" LOVE " 2002

Karl Lagerfeld ( 1933 -2019 ) Kaiser de la Mode ! Photograph , dessinateur , designer ... " Rupert Evrett " , magnifique litho-photographie sepia de 1997 , d'un ensemble de modèles...

Jean Cocteau ( 1889 -1963 ) "chapelle saint Pierre " . 1957 . Pièce unique . Hors commerce . 22cm certificat d'origine de Madeline-Jolly

Keith Haring . Original vintage Vinyl . 1987 , Mint Condition

Fernand Leger ( 1881 -1955 ) " La Fleur " .1952 . Lithograph in colors on wove paper Framed with museal glass : Specially created by the artist in 1952 for the XXe Siècle Cahiers d...

Dean Denney Cold Blooded 2023 Archival Pigment Print on High Quality Watercolor Paper 20 x 16 inches Edition: 40 Signed, numbered and dated by hand, lower ...

Clean & Pristine Death on Horse Archival Pigment Print on Heavy Paper 2021 16.5 x 11.75 inches Signed by hand, Stamped COA provided

Museum quality archival exhibition poster print. Dimensions: 24" x 36" sheet. Photograph © Shane Russeck Excellent condition (Brand new, never framed or displayed).

Studio Portrait: Medaglia d’Oro, 2009 Archival Pigment Print on Hahenmühle Fine Art Paper, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass 76x76cm/30x30in Edition of 5 only Certificate of Authenticity provided, Stamped and Signed by the gallery and John Reardon Archive Estate Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. This piece is part of "(after) Whistlejacket" - Contemporary Equine Photographs exhibition at MMX Gallery by John Reardon. The show explores an artistic way of photographing horses. "Racehorses, and the people in their realm, turned out to be his ideal subjects. Reardon’s eye found the elegance, power, and plaintive vulnerability of whatever settled before his camera, and the thoroughbred...