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Wassily Kandinsky
Wassily Kandinsky - Composition - Original Etching

1966

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  • Wassily Kandinsky - Horse Knight - Original Etching
    By Wassily Kandinsky
    Located in Collonge Bellerive, Geneve, CH
    Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued
    Category

    1960s Abstract Geometric Animal Prints

    Materials

    Etching

  • Wassily Kandinsky - Composition - Woodcut
    By Wassily Kandinsky
    Located in Collonge Bellerive, Geneve, CH
    Wassily Kandinsky - Composition - Original Woodcut Condition: excellent 32 x 24 cm 1959 Published by XXe siècle, San Lazzaro Printed signature (monogram) in the plate Unnumbered as i...
    Category

    1960s Abstract Geometric Animal Prints

    Materials

    Woodcut

  • Wassily Kandinsky (after) - Small World - Lithograph
    By Wassily Kandinsky
    Located in Collonge Bellerive, Geneve, CH
    Wassily Kandinsky (after) - Small World - Lithograph Conditions: excellent 32 x 24 cm 1952 From the art review XXe siècle, San Lazzaro Unsigned and unumber...
    Category

    1950s Abstract Geometric Animal Prints

    Materials

    Lithograph

  • Salvador Dali - The Rider and the Deer - Handsigned Engraving
    By Salvador Dalí­
    Located in Collonge Bellerive, Geneve, CH
    Salvador Dali - The Rider and the Deer - Handsigned Engraving 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 3...
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    1970s Surrealist Figurative Prints

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    Drypoint, Aquatint

  • Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
    By Salvador Dalí­
    Located in Collonge Bellerive, Geneve, CH
    SALVADOR DALI Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...
    Category

    1970s Surrealist Figurative Prints

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  • Leonor Fini - Magical Cat - Original Etching
    By Leonor Fini
    Located in Collonge Bellerive, Geneve, CH
    Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
    Category

    1980s Modern Animal Prints

    Materials

    Etching

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