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Walasse Ting
Green Cat, etching and aquatint, pencil signed & numbered, rarely seen in market

1984

$3,500
£2,598.56
€3,028.04
CA$4,859.13
A$5,435.24
CHF 2,828.53
MX$66,909.69
NOK 35,984.79
SEK 33,760.83
DKK 22,592.21
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About the Item

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's personal stamp (in Chinese) and publishers' blind stamp Published by Stamperia d’Arte 2RC 29 × 23 1/2 inches Accompanied by gallery issued Certificate of Guarantee Unframed Pencil signed, numbered 178/230, dated 1984 along with artist's personal stamp and publishers' blind stamp Published by Stamperia d’Arte 2RC , founded in Rome in 1959, and then relocated to New York in the 1970s. (bears the publisher's distinctive blind stamp recto) Walasse Ting (1928–2010) was one of the most radical and independent artists of his time. His work fused the traditions of Chinese art with the joy of the Northern European COBRA movement, and combined the electric colors of Pop Art with the kinesthetic power of Abstract Expressionism. Until now, recognition of Ting’s art historical legacy in the West has primarily been limited to his artist’s book, 1¢ Life (1964), a folio conceived by Ting and edited by Sam Francis, which featured work by 27 of Ting’s artist friends, including Roy Lichtenstein, Asger Jorn, Allan Kaprow, Kiki Kogelnik, Joan Mitchell, Robert Rauschenberg, Claes Oldenburg and Andy Warhol. Walasse Ting was a Chinese-American visual artist and poet, garnering critical praise and a popular following for his colorful works blending Eastern and Western style. Born in 1929 in Wuxi, China, Walasse briefly attended the Shanghai Art Academy, but always considered himself to be self-taught, learning to draw with chalk on the street at a young age. In 1952, he immigrated to Paris and became associated with the avant-garde group COBRA. In 1958, he settled in New York during the height of the Abstract Expressionist and Pop Art movements. His work began to transition from black and white abstractions reminiscent of Zao Wou-ki, to boldly colored figurative works blending calligraphic brushstrokes with splatters, splashes, and bright fields of color. His widely collected series of female nudes exemplify his embrace of this decidedly Western, vivid coloration. He befriended Sam Francis, who helped publish 1 Cent Life (1964), a book of Walasse”s poetry illustrated by artists, Andy Warhol, and Francis, among others. Walasse was awarded the Guggenheim Fellowship Award for drawing in 1970. Toward the end of his life, Walasse split his time between New York and Amsterdam. His works can be found in many museum collections including the Metropolitan Museum of Art, the Guggenheim, the Tate Modern, and Centre Pompidou. Walasse Ting died in 2010 in New York.

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