Surrealist Animal Prints

Martin Barooshian, American (1929 - 2022) - Albatross II, Year: circa 1979, Medium: Etching, Aquatint and Intaglio, signed in pencil, Image Size: 14.5 x 14 inches, Size: 22 x 1...

LEONOR FINI Les Elus De La Nuit (10B) 1986 15 x 11 Etching on Arches paper Ed. 14/31

Lithograph after Salvador Dali Title: S.N.C.F Blind stamped signature Dimensions: 46.5 x 34 cm Edition: 1700 Numbered in pencil 1969 References : Catalogue raisonne Michler & Lopsi...

ARTIST: Salvador Dali TITLE: Apocalyptische Reiter (Apocalyptic Rider) MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 22" x 30" YEAR: 1974 CONDITIO...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

Jean Arp - Original Lithograph 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Mirage. 1990, a / p., zinc etching, 37x56.5 cm

Artist: Max Ernst, German (1891 - 1976) Title: Monkey Pursued by an Elephant for a Flight of Hat Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 78/99 Image Siz...

Abstract surrealist lithograph of a dog wounded by an arrow. This work is from his 90th anniversary suite, the last prints Tamayo completed, before passing on. Signed and editioned a...

El Ultimo Viaje Del Buque Fantasma by Wifredo Lam, Cuban (1902–1982) Year: 1976 Lithograph, signed and numbered in pencil Edition of EA XIII/XX Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Salvador Dali - Corrida - Vintage Poster with Etching Etching made behind a menu in Restautant Duran as a tribute dinner to Salvador Dali and his wife Ga...

Katie Edwards Little Jungle Limited Edition 3 Colour Silkscreen Print Edition of 100 Mounted Size: H 40.5cm x W 30.5cm x D 0.5cm Sold Unframed (Please note that in situ images are pu...

Marino Marini - Horse and Rider - Original Lithograph 1963 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscre...

Max Ernst - Birds - Original Lithograph Birds, 1964 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscre...

Marino Marini - Knight - Original Lithograph 1967 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

"East River Dance" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the edition number, 77/275, in the lower left corner wi...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

This artwork titled "Sheet of Studies, Comparaisons: Machines and Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches pap...

This artwork titled "Ants" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland, ...

Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...

Marino Marini - Knight - Original Lithograph 1970 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Francois-Xavier Lalanne (1927-2008) Le Chat, 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitled "Le Chat" ("The Cat"), in perfect condition This rare print is a variation over one of the iconic subject of the artist. It is the print version of the sculpture "Chat qui dort" ("Cat Sleeping", in a stylistic way which recalls Pierre Le Tan...

SALVADOR DALI Le Cerf Malade from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 inch paper Refer...

"Procession (Fish)" is an original serigraph print by Ronald Osiecki. It is signed and part of a limited edition. This print depicts fish hea...

"Man's Best Friend" is an original color collograph in blue and red by Joseph Rozman. It depicts an animal in red on the right and a figure among abstract shapes in blue on the left....

Marino Marini - Horses - Original Lithograph 1951 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Max Ernst - Birds - Original Lithograph Birds, 1964 (BNF, 63) Dimensions: 32 x 24 cm Revue Art de France ax Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

This vintage color lithograph on paper is after a watercolor by Marc Chagall titled Femme au bouquet de fleurs (Lady with Flower Bouquet). Signed on ...

Marino Marini - Knight - Original Lithograph 1968 Dimensions: 32 x 48 cm From the art review XXe siècle Unsigned and unumbered as issued

Natural history - François-Xavier Lalanne Etching Numbered out of 70 and signed F.X.L. in pencil Robert and Lydie Dutrou editors 2006. Paper size: 40x33cm Work size: 16x19.5cm

This artwork titled "Insect, Simulating Seeds" from the suite "Bestiary and some Correspondences" 1968 is an original lithograph on Arches paper by renown British artist Graham Vivia...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...