Square Prints and Multiples

Artist: Victor Vasarely Title: Profound Works VII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Julian Stanczak Blue Op Art Screen Print screenprint Pencil signed (lower right) edition numbered 20/165, measures 28" x 28". Black frame under Plexiglas. Julian Stanczak American/Polish, 1928-2017. Julian Stanczak explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian Suprematism...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

"Stone" Black & White Photography 31" x 31" in Edition 2/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

A green and gray composition that features a more dimensional rendition of Albers’ famous “Homage to the Square” series. The exterior ring of dark green flanks a window of gray befor...

Edition of 20 pieces

Andy Warhol Marilyn Monroe (Pink), 2022 Acrylic-printed Marilyn lined with pink and yellow neon LED artwork with energy-efficient tubing, full board backing Box is plate signed; acco...

The artwork is print on silk and it is limited edition. Our theater of culinary extravaganza and everyday vaudeville. The worst thing is when you don’t know what's funniest to you t...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant II" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited edi...

Edition of 20 pieces

Hand signed and numbered by the artist. Specimen no 54/200. Very good conditions.

'Unalloyed' - Screen Print by Prefab77 Size 24.25 x 24.25 inches / / 61,6 x 61,6 cm Published on 21st of June 2017 Edition of 25 5 Color Screen Print on Fabriano 250gsm cotton paper...

"Aerial 2" Black & White Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

Bats in the Belfry is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 135/275 (there were also 100 Roman and 20 A...

70x70cm, print on canvas Edition 20 pcs.

ANDY WARHOL (1928-1987) This Andy Warhol 1964 'Liz' is an offset lithograph in colors, on wove paper, signed and dated '65' in ball-point pen, from the ed...

Charles Hinman On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...

Edition of 35, sold unframed. This print is part of the ‘Berkeley:Suite’ series, which includes various layered combinations of McArthur Binion’s 1970s self-portrait, a snapshot of...

Garden Blackcap by Kate Heiss [2021] limited_edition Linocut Edition number 30 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:0.5cm Sold Unframe...

Grow Up Fuck this Shit - Riso Edition, 2020 2 Colour Risograph on Echo Recycled white 200gsm Paper Signed and numbered by the artist 25.4cm x 25.4cm Edition of 100 Grow Up is a Brit...

110 hours, 10 minutes, and 33 seconds into the mission: Buzz Aldrin takes a moment from the busy timeline to salute the American flag, a familiar splash of...

Christo The Umbrellas (Yellow) (FRAMED - either black or white frame - you choose) Lithoserigraph Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches Framed: 20.5 x 20.5 x 2.5 inches ...

An invitation to "Andy Warhol: A Print Retrospective 1963-1981" held at the Leo Castelli Gallery in New York City, printed with the iconic image of Marilyn Monroe. Published by Caste...

Boris Viskin (Mexico, 1960) Untitled from 'El exilio de los sentidos', 2004 engraving on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: VIS1662-001 Han...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

Futuristic Seashore Dream House is a digital pigment print on paper, image size 30 x 30 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and an...

50x50cm, print on canvas Edition 20 pcs.

Manufacturer: 1xRUN Edition Details: Year: 2021 Class: Art Print Run: 175 Technique: Giclee Paper: Perforated Blotter Size: 7.5 X 7.5 Markings: Signed & Numbered by the artist in pe...

Edition of 20 pieces

Christine Ravaux created Deux Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted w...

Chair, from Richard Heeps 'Ordinary Places', a series capturing Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition ...

"Somebody is trying to take your rhythm but not know your blues" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 21"h x 21"w framed and is s...

Artist: Keith Haring Title: Apocalypse 8 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: of 90 Year: 1988 Notes: Hand-signed by artis...

In All Privacy is a digital pigment print on paper, image size 20 x 20 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotated lower lef...

BASF Luran mounted on aluminum. Hand signed lower front by Victor Vasarely; Signed, titled, dated and numbered on label to verso. From the edition of 8. Additional images availa...

„Desert Moon“ by Cryptik Embossed Gold Foil Stamping on 350 GSM Epic Black Cover Size 40 × 40 cm Signed and numbered (57/150), in pencil along lower edge ...

Jennifer Bartlett 6 p.m. from Air: 24 Hours, 1994 Drypoint 19 x 19 inches Edition of 65 Unframed

Cherry Kate - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and ...

This piece is unframed.

Paper Size: 26 x 26 inches ( 66.04 x 66.04 cm ) Image Size: 24.75 x 24.75 inches ( 62.865 x 62.865 cm ) Framed: No Condition: A: Mint Additional Details: Special edition poster from...

Ed Ruscha Domestic Tranquility: Rare 1970s Ed Ruscha announcement card published by Castelli Graphics, New York on occasion of the release of Ruscha’s "Domestic Tranquility" suite. ...

Basquiat Beat Bop 2014 (Basquiat record art): 30th anniversary pressing of Basquiat's historic Beat Bop vinyl record (1983), featuring Jean Michel's signature cover art and producti...

Hand embellished by Zedsy with spray paint. “Animals” in yellow spray paint in background. Limited edition of only 10 Artist Proof (AP). Signed by Zedsy on bottom right with Artist S...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

Rock and Roll II is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 232/275 (there were also 100 Roman and 20 AP). F...

"Venus Goes Swimming" Photography 18" x 18" inch Edition 1/15 by Brendan North Available sizes: Edition of 15: 18" x 18" inch Edition of 7: 30" x 30" inch Edition of 3: 40" x 40" i...

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

Printed on high gloss paper, mounted to acid free foamcore Edition of 2 of 10 Three sizes 12x12 16x16 20x20 Made to Order Comes with Certificate of Authenticity Elusive New York ...

Color sugarlift aquatint and drypoint. Edition of 35

Josef Levi, American (1938 - ) - Karen, Year: 1972, Medium: Screenprint, signed and numbered in pencil, Edition: 18/135, Size: 16.5 x 16.25 in. (41.91 x 41.28 cm), Frame Size: 18.75 ...

Landscape , 60x60cm, print on canvas Edition 20 pcs.

The artwork will be sent unframed Linocut „Dawn” 2023 Linocut print technique Art print from 7 matrices Limited edition, print unique number 2/8 Paper Fabriano Rosaspina 220 g Prin...

"Rolled Wrongly - Portfolio 1, Folder 18, Image 2 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972 and was previously titled "Falsch Gerickelt". This ...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

Medium: screenprint in black on a transparent plastic sheet (after the drawing). Printed in Switzerland in 1970 on a flexible, clear mylar sheet. Size: 10 1/2 x 10 1/2 inches (267 x ...

Anne Youkeles Gemini, ca. 1969 Three-dimensional silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the edition of 1...

Edition of 50 The Françoise Nielly limited editions are available as pigment prints on aluminium: durable and colourfast hi-definition images with a ...