Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Achille Parboni
View of Taranto - Etching by Achille Parboni - 1843

1843

About the Item

Image dimensions: 11.5 x 14.7 cm Vie of Taranto is an original black and white etching on paper, realized by the Italian engraver Achille Parboni. Printed as a plate of the prints suite "90 Views of the cities and Kindom of Naples" in 1843. At the top left margin the printed inscription: "ITALY"; top center: "Naples"; top right: "TAV. LXVI"; bottom center: "Taranto"; bottom right: "A. Parboni inc.". An incredible testimony of the Kingdom of Naples, and particularly a landscape on the Taranto's port. A copy of this print is preserved at the Central Museum of the Risorgimento in Rome. In excellent condition, with lifetime impression, full margins, including a white cardboard passepartout, cm 34 x 49.
  • Creator:
    Achille Parboni (1790 - 1850)
  • Creation Year:
    1843
  • Dimensions:
    Height: 8.86 in (22.5 cm)Width: 11.62 in (29.5 cm)Depth: 0.08 in (2 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: M-1052751stDibs: LU65035757491

More From This Seller

View All
Howick from Blashaw Wood - Etching by Joseph Banks - 1837
Located in Roma, IT
Howick from Blashaw Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colourin...
Category

1830s Modern Figurative Prints

Materials

Etching

West End of the Four Acre - Etching by Joseph Banks - 1837
Located in Roma, IT
West End of the Four Acre  is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colour...
Category

1830s Modern Figurative Prints

Materials

Etching

Blashaw Dam - Etching by Joseph Banks - 1837
Located in Roma, IT
Blashaw Dam is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed on plate . Beautiful engraving with contemporary colouring. Edition by  R...
Category

1830s Modern Figurative Prints

Materials

Etching

The Hangsman Bank - Etching by Joseph Banks - 1837
Located in Roma, IT
The Hangsman  Bank is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edi...
Category

1830s Modern Figurative Prints

Materials

Etching

The Round Wood - Etching by Joseph Banks - 1837
Located in Roma, IT
The Round Wood is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed in the plate . Beautiful engraving with contemporary colouring. Editio...
Category

1830s Modern Figurative Prints

Materials

Etching

The Crow Wood - Etching by Joseph Banks - 1837
Located in Roma, IT
The Crow Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition ...
Category

1830s Modern Figurative Prints

Materials

Etching

You May Also Like

Rouen; The Cathedral of Notre Dame from the South
By John Taylor Arms
Located in Middletown, NY
Etching on F.J. Head & Co. watermarked cream laid paper, 8 1/8 x 7 5/8 (205 x 184 mm), full margins. Signed and dated in pencil, lower margin. Illustrated in Dorothy Noyes Arms, Chur...
Category

1920s American Modern Landscape Prints

Materials

Laid Paper, Etching

The Acropolis, Athens
By Louis Conrad Rosenberg
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Handmade Paper, Etching

Coutances
By John Taylor Arms
Located in Middletown, NY
Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...
Category

Early 20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

The Grosse Horloge and Fountain, Rouen, Normandy.
Located in Middletown, NY
Etching on cream laid paper with an unknown watermark with an AL inside a ribbon. 10 1/4 x 7 7/8 inches (258 x 187 mm), full margins. Signed, titled, and dated in pencil lower margin. In good condition with one small, very minor 1/4- inch horizontal tear in lower-center quadrant of the image area, in the area of the doorway beneath the arch, very difficult to discern, and completely unobtrusive. 1/2-inch minor horizontal edge tear center sheet edge, bottom margin (outside of image area). Paper tape from a previous hinge at top right and left sheet edges. Light scattered age tone and surface soiling. __________ Perhaps now most famous for one particular illustration for an edition of The Rubaiyat of Omar Khayyam, Sullivan's etching of a skeleton crowned in roses was appropriated by Stanley Mouse and Alton Kelley...
Category

Mid-20th Century Modern Landscape Prints

Materials

Laid Paper, Etching

Shadows of Venice
By John Taylor Arms
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching, Aquatint

From the Ponte Vecchio, Florence
By John Taylor Arms
Located in Middletown, NY
Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Recently Viewed

View All