Square Prints and Multiples

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

Kate II - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and artist...

Male nude linocut, from the series "The Sensual Line" comprised of 4 male and 4 female images. Reyes attended The School of the Art Institute of Chicago, where he received a Bachel...

INVADER - RUBIK COUNTRY LIFE Date of creation: 2023 Medium: Diasec-mounted Giclée on aluminium composite panel Edition: 431 Size: 100 x 100 cm Condition: Brand new, in mint condition...

Selected from the Derujinsky: Around The World Portfolio, shot at the Grand Palace in Thailand for Harper's Bazaar Artist: Gleb Derujinsky Title: Fragrant Harbor Year: 1957 Estat...

Heidler and Heeps Vinyl Collection 7" B Side Compilation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerisi...

Edition 5 Pink panther with dog JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British...

Screen print square, inscribed 'Vasarely' at bottom, hung diagonally, sides of the square 23 1/2 x 23 1/2 (59.5 x 59.5); as hung, 33 x 33 (84 x 84). VICTOR VASARELY (1908-1997) In...

Banksy (after) Walled Off Hotel Boxed Set Assemblage, 2018 Mixed Media assemblage: unique piece of concrete/cement wall with framed lithograph. Accompanied by original embossed rece...

Pink Marilyn II by BATIK Archival pigment pop art print signed & limited edition. paper size 30 x 30" inches / 76 x 76 cm signed and numbered by the artist on front edition of 15...

No title (No 5) Ballet Photography 47" x 47" in Ed of 18 by Yevgeniy Repiashenko No title (No 5) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture si...

Set of four screenprints by Mel Bochner, Barry LeVa, Sol LeWitt, and Robert Mangold. Sol Lewitt's tight crosshatching over teal, Mel Bochner's tessellated blue houses, Barry Le Va's...

Grow Up Fuck this Shit - Riso Edition, 2020 2 Colour Risograph on Echo Recycled white 200gsm Paper Signed and numbered by the artist 25.4cm x 25.4cm Edition of 100 Grow Up is a Brit...

Flowarh$, Archival Paper with dimensions of 24 x 24 in. 6-color screenprint Edition of 93 Signed and thumb printed by the Artist Pop art would not exist without the iconic Andy War...

large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 48 x 48 inches (122 x 122c...

Selected from the Derujinsky: Around The World Portfolio, Temple of Dawn Bangkok, for Harper's Bazaar Artist: Gleb Derujinsky Title: Grand Palace Thaila...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Title: Spotted Leopard and Iris Year: 1981 Medium: Serigraph, signed and num...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 473 100 x 100 cm (39.4 x 39.4 in) Signed on the front Mint. Sold in...

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print presentic an intricate scene on a lake with swans, pegasuses, ball...

ABOUT THIS PIECE: The cat is a photographic series shot in Milan for Vogue Bambini in January 2016. ABOUT THIS ARTIST: Carolina Mizrahi creates fantasy ...

"SS (Masks We Wear)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking...

DONALD SULTAN RED POPPIES Artist: Donald Sultan Title: Red Poppies Portfolio: 2018 Four Poppies Medium: Color silkscreen with enamel inks, f...

PURE EVIL - RICHARD BURTON'S NIGHTMARE Date of creation: 2020 Medium: Hand finished screen print on paper Edition: 1 Size: 26 x 26 cm Condition: In mint conditions, brand new and nev...

A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...

Artist: Josef Albers (German-American, 1888-1976) Title: "Arrived" Portfolio: Soft Edge - Hard Edge *Signed and dated by Albers in pencil lower right ...

Edition 5 Richie Rich as King JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British s...

Shan Fannin’s 1967 Volkswagen Samba/Kombi Bus is an unframed limited edition giclée print on 230 gsm premium archival matte paper measuring 28 x 28 in (71.12 x 71.12 cm); image size ...

Selected from the Derujinsky: Around The World Portfolio, shot in The Garden Of Buddhas, Aythutthaya in Thailand, for Harper's Bazaar Artist: Gleb Derujinsky Title: Garden Of Buddh...

Artist: Henri Matisse (after) Title: L'escargot Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 10 1/2...

still life , 70x70cm, print on canvas Edition 20 pcs.

Offset lithograph in colors on smooth wove paper. Hand signed lower right by Takashi Murakami. Hand numbered 279/300 lower right. Published by Kaikai Kiki Co., Ltd., Tokyo. Artwo...

All Rights Reserved, a pink and purple ombre with a blue centre artwork in the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidl...

Rare Limited Edition Serigraph of John Lennon's "Suitors" originally drawn in 1976, this limited edition was released by Bag One Arts (The Lennon Estate) in 1992 and has been sold o...

Marilyn Monroe Turquoise Red No. 43 by BATIK Archival pigment pop art print signed & limited edition. paper size 30 x 30" inches / 76 x 76 cm signed and numbered by the artist on ...

Portrait of a woman , 70x70cm, print on canvas Edition 20 pcs.

No title (No 78) Ballet Photography 47 x 47 in Ed of 18 by Yevgeniy Repiashenko No title (No 78) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture si...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

This woodcut print on paper evokes the peacefulness of looking across a stream towards a thicket of trees in a forest in shades of light grass green, yellow, sky blue and dark violet...

Edition 5 Portrait of Pink Panther in Basquiat Style JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a dist...

Guardian, 2024 60 x 60 cm edition of 1601 hand-signed and numbered by the artist Understanding the print... see image 4. 01 · Sunflower seeds Used in ceramic form by Weiwei for his ...

Digital Print Anna Song is Korean artist & picture book author born in 1984 who lives and works in Seoul, South Korea. In 2007, she won the Korean Andersen Award for Excellence in P...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Holger Zimmermann King of Cool (Steve McQueen, Nostalgia, Pop Art, Collage, 50s, 60s, 70s, Warhol, Wesselmann, Lichtenstein) Giclée on Hahnemühle Velvet 2023 Size: 19.7x19.7in on 24x...

Cash Cow is a lithograph on paper, 7.5 x 9" image size. From the edition of 395, numbered XXXVIII/C (there were also 275 arabic and 20 AP). Robert Deyber...

"Galumlee Beach Tree Taean Chungcheongnamdo South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is ma...

Sandra Cohen’s “Keening” is a surreal portrait of intense grief. This limited edition print is a 16 x 16 inch image printed with archival pigment ink and set with a white border on 1...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Ter-Ur Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: From the edition of 250 Image Size: 24.5...

Natvar Bhavsar Untitled mid 1960s abstraction, 1967 Silkscreen Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front Frame included: Elegantly framed in a museum qua...

Artist: Damien Hirst Title: Norcamphor from “40 Woodcut Spots" Year: 2011 Medium: Woodcut on 410gsm Somerset White Paper Edition: 43/55; signed (recto) and numbered (verso) in penci...

Jean-Michel Basquiat The Offs 1984: "The Offs: First Record" original first printing, 1984, featuring original offset artwork by Jean-Michel Basquiat. Difficult to find in good condi...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...

No title (No 15) Ballet Photography 47 x 47 in Ed of 18 by Yevgeniy Repiashenko No title (No 15) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture si...

"Fish Washing Tank, Sunjeongmaeul Go-Heung Jeollanam-do South Korea, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna....

Heidler & Heeps B Side Pop of Pink Nine Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmeri...

Edition 5 Dagobert Duck is selling magazines JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and ...

Offset print with cold stamp Edition 39 of 300 60 x 60 cm (23.6 x 23.6 in) Signed and numbered on the front Mint. Minor imperfections may appear due to the production process