Surrealist Animal Prints

Frederic BOUCHE Surrealist Horse and Rider Original lithograph Handsigned in pencil Numbered / 125 copies On Japan paper 65 x 50 cm (c. 26 x 20 in) Excellent condition

LEONOR FINI Les Elus De La Nuit (11B) 1986 15 x 11 Etching on Arches paper Ed. 14/31

The Stag Reflected in the Water is an artwork realized in 1974. Etching and drypoint with stencil. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the...

LEONOR FINI Cat in Striped Dress 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

The Lion Eating Straw Like The Ox refers to the following text...The wolf and the lamb shall feed together, and the lion shall eat straw like th...

LEONOR FINI Cat on a Rug 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Leonor Fini Pendant les après-midi d'automne, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Artist: Max Ernst, German (1891 - 1976) Title: Oiseaux Souterrains Year: 1975 Medium: Lithograph on Japon paper, signed and numbered in pencil Edition: 99 Image Size: 13.5 x 24.5 inc...

Aubrey Schwartz, American (1928 - 2019) - Armadillo, Year: circa 1962, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 150, Image Size: 10 x 16 inches, Size: ...

ARTIST: Salvador Dali TITLE: Rhinoceros MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Michelle Broutta, Paris EDITION NUMBER: 97/150 MEASUREMENTS: 35.4" x 25" YEAR: 1971 F...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

LEONOR FINI Cats and Hammock 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Leonor Fini Ma fortune, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

This stunning Artist's Proof is an one-off, oil hand-painted by the artist , signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the natu...

"Echoes of Return" Photography 29.5" x 20" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

"Echoes of Return" Photography 35" x 24" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Avai...

"A seagull named Jonathan" is a linocut print artwork created in 1973. The artwork is made on paper and measures 32x30 cm. Linocut is a printmaking technique in which the image is ca...

SALVADOR DALI The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 Conditions: A small tear defect has been restaured...

Francois-Xavier Lalanne (1927-2008) The pig (in french : le cochon), 2004 This extremely rare print by François Xavier Lalanne depicts a pig, more precisely a sow and her babies. It...

Salvador Dali, After, Spanish (1904 - 1989) - Owl, Year: circa 1975, Medium: Poster, Size: 20 x 12 in. (50.8 x 30.48 cm), Frame Size: 25 x 17 inches

This drypoint etching was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This etc...

Harry Bunce Love Wars Series, Fallen Limited Edition Hand Pulled Silkscreen Image Size: H 49cm x W 69.5cm x D 0.1cm Mounted Size: H 59cm x W 80cm x 0.5cm ...

A color, stone lithograph titled 'Edward' by Nura Woodson Ulreich (American, 1899–1950) stamped verso with certification of authenticity. A crisp and fresh image from 'Nura's Childre...

Max Ernst - Birds - Original Lithograph Birds, 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Aubrey Schwartz, American (1928 - 2019) - Crayfish, Year: circa 1965, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 15/100, Size: 18 x 15 in. (45.72 x 38.1 ...

Max Ernst - Elektra Lithograph 1939 Dimensions: 32 x 24 cm Signed in the plate From XXe siècle Unsigned and unumbered as issued

Marino Marini - Rider - Original Lithograph 1955 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Salvador Dali - The Rider and the Deer - Handsigned Engraving 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 3...

This limited-edition Dibond UV print belongs to Natasha Lelenco’s Fetiches series, an artistic exploration of portraiture intertwined with organic motifs. Numbered 24 of 25, each pri...

Francois-Xavier Lalanne (1927-2008) Les Spitz, 2004 Original print (etching) hand signed in pencil by François Xavier Lalanne and untitled "Les Spitz" ("The Spitz"), in perfect cond...

Francois-Xavier Lalanne (1927-2008) Le Canard, 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitle...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Aubrey Schwartz, American (1928 - 2019) - Reptiles, Year: circa 1965, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 16/100, Size: 18 x 15 in. (45.72 x 38.1 ...

Artist: Igor Galanin Title: Rabbit in Hat Date: Circa 1985 Medium: Serigraph, signed and numbered in pencil Edition: 100, AP 30 Paper Size: 40.5 x 30 in...

Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mourlot. Good Condition; never framed or matted. Notes: From the suite, Les Enfants Trouvés de Magritte, 1968. Published by A.C. Mazo et Cie, Paris; printed by Fernand Mourlot, Paris, 1968. Les Enfants Trouvés de Magritte comprised twelve coloured lithographs, four of which, Ma Mère l'Oye, Pierreries, La Belle Captive...

François Xavier lalanne l'araignée the spider lithograph circa 2003 signed in pencil lower right limited edition of 75 copies from the "ordinar...

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

ARTIST: Salvador Dali TITLE: Hamadryades Mimetiques Arborescentes MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.3" x 12.4" YEAR: 1971 FRAMED: No CO...

LEONOR FINI Cat with Flower 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

A mid-century, stone lithograph titled 'Anabel & Millicent' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. Accom...

During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) collection, he created each da...

Leonor Fini Du fil à retordre, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Max Papart Oval Dove, 1982 Carborundum Etching on embossed paper Hand signed and numbered 26/135 by the artist on the front Vintage frame included Elegant carborundum etching on embo...

LEONOR FINI Bejeweled Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Salvador DALI (after) The Blue Owl Lithograph Printed signature in the plate Printed in Matthieu workshop Edited by J. Schneider for the Dali exhibition at Galerie Orangerie in 198...

Roy De Forest Untitled (Dog), 1981 Color lithograph with deckled edges. Floated and framed. Pencil signed and numbered from the edition of 125 Frame Included: held in original vintag...

Melissa Miller Untitled (Fossil), 1998 4 color lithograph on paper Hand signed and numbered 74/100 in pencil on the lower right front 28 1/2 × 21 inches Unframed Melissa Miller’s pai...

Artist: Leonor Fini Title: La Grande Parade des Chats (The Great Parade of the Cats) Year: 1973 Medium: Color lithograph Edition: Numbered 1...

Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mourlot. Good Condition; never framed or matted. Notes: From the suite, Les Enfants Trouvés de Magritte, 1968. Published by A.C. Mazo et Cie, Paris; printed by Fernand Mourlot, Paris, 1968. Les Enfants Trouvés de Magritte comprised twelve coloured lithographs, four of which, Ma Mère l'Oye, Pierreries, La Belle Captive...

Cesar Baldaccini, French (1921 - 1998) - Centaure, Hommage a Picasso, Year: 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 99/99, Size: 11.75 x 15.75 in. (29.8...

Part of Natasha Lelenco’s Fetiches series, this high-quality limited edition Dibond UV print encapsulates the fusion of portraiture and botanical elements that defines her artistic l...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, XXe Siècle, Hommage à Dalí, 1980. Publ...

This artwork titled "Bird About to Take a Flight" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Le Caducee de Mars Alimente par la Boule de feu de Jupiter Year: 1974 Medium: Etching with embossing and color lithograph...

Martin Barooshian, American (1929 - 2022) - Peregrine Falcon, Year: circa 1979, Medium: Etching, Aquatint and Intaglio, signed, titled and numbered in pencil, Edition: 50/60, Im...

Beati pauperes...beati mites...beati is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithog...

COUPS DE TÊTE is a hand drawn, stone lithograph by the French artist Chrisitian Zeimert printed in Paris France c.1974 using hand lithography techniques on archival Rives BFK printmaking paper, 100% acid free. COUPS DE TÊTE presents a surreal, close-up portrait of a two male elk head-butting with a group of books between their opposing heads. Visible on the books spines are the names of members belonging to the 1960s Panic Movement group. Print size - 13 x 15.25 in., unframed, very good condition, pencil signed printers proof, inscribed H.C. with personal dedication to the master printer "Joseph", edition size unknown Image size - 8.25 x 10.5 in. Year - c. 1974 Christian Zeimer (1934 - 2020) was a French painter, the son of an upholsterer and designer who also worked as a salesman and Le Bon Marché. After he left the École Boulle, he learned how to engrave on jewelry. He then studied at the École nationale supérieure des arts décoratifs, where he studied under the painter Marcel Gromaire. A libertarian and anarchist, he worked alongside Fernando Arrabal, Alejandro Jodorowsky, Olivier O. Olivier, and Roland Topor and participated in the Panic Movement in the 1960s. He contributed to the newspaper Le Fou Parle and the magazine Hara-Kiri. Alongside Henri Cueco, Jacques Jouet, Hervé Le...