Caryophyllus Flore (Carnations)

View Similar Items

Dionisios Fragias - Color-Blast Bouquet

Anthony Cardon - “Innocent Captivation Amusement Pastorale”

Rijkelijkhuysen, Hermanus Jan Hendrik - “Returning Home”

Louis Marin Bonnet - “Les Revers de la Fortune”

Fernand Cormon - "The Temptation of Saint Anthony " Etching, Signed

Henry Fletcher - View of Fountain Court, Middle Temple, City of London

Balthasar Friedrich Leizelt - The Quebec and the Surveillante [an animated naval battle scene]

Edward Topham - Union - Whom --- Has Join'd, Let No Man put Asunder!

MANETTI, Saverio. - Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving

John Taylor Arms - A Hong Kong Canal Boat

Katie Eleanor - Dear One Threads A Cocoon - Unique Hand-coloured Print in Walnut frame

Katie Eleanor - Cleansing A Shrike/ Blackbird's Bath - Hand coloured Print in Walnut frame

1 of 6

Basilius Besler
Caryophyllus Flore (Carnations)
1613

Name: Caryophyllus Flore (Carnations)
Brand: Basilius Besler
Rating: 5 (11 reviews)

About the Item

This image would pair well with Besler's "Caryophyllus Major" which is also listed. BASIL BESLER (1561 – 1629). Hortus Eystettensis. Konrad Bauer. Altdorf, 1613, 1640, 1713 – 50. Copper plate engravings with modern hand-color 374 plates. 21 ¼” to 21 ½” x 16” to 18”. Hortus Eystettensis is without doubt one of the greatest flower books ever produced in any country. The first great florilegium, it is a landmark work in size and scope documenting pre-Linnaean botanical classification. The splendid stylization and aesthetics make it one of the most powerful botanical works ever produced. Basil Besler, an apothecary of Nuremberg and botanist who managed the garden of Bishop Johann Conrad in Eichstatt, Germany, used it as an encyclopedic resource as the basis for Hortus Eystettensis, observing and depicting over a thousand flowers, representing 667 species. The Bishop's remarkable garden was one of the most extensive in Europe, containing a huge variety of European shrubs and flowering plants, as well as exotic specimens from Asia and the Americas. He endeavored to collect the new and exotic specimens arriving from far away lands. With the Bishop's patronage, Besler worked both as artist and publisher, directing a team of ten artists and engravers in creating 374 plates over a period of 16 years. Horticultural rather than botanical, it is the earliest pictorial record of flowers in a single garden. Summer, Fall, Winter, and Spring each have their own sections. An unparalleled achievement! As the first large folio botanical, the plates depict over 1000 flowers, many of them exotics appearing for the first time. It would be decades before living examples of certain species were to be seen again. The Bishops’ Eden fell into disrepair after his death and with the outbreak of the Thrity Years War suffered complete neglect. By 1633 the magnificent gardens had ceased to exist. But they would not be forgotten. Besler’s original drawings (most of which are housed in the University Library, Erlangen) took sixteen years to complete. Besler supervised a team of painters and engravers including Domenicus & Raphael Custos, Wolfgang Kilian (stepson of Domenicus), Levin & Friedrich von Huisen, Peter Ilelburch, Johann Leopold, Servaes Raeven, Heinrich Ulrich Heronimus Lederer, et al. This unparalleled group worked between 1608 and 1612 when the last plates went to the printer. The Bishop died on the 2nd of November 1612. Up to that time Besler had received 7500 gold coins in payment. Printed in 1613, only three hundred copies were issued. However, the extensive information and generous depictions would be republished for over a century. For many years it was believed the copper plates on which they were engraved survived until 1817, when they were melted down by the Royal Mint in Munich. However, in 1998, during a reorganization of storage in Vienna’s Albertina Graphic Collection, 329 of the original plates were found. The whereabouts of the remainder remains a mystery. One hundred and fifty years before Linnaeus created his thorough system of classification, Besler's great florilegium represented an impressive early attempt to classify plants for the benefit of botanists, doctors and apothecaries. Each plant is given a distinct and often descriptive Latin title, and related species are grouped together on the same plate, or over a series of plates. Almost all specimens are shown complete and accurately colored including delineations of their root systems. There were under one dozen copies colored at the time of publication probably for royal or wealthy patrons. Several happily survive in museums and libraries. Today we use them as a basis for coloring. While Besler's work is obviously motivated by a scientific impulse to document and describe a remarkable collection of species, the beautiful presentation and dramatic stylization of the illustrations also convey a sense of the visual grandeur of the Bishop's great garden. By 1633 the famous garden had become a vegetable plot. Ultimately, this renowned botanical achievement would be plowed under and lost for all time. All the more reason to revere Besler's dramatic endeavor. Each specimen is placed on the page with an artist's understanding of formal and spatial relations. Most notable, the stylized depiction of foliage and root systems betrays a lively baroque sensibility, as the plants seem to dance across the page. The Besler "Florilegium" will hold forever in time a magnificent era of horticulture. Reference: Hortus Eystettensis: The Bishop’s Garden & Besler’s Magnificent Book. Abrams. NY, 1994. The Besler Florilegium: Plants of the Four Seasons. Abrams. NY, 1987.

Creator:
Basilius Besler (1561 - 1629, German)
Creation Year:
1613
Dimensions:
Height: 33.5 in (85.09 cm)Width: 29.5 in (74.93 cm)Depth: 1.25 in (3.18 cm)
Medium:
Archival Paper,Archival Tape,Handmade Paper,Laid Paper,Plexiglass,Rag Paper,Watercolor
Movement & Style:
Academic
Period:
18th Century and Earlier
Condition:
Clean, crisp image. Full margins. Beautiful hand-coloring. Matting has hand-drawn French lines with wash of color, gold papers, hand-colored bevel.
Gallery Location:
Florham Park, NJ
Reference Number:
Seller: 2.18.151stDibs: LU652248782

2010s Abstract Abstract Prints

Materials

Archival Tape, Archival Ink, Archival Paper, Color, Archival Pigment

Dionisios Fragias
Color-Blast Bouquet, 2021

Price Upon Request

“Innocent Captivation Amusement Pastorale”

By Anthony Cardon

Located in Southampton, NY

Original stipple engraving on a verge type of hand laid paper. The overall size of the engraving is 15.75 inches by 12.75 inches The image size of the engraving is 14 inches by 12 i...

Category

Early 1800s Academic Figurative Prints

Materials

Engraving, Laid Paper

Anthony Cardon
“Innocent Captivation Amusement Pastorale”, 1801

$950 Sale Price

36% Off

“Returning Home”

By Hermanus Jan Hendrik Rijkelijkhuysen

Located in Southampton, NY

Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector. Biography: Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...

Category

1870s Academic Landscape Prints

Materials

Laid Paper, Etching

“Returning Home”, Circa 1875

$520 Sale Price

20% Off

“Les Revers de la Fortune”

Located in Southampton, NY

Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...

Category

1780s Academic Interior Prints

Materials

Laid Paper, Engraving

Louis Marin Bonnet
“Les Revers de la Fortune”, Circa 1785

$760 Sale Price

20% Off

"The Temptation of Saint Anthony " Etching, Signed

By Fernand Cormon

Located in Milwaukee, WI

"The Temptation of Saint Anthony" is an original etching by Fernand Cormon. This piece has the artist's stamp. The piece is signed in pencil by the artis...

Category

1890s Academic Figurative Prints

Materials

Etching, Paper, Ink, Laid Paper

Fernand Cormon
"The Temptation of Saint Anthony " Etching, Signed, circa 1890

$26,100

The Quebec and the Surveillante [an animated naval battle scene]

Located in Middletown, NY

Engraving with extensive handcoloring, on laid paper with a Fleur de Lys watermark, with margins. Plate 11 13/16 x 15 3/4 (300 x 400 mm); Sheet: 12 1/2 x 16 3/8 inches (317 x 415 mm)...

Category