Susumu Kamijio

Susumu Kamijo - Comes A Time, 2022

2022

Ayako Rokkaku Gallery Delaive Editions Print B, 2021 Silkscreen in 67 colors printed on Corona Magnani paper 400 g 28 7/10 × 40 3/5 in 73 × 103 cm Editi...

Jason Boyd Kinsella Carlos, 2023 Archival Pigment Print with matte varnish overlay on Somerset Photo Satin 300gsm paper, with cut edges 31 1/2 × 27 in 80 ×...

James Ulmer Free Flow, 2022 9 Layer Handprinted silkscreen, Fedrigoni Cotton wove 350gsm acid-free paper 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 50 Publ...

Susumu Kamijo The Sinner at Dusk, 2021 Walnut wood and oil paint with a matte protective coating 11 × 8 3/10 × 13 4/5 in 27.9 × 21.1 × 35.1 cm Edition of 50 Published by Avant Arte ...

Akihiko says of his work… My body of work is an experiment in rejecting conventional views of painting, reconsidering the very act of viewing, and reassessing traditional oil painti...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Akihiko says of his work… My body of work is an experiment in rejecting conventional views of painting, reconsidering the very act of viewing, and reassessing traditional oil painti...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...