock (b. 1946)
"Nest Builder III" 1986
Print
Ed. 586/950
Signed and Numbered
Ted Blaylock opened his own art studio and gallery in Collinsville, IL in 1969. He eventually mo...
Category
American Realist 20th Century Animal Prints
Materials
Lithograph, Paper
Black Ants
By Ed Ruscha
Located in Santa Monica, CA
from the Insect series.
Category
Dada 20th Century Animal Prints
Materials
Printer's Ink
Untitled (Cat Nap)
Located in New York, NY
Dye coupler print
Signed and dated in ink, verso
This artwork is offered by ClampArt, located in New York City.
Jo Ann Callis is an American artist and photographer based in Los An...
Category
Other Art Style 20th Century Animal Prints
Materials
Color
Bird's Eye View
Located in Missouri, MO
Ronnie Cutrone (1948-2013)
"Bird's Eye View" c. 1980s
Color Lithograph
Ed. 222/250
Signed, Numbered and Titled
Image Size: 17 x 23.5 inches
Framed Size: approx. 24 x 30 inches.
Ronnie Cutrone, a figurehead of the Pop and Post-Pop art scenes, was Andy Warhol's assistant at the Factory atop the Decker Building from 1972-1980, and worked closely with Roy Lichtenstein, combining stylistic elements of both. Cutrone's large-scale paintings of American cartoon icons, like Mickey Mouse, Felix the Cat, and Woody Woodpecker further reinvented kitsch and popular media in terms of fine art.
Executed in fluorescent monochromatic colors with the finesse of mass-produced silkscreen and prints, Cutrone's works are the reverse of tromp-l'oeil; they use fine art media (watercolor, pastel, crayon - on high-quality paper) to celebrate, rather than hide, the artifice of their subjects. "Everything is cartoon for me", Cutrone is noted for saying, even "ancient manuscripts...
Category
Pop Art 20th Century Animal Prints
Materials
Lithograph
Illuminary - William Wegman (Colour Photography)
Located in London, GB
Illuminary - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1993
24 x 20 inches
The dogs, bewigged and bedecked with outfi...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Left to Right - William Wegman (Colour Photography)
Located in London, GB
Left to Right - William Wegman (Colour Photography)
Signed and inscribed with title
Three unique colour Polaroid prints, printed 1989
24 x 20 inches each
The dogs, bewigged and bede...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Dressed from Below - William Wegman (Colour Photography)
Located in London, GB
Dressed from Below - William Wegman (Colour Photography)
Signed and inscribed with title
Two unique colour Polaroid prints, printed 1994
24 x 20 inches each
The dogs, bewigged and b...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Towelling - William Wegman (Colour Photography)
Located in London, GB
Towelling - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1993
24 x 20 inches
The dogs, bewigged and bedecked with outfit...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Climber - William Wegman (Colour Photography)
Located in London, GB
Climber - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1991
24 x 20 inches
The dogs, bewigged and bedecked with outfits ...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Side Views - William Wegman (Colour Photography)
Located in London, GB
Side Views - William Wegman (Colour Photography)
Signed and inscribed with title
Unique black and white Polaroid print, printed 1998
24 x 20 inches
The dogs, bewigged and bedecked w...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Posed on Pedestal - William Wegman (Colour Photography)
Located in London, GB
Posed on Pedestal - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1994
24 x 20 inches
The dogs, bewigged and bedecked wit...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Primary Trio - William Wegman (Colour Photography)
Located in London, GB
Primary Trio - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1991
24 x 20 inches
The dogs, bewigged and bedecked with out...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Chair Piece - William Wegman (Colour Photography)
Located in London, GB
Chair Piece - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1991
24 x 20 inches
The dogs, bewigged and bedecked with outf...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
3 Out of Four - William Wegman (Colour Photography)
Located in London, GB
3 Out of Four - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1988
24 x 20 inches
The dogs, bewigged and bedecked with ou...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
My Coo Kie - William Wegman (Colour Photography)
Located in London, GB
My Coo Kie - William Wegman (Colour Photography)
Signed and inscribed with title
Unique colour Polaroid print, printed 1991
24 x 20 inches
The dogs, bewigged and bedecked with outfi...
Category
Conceptual 20th Century Animal Prints
Materials
Polaroid
Untitled (Princess)
Located in New York, NY
Vintage chromogenic print (negative sandwich)
(Edition of 12)
Estate stamp in black ink, verso
This artwork is offered by ClampArt, located in New York City.
“Mark was an outlaw on...
Category
Other Art Style 20th Century Animal Prints
Materials
C Print
Surrealist Abstract Lithograph Of Birds Edition 4 of 30
By Albert Tucker
Located in Houston, TX
Surrealist abstract lithograph portraying birds flying. The lithograph is Edition 4/30. Painting is signed by the artist.
Artist Biography:
Albert Tucker...
Category
Surrealist 20th Century Animal Prints
Materials
Lithograph
Herring Gulls
By Jamie Wyeth
Located in Missouri, MO
Jamie Wyeth
"Herring Gulls" 1978
Color Lithograph
Signed Lower Right
Numbered Lower Left 149/300
Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest.
One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose.
Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human."
Based on hours of study and sketching of JFK's brothers Robert and Edward -
documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion."
In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures.
James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister.
He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today.
As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program.
Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever."
Wyeth's sketch of early-morning crowds lined up outside the Supreme Court
building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest.
The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition.
Painting White House...
Category
American Modern 20th Century Animal Prints
Materials
Paper, Lithograph
Two Snowy Owls
By Roger Tory Peterson
Located in Missouri, MO
Color Lithograph
Image Size: 30 x 19 inches
Framed Size: 40.25 x 29.75 inches
Edition 392/950
Artist Signed and Numbered
Artist and naturalist Roger Tory Peterson...
Category
Naturalistic 20th Century Animal Prints
Materials
Lithograph
Space Eagles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Surrealist 20th Century Animal Prints
Materials
Paper, Etching
Morning Among the Trees
Located in West Hollywood, CA
A series of exceptional paintings and rare prints have just arrived from a private west coast private collection.
American artist Hans Burkhardt, "Morning Among the Trees", print, s...
Category
20th Century Animal Prints
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