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Damien HirstDamien Hirst, Spot Supreme Skateboard Deck (Set of 5), 20092009
2009
$12,214.90
£9,000
€10,507.27
CA$17,106.36
A$18,760.42
CHF 9,719.78
MX$225,421.14
NOK 122,354.85
SEK 114,833.52
DKK 78,499.07
About the Item
Damien Hirst, Spot Supreme Skateboard Deck (Set of 5), 2009
Offset lithograph on wood
80 x 23 cm (31x 7.75 in)
Edition of 500 produced in collaboration with Supreme, New York
Supreme logo and printed artist signature on reverse
This complete set of five Damien Hirst skateboard decks was released in 2009 in collaboration with the streetwear brand Supreme. Each deck features Hirst’s signature spot painting motif, a hallmark of his practice since the 1980s.
The collaboration has become one of the most coveted crossovers between contemporary art and street culture, bridging Hirst’s fine art presence with Supreme’s global influence. Complete sets are increasingly rare on the secondary market and sought after by collectors of both art and Supreme ephemera.
- Creator:Damien Hirst (1965, British)
- Creation Year:2009
- Dimensions:Height: 31.01 in (78.74 cm)Width: 8.01 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Manchester, GB
- Reference Number:1stDibs: LU2261216886422
Damien Hirst
British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics” in his paintings, prints, sculptures and other works.
In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God.
Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with "The Cure (Violet)" and "The Cure (Turquoise)," both from 2014, which are among several pill paintings referencing Andy Warhol’s embrace of mass production.
Belonging to Hirst's ongoing series of “spot” paintings, begun in the 1980s, the 2005 piece Xylene Cyanol Dye Solution is striking for its machinelike, industrial uniformity and almost childlike simplicity, a seeming rebuke to the idea of the artist-as-genius.
In addition to making art, Hirst has launched stores that sell editioned works (Other Criteria), a restaurant (Pharmacy2) and even his own London museum (Newport Street Gallery).
Find original Damien Hirst paintings, prints and other works on 1stDibs.
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