Square Prints and Multiples

Thomas W. Benton, American (1930 - 2007) - Red Landscape, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Size: 35 in. x 35 in. (88.9 cm x 88.9 cm)

"No title (No 39)" Photography Ed. of 28 36" x 36" in by Yevgeniy Repiashenko Year photo was taken: 2016 This artwork is part of "Spirit" series. The picture shows a frozen movemen...

"No title (No 22)" Photography Ed. of 28 36" x 36" in by Yevgeniy Repiashenko Year photo was taken: 2016 This artwork is part of "Spirit" series. The picture shows a frozen movemen...

Figurative etching 1 of 1. by Patricia A. Pearce (American, b. 1948). This piece was created after one of her early drawings, likely from when she was 29, as indicated by the title. ...

Heidler & Heeps Vinyl Collection Twenty-Five Piece Multi-color Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha H...

An original drypoint monotype by American female artist Kathleen Sherin.

Pink Marilyn II by BATIK Archival pigment pop art print signed & limited edition. paper size 30 x 30" inches / 76 x 76 cm signed and numbered by the artist on front edition of 15...

Artist: Derrick Adams Title: Untitled (Sheet 5) Portfolio: How I Spent My Summer 2021 Medium: Screenprint with collage Year: 2021 Edition: BAT (the good-to-print proofs, aside from t...

"Like all young animals, Lewis was a speed demon. And a mischievous little guy. He was getting into everything in the studio, completely unphased by the camera, lights, or my crew....

'B Side Recording'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vi...

Kate Night Blue by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and...

"No title (No 47)" Photography Ed. of 28 36" x 36" in by Yevgeniy Repiashenko Year photo was taken: 2016 This artwork is part of "Spirit" series. The picture shows a frozen movemen...

Kate II - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and artist...

Andy Warhol 1928–1987 Santa Claus (from the Myths series) 1981 screenprint in colors with diamond dust on Lenox Museum Board 37⅞ h × 37⅞ w in (96 × 96 cm) Signed and numbered to low...

No Title (No 44) Photography Edition of 18 47x47 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2019 Unframed - ships in a tube This picture is a part of Spirit...

A dive to be reckoned with. The last neighborhood bar in Las Vegas. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys acros...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

"Flame" Photography Edition of 18 47" x 47" inch by Yevgeniy Repiashenko Photography Year photo was taken: 2018 Unframed - ships in a tube This picture is a part of Spirit seri...

"Butterfly 14" Photography 24" x 24" in Edition 1/24 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 24" x 24" Inch Edition: 1/24 Artist proof: 2 Medium: Archival f...

No Title (No 75) Photography Edition 2/28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2022 Unframed - ships in a tube This picture is a part of Spiri...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Cape Cross, 2009 by John Reardon Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) Whistlejacket - Contemporar...

Serigraph in colors on paper. Hand signed and numbered by the artist. Edition of 295. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...

Frank Martínez (Cuba, 1972) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-230 Hand-sig...

Thomas McKnight's "Harbor View" is a limited edition poster that captures the serene beauty of a harbor scene. The artwork measures 18 x 18 inches and is part of McKnight's Mykonos I...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Edition of 20 pieces

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

Heidler & Heeps Vinyl Collection 'LTD. ED. Vinyl Ochre Pink'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

"The Tree Of Life" Photography 40" x 40" inch Ed. 9/12 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox is a fine art and fash...

Nick Knight vinyl record art 2007: Off-set print on vinyl record. Unsigned. Measure: 12 x 12 inches Excellent condition Published by Visionaire Fashion, 2...

Silkscreen, metallic ink in colors on vélin paper. Paper size: 26.5 x 26.5 inches. Inscription: Hand signed and numbered 67/100, as issued. Notes: Published by London Arts Inc., Detr...

Heidler & Heeps Vinyl Collection 'LTD. ED. Vinyl Ochre Pink'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

interStella / Quad 1 pt3 is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I ...

"Heatwave" Photography 20" x 20" inch Edition 2/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox...

TECHNICAL INFORMATION D*Face Kiss of Death Screenprint 25 1/2 x 25 1/2 in. Edition of 75 Pencil signed and numbered Accompanied with COA by Gregg Shien...

God is Love, 2014 # 22 From the Edition of 25 Screen Print in 18 colors Signed, dated and numbered Image size 64 x 64 inches Full sheet size 84 x 84 inches Measurements taken from...

No Title (No 11) Photography Edition of 28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2017 Unframed - ships in a tube This picture is a part of Spir...

A spectacular view of the sun breaking through the clouds above waves crashing on an ocean shore. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story ...

Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. Each photograph is in an edition of 40 signed dye-sublimation prints...

"No title (No 43)" Photography 32x32 in Edition of 25 by Yevgeniy Repiashenko No title (No 43) Photography Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko Year photo was tak...

Photograph from From Richard Heeps acclaimed series Ordinary Places, a 1980's vintage interior view from the kitchen sink looking out to the garden. It was Richard's first colour co...

16 x 16 - Edition 5 of 7 with 2 APs framing is an additional $265. Shot in 2013 in Amsterdam Inspired by Metsys’ Moneylenders, 1514 Photography and acting are kindred spirits in t...

‘Florist’ originally called ‘dead flowers’, was created using the flowers from my girlfriends ‘Zoom’ backgrounds over the space of several months. Usually scanned the moment she considered them to be wilted. About the series: " 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. Florist, 2020 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 60 x 60 cm / Framed: 62 x 62 cm/ 24.5 x 24.5 inches approx. Edition of 8 + 2AP About the Artist George McLeod...

Pedro Friedeberg’s screen prints are not just artworks—they're vibrant windows into a surreal, imaginative world that blends architectural prec...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...

Title: Hopi ca. 1920s Artist: Lon Megargee Medium: Block Print Size: 11 x 11 inches (Sight Measurement) Creator of Stetson's hat logo "Last Drop from his Hat" Image of Lon Megargee not included in purchase. Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Two pigment prints Edition of 7 32.1 x 32.1 cm (12.6 x 12.6 in) Each Framed: 34.6 x 67.6 x 3.8 cm, 13.6 x 13.6 x 1.5 in Signed and numbered on the back Mint Framed with Museum Acryli...

Bowie 2 Bowie 1976 by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex...

Medium: Etching Edition of 90 Year: 1977 ImageSize: 4 x 4 inches Signed, titled and numbered etching from the edition of 90. Humorous portrait of the Serpent (from Adam and Eve) on ...

Giclee on canvas signed and numbered. In good condition minor chip on the corner of the frame . Measures 30x30

Shooting Stars is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered LXXV/C (there were also 275 Arabic and 20 AP). ...

Unstretched giclee on canvas. Hand signed and numbered by the artist. Edition of 35. Image size when stretched is approx 14 x 14 inches. Unstretched canvas size is 19 x 19 inches. ...

70x70cm, print on canvas Edition 20 pcs.

Bob and Roberta Smith Art Makes Children Powerful, 2022 Silkscreen print on paper hand-signed and numbered by the artist 52 x 52 cm Edition of 50 Bob ...

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist. Edition 2 of 5. In this new series of paintings, Moore explores themes ...

70x70cm, print on canvas Edition 20 pcs.