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Bruce RickerPrimordial Splendor2000
2000
About the Item
Primordial Splendor is a serigraph on paper with an image size 30.25 x 30.25 inches, signed 'Ricker' lower right and annotated lower left. From the edition of 500, numbered 161/200 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 AP on canvas). Framed in a contemporary black moulding.
Bruce Ricker is known for his fine brushstroke and exacting attention to detail – it takes him approximately one month to complete a single painting, lending his creations a rare and unique aura.
Growing up in Carmel Valley, California in the 1950s, Ricker spent his leisure time communing with the forests, hills and canyons of rural Northern California. As a developing artist, he embarked on a cathartic quest to explore artistically “the chaotic randomness of nature” by creating a dream-like vision of holistic balance in the universe, and a pioneering painting style which he calls ‘Epic Visionary.’
In this world between art and science, chaos and order, the real and the imaginary, we find the life affirming balance of Primordial Splendor. Ricker’s gift for the deeply analytical translates to his ‘canvas’ with Zen-like intuition, as the minute details seen in the evergreen trees, prairie grasses and rock formations unite to form a work of startling depth. His intuitive use of the very colors found in nature, layered upon his own unique variations of those colors, enables Ricker to take a subject as ordinary as a mountain stream and give it the power to leap off the canvas and challenge our senses.
Martin Lawrence Galleries is an affiliate of Chalk & Vermilion Fine Arts, the original publisher of this print. This print is as new, with no prior ownership.
- Creator:Bruce Ricker (1945, American)
- Creation Year:2000
- Dimensions:Height: 43 in (109.22 cm)Width: 42.5 in (107.95 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenwich, CT
- Reference Number:Seller: 3901stDibs: LU2664213651072
Bruce Ricker redefines landscape art. Using an epic visionary approach, he combines an educated understanding with a lucid imagination. The results are delightful, unexpected, satisfying, and unique. Born in Columbus, Ohio in 1945, he grew up in Carmel Valley, California in the 1950s, with almost no exposure to television or city life, instead, he spent his leisure time roaming the hills and redwood canyons of rural California. In the early 1960s, he joined the Navy and became a hospital corpsman in Vietnam at the age of 17. When he returned from his service, he studied art at San Francisco State University, however, he left after two years, dissatisfied with a program that seemed to be only an indoctrination in the “proper” ideas about art. Ricker later enrolled in the U.C. Berkeley School of Architecture. Although he benefited from this discipline, he thought he had “too many curves” in him to stick to the straight path of architecture as a career. In the mid-1970s, he began painting seriously and selling his artwork to an increasingly wide audience. “I’m trying,” says Bruce Ricker, “to do the same thing George Lucas does in his movies.” That would be to create a new universe, or at least a new way of seeing what is already here. In doing so, the artist, film director, writer and actor must chart new territory which, when you think about it, is what creative life is all about. “Someone like Lucas,” continues Ricker, “must ask himself, ‘How can I present a city unlike any ever seen before?’ I ask myself this same question before I paint. I am very aware of the standard way of looking at things – the cliché – any my work is all about not falling into that trap.” Over his thirty years as a professional artist, and even longer as a lover of the land, Bruce Ricker’s motifs have become notable for their sharp detail and articulate precision. He prefers to find uncharted territory that’s rich and beautiful… and unexpected, to “give people a view they haven’t seen before. In dreams and in life, nothing is impossible.” (Victor Forbes, Fine Art, 2002)
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