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(after) Raoul DufyLe Havre - Original Lithograph after Raoul Dufy - 19261926
1926
$673.20
£506.82
€570
CA$927.38
A$1,038.61
CHF 541.93
MX$12,686.14
NOK 6,894.90
SEK 6,499.27
DKK 4,338.92
About the Item
Le Havre is an original artwork realized by Raoul Dufy (Le Havre, 1877 – Forcalquier, 1953) in 1926.
Original Lithograph.
Illustration for "Le Poéte Assassiné" in 1926.
Artist proof on china paper.
A painter, set designer and French draughtsman, Raoul Dufy was influenced by Boudin’s impressionism, he later sided with the Fauves, but his training was irregular, having had to begin work at the age of fourteen. In the incredibly stimulating artistic environment of Paris in those years he approached two elderly Impressionist patriarchs such as Monet and Pissarro, but finally in 1905 the Fauves scandal revealed him a modern and congenial painting, especially in Matisse.From then on, his elegantly decorative theme, almost rabescata, was successfully established in a very wide production, from painting to graphics, from ceramics to textiles, from illustrations to scenography.
- Creator:(after) Raoul Dufy (1877, French)
- Creation Year:1926
- Dimensions:Height: 19.3 in (49 cm)Width: 13.31 in (33.8 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1238451stDibs: LU65038830932
(after) Raoul Dufy
Raoul Dufy (1877 – 1953) was a French Fauvist painter, brother of Jean Dufy. He developed a colorful, decorative style that became fashionable for designs of ceramics and textiles, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, a designer of furniture, and a planner of public spaces. The impressionist landscape painters, such as Claude Monet and Camille Pissarro, influenced Dufy profoundly. Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist, and it directed his interests towards Fauvism. Les Fauves (the wild beasts) emphasized bright color and bold contours in their work. Dufy's painting reflected this aesthetic until about 1909, when contact with the work of Cezanne led him to adopt a subtler technique. It was not until 1920, however, after he had flirted briefly with yet another style, cubism, that Dufy developed his own distinctive approach. It involved skeletal structures, arranged with foreshortened perspective, and the use of thin washes of color applied quickly, in a manner that came to be known as stenographic. Dufy's cheerful oils and watercolors depict events of the time period, including yachting scenes, sparkling views of the French Riviera, chic parties, and musical events.
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