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Art Subject: Nut
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Woodpeckers, Ceylonese Pygmy: A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Iyngipicus Gymnophthalamus" (Ceylonese Pygmy Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The print, which was drawn by Gould and W. Hart and lithographed by Hullmandel and Walton, depicts two striped brown and ivory-colored woodpeckers with white and black on their heads. One is perched on a tree limb with pea green-colored leaves and the other on a round rose, brown-colored fruit. Both are pecking at fruit. This beautiful Gould hand-colored woodpecker lithograph measures 21" x 14.13". There is minimal faint focal discoloration in the lower margin. It is otherwise in excellent condition. The original text page is included with a round blindstamp in the right lower corner. There are several other unframed Gould woodpecker and other bird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Angiostomatida - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...
Category

1830s Modern Animal Prints

Materials

Etching

Mike Mitchell - Yellow-Fronted Woodpecker - Contemporary Artist
Located in Asheville, NC
Mike Mitchell - Yellow-Fronted Woodpecker - Contemporary Artist Edition Details Year: 2020 Class: Art Print Status: Official Released: 05/06/20 Run: 275 Technique: Giclee Paper: Signa Smooth 300gsm Cotton Rag. Size: 8 X 10 Markings: Signed & Numbered Manufacturer: Static Medium About Artist: Mike Mitchell is an American artist known for his pop surrealism and for leading the online grassroots movement in supporting Conan O'Brien during the 2010 Tonight Show conflict. He designed the "I'm with Coco" poster, which was based on a photo, that went viral on the internet in January 2010. The poster has been widely circulated and displayed on the web and at various rallies during the 2010 Tonight Show conflict, and afterwards for O'Brien's The Legally Prohibited from Being Funny on Television Tour. He also designed a poster in response to the Deepwater Horizon oil spill...
Category

2010s Contemporary Animal Prints

Materials

Giclée

Animal Anatomy - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Animal Anatomy is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et parti...
Category

1770s Modern Figurative Prints

Materials

Etching

Anatomy of Animals - Etching by Jacques Baron - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...
Category

1770s Modern Figurative Prints

Materials

Etching

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Cats, German animal antique engraving print
Located in Melbourne, Victoria
'Katzen' (Cats) German wood-engraving, circa 1895. 240mm by 155mm (sheet)
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Monkey Isn't Thinking About You
Located in London, GB
David Shrigley Monkey Isn't Thinking About You, 2021 Digital print 70 x 50 cm Framed 90 x 70 cm unsigned Edition of 250 Published by Shrig Shop. ...
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Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...
Category

1980s Modern Animal Prints

Materials

Mezzotint

The Matador.
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category

1910s Modern Animal Prints

Materials

Drypoint, Etching

The Matador.
The Matador.
H 16 in W 20 in D 0.5 in
Greyhound
Located in Columbia, MO
Greyhound 1773-1802 Engraving 14 x 10 inches Framed: 24 x 21 inches
Category

1770s Naturalistic Animal Prints

Materials

Engraving

Cat Family
Located in Jersey City, NJ
"Cat Family", 2021, digital collage, print, cats, victorian, figurative, Digital Painting and Drawing / Animals / Surrealistic / Dark Colors / Portrait
Category

2010s Contemporary Figurative Prints

Materials

Digital

Cat Family
H 10 in W 10 in D 0.007 in
A Fierce Bull
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category

1910s Modern Animal Prints

Materials

Drypoint, Etching

A Fierce Bull
A Fierce Bull
H 16 in W 20 in D 0.5 in
The Butterfly.
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category

Early 20th Century Modern Animal Prints

Materials

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The Butterfly.
The Butterfly.
H 9.63 in W 7.88 in D 0.5 in
Hermit Crabs, German animal antique underwater crustacean engraving print
Located in Melbourne, Victoria
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Category

Late 19th Century Naturalistic Still-life Prints

Materials

Engraving

Untitled (Horses)
By Laura Owens
Located in New York, NY
Los Angeles-based artist, Laura Owens' horse prints often incorporate her characteristic style, which challenges traditional assumptions about figuration and abstraction . Her work f...
Category

Early 2000s Contemporary Figurative Prints

Materials

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I Can Still Love, coveted hand signed homemade print British Pop YBA Tracey Emin
Located in New York, NY
Tracey Emin I Can Still Love, 2012 Home made Inkjet Print 11 7/10 × 16 1/2 inches Limited Edition Edition of approx. 150 (unnumbered) Hand signed and dated 2012 with the red Emin In...
Category

2010s Contemporary Animal Prints

Materials

Handmade Paper, Pencil, Inkjet

Leonor Fini - Cats Trio - Original Hand-Signed Etching
Located in Collonge Bellerive, Geneve, CH
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1980s Modern Animal Prints

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