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Carlos Cruz-DiezCarlos Cruz-Diez (1923-2019) - Color serigraphy on Arches paper - 19901990
1990
About the Item
Coloured serigraphy on Arches paper, edited in 1990
Limited edition of XX copies , numbered as P.A VII/XX (Artist's proof) in lower left corner.
Hand-signed by artist in pencil in the lower right corner.
Paper size: 55,6 x 75,4 cm
Excellent conditions.
A regular certificate of authenticity and publication will be included.
We offer professional packaging and tracked shipping with DHL Express courier ,
( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries ) Shipping costs are included.
- Creator:Carlos Cruz-Diez (1923)
- Creation Year:1990
- Dimensions:Height: 21.89 in (55.6 cm)Width: 29.69 in (75.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Varese, IT
- Reference Number:1stDibs: LU1938216147212
Carlos Cruz-Diez
For Venezuelan artist Carlos Cruz-Diez (1923–2019), color was a dazzling, transient effect, which he attempted to capture on canvas and in light installations. The striking compositions he produced over his seven-decade career made him one of Latin America’s greatest postwar artists and a leading figure in the Op art movement.
“I don’t make paintings, nor sculptures. I make platforms for occurrences,” Cruz-Diez once said. “They are platforms where color is being produced, dissolved, generated in a perpetual instant. In it, there’s no notion of past nor future. In it is the notion of the present moment, just like life.”
Building on the chromatic explorations of Sir Isaac Newton, George Seurat and Josef Albers, he created striking paintings comprising lines of contrasting hues that appear to shimmer. He called these works physichromies.
Later in his career, Cruz-Diez shifted his explorations from paint to light. His “chromosaturations” are immersive environments consisting of three chambers, each flooded with a different-color light, which disoriented visitors and altered their perception. He also translated his chromatic illusions to public spaces, like the floor he created at the Simón Bolívar International Airport, near Caracas, and a pedestrian crossing outside the Broad Museum, in Los Angeles.
Cruz-Diez was a successful graphic designer as well, working for artist-clients like Roy Lichtenstein and Robert Rauschenberg. Across all these mediums, his work had the same boldness and immersive quality, engaging the viewer’s eyes, body and mind.
Browse Carlos Cruz-Diez's prints, sculptures and other art on 1stDibs.
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